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Karin Slaughter: Fractured

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Karin Slaughter Fractured

Fractured: краткое содержание, описание и аннотация

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‘No one does American small-town evil more chillingly… Slaughter tells a dark story that grips and doesn't let go' – The Times ‘Without doubt an accomplished, compelling and complex tale, with page-turning power aplenty' – Daily Express ‘Slaughter deftly turns all assumptions on their head… Her ability to make you buy into one reality, then another, means that the surprises – and the violent scenes – keep coming' – Time Out ‘A great read… crime fiction at its finest' – MICHAEL CONNELLY ‘A fast-paced and unsettling story… A compelling and fluid read' – Daily Telegraph ‘Criminally spectacular' – OK! ‘Slaughter knows exactly when to ratchet up the menace, and when to loiter on the more personal and emotional aspects of the victims. Thoroughly gripping, yet thoroughly gruesome stuff' – Daily Mirror ‘Slaughter's plotting is relentless, piling on surprises and twists… A good read that should come with a psychological health warning' – Guardian ‘The writing is lean and mean, and the climax will blow you away' – Independent ‘Karin Slaughter is a fearless writer. She takes us to the deep, dark places other novelists don't dare to go… one of the boldest thriller writers working today' – Tess Gerritsen ‘Confirms her at the summit of the school of writers specialising in forensic medicine and terror… Slaughter's characters talk in believable dialogue. She's excellent at portraying the undertones and claustrophobia of communities where everyone knows everyone else's business, and even better at creating an atmosphere of lurking evil' – The Times ‘Brilliantly chilling' – heat ‘A salutary reminder that Slaughter is one of the most riveting writers in the field today' – Sunday Express ‘Don't read this alone. Don't read this after dark. But do read it' – Daily Mirror ‘With Blindsighted, Karin Slaughter left a great many mystery writers looking anxiously over their shoulders. With Kisscut, she leaves most of them behind' – JOHN CONNOLLY ‘Brilliant plotting and subtle characterisation make for a gruesomely gripping read' – Woman Home ‘Unsparing, exciting, genuinely alarming… excellent handling of densely woven plot, rich in interactions, well characterised and as subtle as it is shrewd' – Literary Review ‘Energetic, suspenseful writing from Slaughter, who spares no detail in this bloody account of violent sexual crime but also brings compassion and righteous anger to it' – Manchester Evening News ‘It's not easy to transcend a model like Patricia Cornwell, but Slaughter does so in a thriller whose breakneck plotting and not-for-the-squeamish forensics provide grim manifestations of a deeper evil her mystery trumpets without ever quite containing' – Kirkus Reviews ‘Slaughter has created a ferociously taut and terrifying story which is, at the same time, compassionate and real. I defy anyone to read it in more than three sittings' – DENISE MINA ‘Wildly readable… [Slaughter] has been compared to Thomas Harris and Patricia Cornwell, and for once the hype is justified…deftly crafted, damnably suspenseful and, in the end, deadly serious. Slaughter's plotting is brilliant, her suspense relentless' – Washington Post ‘Taut, mean, nasty and bloody well written. She conveys a sense of time and place with clarity and definite menace – the finely tuned juxtaposition of sleepy Southern town and urgent, gut-wrenching terror' – STELLA DUFFY

Karin Slaughter: другие книги автора


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Alexander's chin that made Will think she was the one who'd gotten all the attention.

Not anymore. The news crews were still swarming outside. Will was sure every station had broken into regular programming with the story. Thanks to the endless and annoying commercials, the Campano name was well-known to Atlantans. Will wondered if the family's notoriety would help or hinder the case. He also wondered what was happening to Emma Campano right now. Will looked at her picture again. Maybe he was reading too much into it, but there seemed to be an air of reticence about her, as if she expected the photographer to find fault instead of beauty.

"Adam David Humphrey," Faith Mitchell said. Like Will, she was wearing a pair of latex gloves. Also like Will, she was holding an open wallet and a driver's license in her hands. This one belonged to the dead man downstairs. "He's got an Oregon State license. No car registered in his name in either state. The principal at the girls' school has never heard of him and he was never a student there." She handed Will the plastic ID card. Will squinted his eyes at the tiny letters. "One of the guys back at the station is trying to get in touch with the local sheriff up there. The address makes it hard."

He patted his pockets, looking for his glasses. "Why is that?"

Her tone was almost as condescending as Amanda's. "Rural route?"

"Sorry, I left my reading glasses at the office." A rural route with a box number would not necessarily correspond with a physical address. Unless the Humphreys were well-known in town, this added another hoop to jump through before the dead boy's parents could be informed. Will sat back on his heels, studying the license photo of Adam Humphrey. He was a good-looking kid in a geeky sort of way. His mouth was twisted into a grin and his hair was longer in the photo, but there was no mistaking that Adam Humphrey was the man lying dead downstairs. "He's older than I thought."

"Nineteen is still young."

"What's he doing in Atlanta?" Will answered his own question. "College."

Faith checked through the wallet, calling out what she found. "Six dollars cash, a photograph of an older couple-probably grandparents. Wait a minute." The gloves were too long for her fingers, making it difficult for her to dig around. Will waited patiently until she pulled out a photograph. "Is this Emma?"

He compared the photo against the licenses he had found in the two purses. Emma was happier in the picture from the wallet, her mouth open in laughter. "It's her."

Faith looked at them both, then nodded her agreement. "She looks younger than seventeen."

Will said, "Adam's got a thing for Emma, not Kayla. So why is Kayla dead?"

She put the photo back into the wallet and dropped them both in a plastic evidence bag. "Maybe she got in the way."

Will nodded, though the vicious manner in which the girl had been raped and killed made him think there was more to it than that. "We'll know more when Pete does the autopsy. Do the parents want to see her body?"

"The parents don't even know yet." Will's mouth opened to ask why the hell not, but she talked over him. "The school principal told Leo that the Alexanders are on a three-week vacation in New Zealand and Australia. They left emergency contact numbers for their hotels. Leo called the manager at the Mercure Dunedin. He promised he'd get the parents to call as soon as they get back from sightseeing, whenever that might be. There's an eighteen-hour time difference, so it's already tomorrow morning for them." Faith added, "I sent a cruiser to their house on Paces Ferry. No one was home."

"They couldn't have left their daughter alone for three weeks."

"She was seventeen years old. She was old enough to take care of herself." Her face flushed as she seemed to realize that the exact opposite was true.

"Did Abigail Campano give you anything when you talked to her?"

"It was a different conversation. We both thought her daughter was dead."

Will recalled, "She's the one who told you that Kayla would probably be at school."

"Right. She even said, ‘At least Kayla is safe.' "

"Did Leo ask the principal about the girls skipping?"

"She confirmed it's been a problem. Students aren't allowed off campus during lunch, but some of them sneak out and come back in before the bell rings. There's a hole in the security cameras behind the main class building and the kids take advantage of it."

"Send some extra cruisers to the school. Until we know there's no connection, I want to make sure we keep a close eye on the rest of the students. Also, let's try to get a dump on the Alexanders' phone. There has to be an aunt or a family friend who's been checking in on her. Send a uniform to knock on the neighbors' doors. It's coming on suppertime. People should be getting home by now."

She had tucked the wallet under her arm as she wrote down his instructions in her notebook. "Anything else?"

He looked at the book bag, all the papers spilling out of it. "Send someone up here who can work fast to go through all these notes. Tell Leo to talk to the school principal again. I want a list of Kayla and Emma's known acquaintances. If any of the teachers are still at school, tell him to talk to them, see what the girls were like, who they hung out with, then I'll go back at them tomorrow after they've had the night to think about it. The girls were truants, so they might be hanging out with kids from other schools." He stopped, going back to the dead kid downstairs. Finding out who Adam was and what he was doing in Atlanta was the only tangible lead they could follow.

He took out one of his business cards and handed it to her. "Call back that sheriff in Oregon and give him my cell number. Tell him to call me as soon as he gets anything on Adam Humphrey's parents. For now, I want you focused on finding out why Adam was in Atlanta. Track down the college angle first."

She shook her head. "He'd have a college ID on him if he was in school."

"If he came here all the way from Oregon, then it was probably for something specific: law, medicine, art. Start with the big schools first, then move on to the little ones. Emory, Georgia State, Georgia Tech, SCAD, Kennesaw…There has to be a list online."

She was incredulous. "You want me to call every college and university in the city, track down the registrar who's probably already gone for the day, and ask them to tell me without a warrant whether or not they've got Adam Humphrey on their rolls?"

"I do."

The scowl she had given him before had nothing on her expression now.

Will was fed up with her attitude. "Detective Mitchell, I think your anger is commendable, but the fact that I banged up six of your guys for skimming off of drug dealers doesn't mean a hell of a lot to the parents who lost their kids today or the ones who are waiting to find out whether or not their daughter is still alive, and since the Atlanta Police Department mishandled this case from the get-go, and since the only reason you are still involved in this case is because I need people to do my scut work, I expect you to follow directions no matter how mundane or ludicrous my requests seem to you."

She pressed her lips together, fury burning in her eyes as she tucked the photograph back into the wallet. "I'll bag this as evidence and start calling the schools."

"Thank you."

She made to go, then stopped. "And it was seven."

"What?"

"The cops. It was seven that you banged up, not six."

"I stand corrected," was all Will could think to say. She turned on her heel and left the room.

Will let out a deep breath, wondering how long it was going to take before he kicked Faith Mitchell off this case. Then again, it wasn't like he had the whole police department behind him, so maybe he wasn't in a position to be choosey. Even though Faith seemed to despise him as much as the next cop, she was still following orders. There had to be something said for that.

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