Karin Slaughter - Fractured

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‘No one does American small-town evil more chillingly… Slaughter tells a dark story that grips and doesn't let go' – The Times
‘Without doubt an accomplished, compelling and complex tale, with page-turning power aplenty' – Daily Express
‘Slaughter deftly turns all assumptions on their head… Her ability to make you buy into one reality, then another, means that the surprises – and the violent scenes – keep coming' – Time Out
‘A great read… crime fiction at its finest' – MICHAEL CONNELLY
‘A fast-paced and unsettling story… A compelling and fluid read' – Daily Telegraph
‘Criminally spectacular' – OK!
‘Slaughter knows exactly when to ratchet up the menace, and when to loiter on the more personal and emotional aspects of the victims. Thoroughly gripping, yet thoroughly gruesome stuff' – Daily Mirror
‘Slaughter's plotting is relentless, piling on surprises and twists… A good read that should come with a psychological health warning' – Guardian
‘The writing is lean and mean, and the climax will blow you away' – Independent
‘Karin Slaughter is a fearless writer. She takes us to the deep, dark places other novelists don't dare to go… one of the boldest thriller writers working today' – Tess Gerritsen
‘Confirms her at the summit of the school of writers specialising in forensic medicine and terror… Slaughter's characters talk in believable dialogue. She's excellent at portraying the undertones and claustrophobia of communities where everyone knows everyone else's business, and even better at creating an atmosphere of lurking evil' – The Times
‘Brilliantly chilling' – heat
‘A salutary reminder that Slaughter is one of the most riveting writers in the field today' – Sunday Express
‘Don't read this alone. Don't read this after dark. But do read it' – Daily Mirror
‘With Blindsighted, Karin Slaughter left a great many mystery writers looking anxiously over their shoulders. With Kisscut, she leaves most of them behind' – JOHN CONNOLLY
‘Brilliant plotting and subtle characterisation make for a gruesomely gripping read' – Woman Home
‘Unsparing, exciting, genuinely alarming… excellent handling of densely woven plot, rich in interactions, well characterised and as subtle as it is shrewd' – Literary Review
‘Energetic, suspenseful writing from Slaughter, who spares no detail in this bloody account of violent sexual crime but also brings compassion and righteous anger to it' – Manchester Evening News
‘It's not easy to transcend a model like Patricia Cornwell, but Slaughter does so in a thriller whose breakneck plotting and not-for-the-squeamish forensics provide grim manifestations of a deeper evil her mystery trumpets without ever quite containing' – Kirkus Reviews
‘Slaughter has created a ferociously taut and terrifying story which is, at the same time, compassionate and real. I defy anyone to read it in more than three sittings' – DENISE MINA
‘Wildly readable… [Slaughter] has been compared to Thomas Harris and Patricia Cornwell, and for once the hype is justified…deftly crafted, damnably suspenseful and, in the end, deadly serious. Slaughter's plotting is brilliant, her suspense relentless' – Washington Post
‘Taut, mean, nasty and bloody well written. She conveys a sense of time and place with clarity and definite menace – the finely tuned juxtaposition of sleepy Southern town and urgent, gut-wrenching terror' – STELLA DUFFY

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Like it or not, she was stuck with him, and somewhere out there was a missing girl, and two sets of parents who were about to get the worst news of their lives. Faith would do everything she could to help solve this case because at the end of the day, that was all that really mattered. Still, she didn't offer to turn up the Mini's air-conditioning, though Will must have been sweating to death in that ridiculous three-piece suit, and she certainly didn't offer him an olive branch by opening up the conversation. As far as she was concerned, he could sit there with his knees around his ears and boil in his own sweat.

Faith signaled as she pulled out onto Peachtree Street and accelerated into the far right lane, only to come to a complete stop behind a dirt-encrusted pickup truck. They were officially caught up in the hurry-up-and-wait game that was Atlanta's afternoon rush-hour traffic, which started around two-thirty and tapered off at eight. Add in all the construction, and this meant that the five-mile trip to Georgia Tech, which was just across the interstate, would take approximately half an hour. Gone were the Starsky and Hutch days of being able to slap a siren on your roof and blow through traffic. This was Will Trent's case, and if he'd wanted to bypass rush hour, he should have commandeered a cruiser to take them to Tech instead of a bright red Mini with a peace sign on the bumper.

As they inched past the High Museum of Art and Atlanta Symphony Hall, Faith's mind kept going back to the crime scene. She had gotten to the Campano house about ten minutes behind Leo. Faith's mother had always said that the hardest scenes to come onto were the ones involving kids. Her advice was to forget your family, focus on the job and cry about it on your own time. Like every piece of good advice her mother had ever given her, Faith had pushed it aside. It wasn't until she'd walked into that house today that she had realized how true her mother's words had been.

Seeing Adam Humphrey's lifeless body, his sneakers the same brand and color as the ones Faith had bought her own son just the weekend before, had been a punch in the gut. She had stood in the foyer, the heat at her back, feeling as if all the air was gone from her lungs.

"Jeremy," Leo had said, invoking her son. He wasn't offering sympathy. He wanted Faith to form some kind of miraculous mother bond with Abigail Campano and make the woman tell them what the hell had happened.

The Mini shook as a bus rumbled by. They were in a long line of traffic, waiting to take a right turn, when she noticed Will was sniffing his hand. Faith stared out the window as if this was some sort of normal human behavior.

He held out his sleeve. "Does this smell like urine to you?"

She inhaled without thinking, the way you smell bad milk if someone holds it under your nose. "Yes."

He bumped his head against the roof as he leaned up to get his cell phone out of his back pocket. He dialed a number, waited a few seconds, then without preamble told the person at the end of the line, "I think there's urine in the back of Emma's closet. I thought it might be from the dog bed, but I'm pretty sure it was fresh." He nodded as if the other person could see him. "I'll hold."

Faith waited silently. Will's hand was on his knee, his fingers playing with the sharp crease in his pants. He was an average-looking man, probably a few years older than her, which would put him in his mid-thirties. Back at the crime scene, she had noticed a faint scar where his upper lip had been split open and stitched back together in a slightly crooked line. Now, with the late-afternoon sun coming in through the glass roof, she could see another scar jagging from his ear down his neck, following the jugular and disappearing into the collar of his shirt. Faith was no forensics expert, but she would have guessed that someone had come at him with a serrated knife.

Will put his hand up to his face, scratching his jaw, and Faith quickly looked back at the road.

"Good," he said into the phone. "Is there a way to compare it to the O-negative at the bottom of the stairs?" He paused, listening. "Thank you. I appreciate the effort."

Will snapped the phone closed and dropped it in his pocket. Faith waited for an explanation, but he seemed content to keep his thoughts to himself. Maybe he just saw her as his personal driver. Maybe he associated her too closely with Leo Donnelly's mistake. She could not fault him for painting her with the same brush. Faith had been at the scene, had stood by chewing the fat with the mother while all the clues at the scene were waiting to be put together. She was Leo's partner, not his underling. Everything he had missed, Faith had missed, too.

Still, curiosity began to nag at her, then anger started to take hold. She was a detective on the Atlanta police force, not a lackey. Because of her mother's rank, rumors had always followed every promotion Faith received, but everyone on the homicide squad had quickly figured out that she was there because she was a damn good cop. Faith had stopped having to prove herself years ago, and she didn't like being left out now.

She tried to keep her tone even, asking, "Are you going to tell me what that was about?"

"Oh." He seemed surprised, as if he had forgotten she was there. "I'm sorry. I'm not used to working with other people." He turned his body as much as he could to face her. "I think Emma was hiding in the closet. She must have urinated on herself. Charlie said most of it was absorbed by the shoes, but it puddled a little on the floor in the back of the closet. I must've transferred it with my gloves when I searched the dog bed and not realized they were wet."

Faith tried to catch up. "They're going to try to match the DNA in the urine to the blood you think came from Emma at the bottom of the step?"

"If she's a secretor, then they can do a surface match in about an hour."

About eighty percent of the population was categorized as secretors, meaning their blood type showed up in body fluids like saliva and semen. If Emma Campano was a secretor, they could easily tell her blood type by testing the urine.

Faith said, "They'll have to confirm it with DNA, but it's a good start."

"Exactly." He seemed to be waiting for more questions, but Faith didn't have any. Finally he turned back around in his seat.

Faith edged up on the clutch as the light changed. They moved about six feet before the light changed back and traffic stopped. She thought about Emma Campano, kidnapped, reeking of her own urine, her last image that of her best friend lying slaughtered on the ground. It made her want to call her son, even if he would be annoyed to hear from his overprotective mother.

Will started to move around again. She realized he was trying to take off his jacket, bumping his head against the windshield and sideswiping the rearview mirror in the process.

She said, "We're going to be at this light for a while. Just get out of the car and take it off."

He put his hand on the door handle, then stopped, giving a forced chuckle. "You're not going to drive away, are you?"

Faith stared at him in response. He moved with some speed as he got out of the car, removed the jacket and returned to his seat just as the light changed.

"That's better," he said, carefully folding the jacket. "Thank you."

"Put it on the backseat."

He did as he was told, and she rolled the car forward another six feet before the light changed again. Faith had never been good at hating anyone face-to-face. Even with some of the criminals she arrested, she found herself understanding, though certainly not condoning, their actions. The man who had come home to find his wife in bed with his brother and killed them both. The woman who shot the husband who had been abusing her for years. People were not that complicated when it came down to it. Everyone had a reason for everything they did, even if that reason was sometimes stupidity.

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