Karin Slaughter - Fractured

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‘No one does American small-town evil more chillingly… Slaughter tells a dark story that grips and doesn't let go' – The Times
‘Without doubt an accomplished, compelling and complex tale, with page-turning power aplenty' – Daily Express
‘Slaughter deftly turns all assumptions on their head… Her ability to make you buy into one reality, then another, means that the surprises – and the violent scenes – keep coming' – Time Out
‘A great read… crime fiction at its finest' – MICHAEL CONNELLY
‘A fast-paced and unsettling story… A compelling and fluid read' – Daily Telegraph
‘Criminally spectacular' – OK!
‘Slaughter knows exactly when to ratchet up the menace, and when to loiter on the more personal and emotional aspects of the victims. Thoroughly gripping, yet thoroughly gruesome stuff' – Daily Mirror
‘Slaughter's plotting is relentless, piling on surprises and twists… A good read that should come with a psychological health warning' – Guardian
‘The writing is lean and mean, and the climax will blow you away' – Independent
‘Karin Slaughter is a fearless writer. She takes us to the deep, dark places other novelists don't dare to go… one of the boldest thriller writers working today' – Tess Gerritsen
‘Confirms her at the summit of the school of writers specialising in forensic medicine and terror… Slaughter's characters talk in believable dialogue. She's excellent at portraying the undertones and claustrophobia of communities where everyone knows everyone else's business, and even better at creating an atmosphere of lurking evil' – The Times
‘Brilliantly chilling' – heat
‘A salutary reminder that Slaughter is one of the most riveting writers in the field today' – Sunday Express
‘Don't read this alone. Don't read this after dark. But do read it' – Daily Mirror
‘With Blindsighted, Karin Slaughter left a great many mystery writers looking anxiously over their shoulders. With Kisscut, she leaves most of them behind' – JOHN CONNOLLY
‘Brilliant plotting and subtle characterisation make for a gruesomely gripping read' – Woman Home
‘Unsparing, exciting, genuinely alarming… excellent handling of densely woven plot, rich in interactions, well characterised and as subtle as it is shrewd' – Literary Review
‘Energetic, suspenseful writing from Slaughter, who spares no detail in this bloody account of violent sexual crime but also brings compassion and righteous anger to it' – Manchester Evening News
‘It's not easy to transcend a model like Patricia Cornwell, but Slaughter does so in a thriller whose breakneck plotting and not-for-the-squeamish forensics provide grim manifestations of a deeper evil her mystery trumpets without ever quite containing' – Kirkus Reviews
‘Slaughter has created a ferociously taut and terrifying story which is, at the same time, compassionate and real. I defy anyone to read it in more than three sittings' – DENISE MINA
‘Wildly readable… [Slaughter] has been compared to Thomas Harris and Patricia Cornwell, and for once the hype is justified…deftly crafted, damnably suspenseful and, in the end, deadly serious. Slaughter's plotting is brilliant, her suspense relentless' – Washington Post
‘Taut, mean, nasty and bloody well written. She conveys a sense of time and place with clarity and definite menace – the finely tuned juxtaposition of sleepy Southern town and urgent, gut-wrenching terror' – STELLA DUFFY

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"Charlie." Amanda stopped him. "Just paint me a story. Adam and Kayla. Go."

He allowed a smile at the situation. "This is all supposition, of course, but we might assume Kayla was chased down this hallway, toward the back staircase. The killer caught up with her about here." He indicated a distance of about three feet behind them. "We found a significant patch of hair, part of the scalp still attached, here." He pointed to another spot on the carpet. "From this we might conclude that she was jerked back by her hair and fell onto the floor. Possibly, this is the point at which she was raped-or not. The probability that she died here is very high."

Amanda looked at her watch again. Like Will, she hated the fact that forensics worked in the couched language of "possibly" and "most likely" instead of dead certainty. She asked, "Is this the part where we get past assumptions and down to hard science?"

"Yes, ma'am," Charlie answered. "As I said before, the blood types make it easier. Kayla was beaten and stabbed here. You can see the cast-off pattern on the wall." He indicated slashes of dark blood. "The killer was in a frenzy, probably furious from chasing her or maybe from seeing her with another man-Adam, you could suppose."

Will asked, "How long would the attack have taken?"

Charlie looked at the walls, the stained floor. "Forty to fifty seconds. Maybe a full minute or two if rape occurred."

"Does anything in the pattern suggest that someone tried to stop him?"

Charlie put his hand to his chin, studying the blood. "No, actually. These arcs are fairly perfect. If he'd been interrupted or someone tried to stop his arm from swinging, we would see more variation. This is extremely uniform, almost like a machine going up and down."

Will supplied, "The coroner says Kayla was stabbed at least twenty times, maybe more."

Charlie moved on to the footprints. "There was definitely a lot of activity after she was dead. You can see from the two sets of footprints that two people-one of them with shoes matching Adam's-walked back and forth here."

"Do you see signs that they struggled?"

Charlie shrugged. "It's hard to say because of the carpet. On a smoother surface, I could tell you where the weight of the foot was, if someone was caught off balance or pressing forward to fight with someone else."

Amanda said, "Best guess."

"Well…" Charlie shrugged again. "It seems probable in the greater context of the scene that there was a struggle. What I can definitely tell you is that at some point, Adam was on his knees beside the body. We've got the blood pattern on his jeans as well as the tops of his shoes. I have a theory that he reached out"-Charlie stretched his arm out near the bloody handprint-"and leaned his hand against the wall as he put his ear to Kayla's mouth."

Will stopped him. "Why do you say that?"

"He's got a light spray of B-negative just around here." He indicated his own ear. "There's also that spray of O-negative on Kayla's abdomen, which you pointed out to me earlier. I'd draw the same conclusion as you-he removed the knife from his own chest while he was bending over her. In fact, we found a mixture of both blood types on the weapon."

"Any fingerprints?"

"Just one set. Preliminarily, we'll say they're Adam's, but they'll have to confirm that at the lab. There were also markings on the knife handle that look consistent with someone wearing latex gloves."

Amanda told Will, "Throw wearing surgical gloves in with him bringing the knife to the scene and we've got premeditated murder."

Will didn't point out that they would have to find the killer before they could charge him. "What about the footprint downstairs?"

"That's where it gets interesting," Charlie began. "Type O-positive."

Amanda said, "Different from the two victims."

"Exactly," Charlie confirmed. "We found several spots on the stairs, a couple more up here. My guess is that whoever the blood belongs to was unconscious. As Will and I suggested, she was carried down the stairs. Either the abductor had to stop at the bottom to reposition her or she came to and started to struggle. Somehow, her foot touched the ground at that one spot."

Will told Amanda, "I've asked Charlie to Lumenol the house top to bottom. I'm curious about where Emma Campano was while her friend was being attacked."

"It follows that she was unconscious somewhere."

"Not here," Charlie supplied. "At least, not by what the blood tells us."

Will said, "We've had a lot of mistakes made today. I want to make sure that footprint downstairs belongs to Emma Campano. She's got a ton of shoes in her closet. Maybe you can get a latent?"

"It's a long shot, but I can certainly try."

Amanda asked, "Did you find any sperm in this area?"

"Nothing."

"But Kayla Alexander had sperm on and in her person."

"Yes."

She told him, "I want a rush DNA comparison against both Adam Humphrey and Paul Campano. Check the master bathroom for hair or any tissue you can find that might belong to the father." She looked at Will, as if waiting for him to object. "I want to know who this girl has been having sex with, consensual or otherwise." She didn't wait for a response, turning on her heel after tossing a "Will?" over her shoulder.

He followed her down the back stairs and into the kitchen. Will tried to get ahead of her on the blame game. "Why didn't you tell me Faith Mitchell's mother was part of my investigation?"

She started opening and closing drawers. "I assumed you would use your brilliant detective skills to make a connection between the two last names."

She was right, but Evelyn Mitchell hadn't been a priority for him for a long time. "Mitchell is a common name."

"I'm glad we have that settled." Amanda found what she was looking for. She held up a kitchen knife, looked at the silver bee on the handle. "Laguiole. Nice."

"Amanda-"

She placed the knife back in the drawer. "Faith will be your partner going forward on this investigation. We've pissed off the Atlanta Police Department enough this year without pulling another major case from them, and I'd rather partner you with a goat than put Leo Donnelly on this."

"I don't want her."

"I don't care," she shot back. "Will, this is a major case I'm handing you. You're thirty-six years old now. You're never going to move up if-"

"We both know this is as far as I'm going to get." He didn't give her room to disagree. "I'm never going to do PowerPoint presentations or stand in front of a chalkboard filling in a timeline."

She pursed her lips, staring at him. He wondered why the disappointment in her eyes bothered him so much. As far as he knew, Amanda didn't have any children or even a family. She wore a wedding ring sometimes, but that seemed to be more for decoration than declaration. For all intents and purposes, she was as much an orphan as he was. Sometimes, he thought that she was like the dysfunctional, passive-aggressive mother he'd never had-a fact which made Will glad that he had grown up in the children's home.

She said, "It's dry erase now. You don't get chalk on your hands."

"Oh, well…sign me up."

She smiled ruefully. "How do you know Paul Campano?"

"I knew him when I was ten years old. We didn't get along."

"Is that why he doesn't want to talk to you?"

"It could be," Will admitted. "But I think my knowing him might also be a way in."

"Hoyt Bentley has posted a fifty-thousand-dollar reward for information leading to his granddaughter's safe return. He wanted to come out of the gate with half a million, but I managed to talk him down."

Will didn't envy her the task. Men like Bentley were used to being able to buy their way out of anything. A more lucrative reward would have backfired in so many ways, including bringing out every fruitcake in the city.

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