Karin Slaughter - Fractured

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Fractured: краткое содержание, описание и аннотация

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‘No one does American small-town evil more chillingly… Slaughter tells a dark story that grips and doesn't let go' – The Times
‘Without doubt an accomplished, compelling and complex tale, with page-turning power aplenty' – Daily Express
‘Slaughter deftly turns all assumptions on their head… Her ability to make you buy into one reality, then another, means that the surprises – and the violent scenes – keep coming' – Time Out
‘A great read… crime fiction at its finest' – MICHAEL CONNELLY
‘A fast-paced and unsettling story… A compelling and fluid read' – Daily Telegraph
‘Criminally spectacular' – OK!
‘Slaughter knows exactly when to ratchet up the menace, and when to loiter on the more personal and emotional aspects of the victims. Thoroughly gripping, yet thoroughly gruesome stuff' – Daily Mirror
‘Slaughter's plotting is relentless, piling on surprises and twists… A good read that should come with a psychological health warning' – Guardian
‘The writing is lean and mean, and the climax will blow you away' – Independent
‘Karin Slaughter is a fearless writer. She takes us to the deep, dark places other novelists don't dare to go… one of the boldest thriller writers working today' – Tess Gerritsen
‘Confirms her at the summit of the school of writers specialising in forensic medicine and terror… Slaughter's characters talk in believable dialogue. She's excellent at portraying the undertones and claustrophobia of communities where everyone knows everyone else's business, and even better at creating an atmosphere of lurking evil' – The Times
‘Brilliantly chilling' – heat
‘A salutary reminder that Slaughter is one of the most riveting writers in the field today' – Sunday Express
‘Don't read this alone. Don't read this after dark. But do read it' – Daily Mirror
‘With Blindsighted, Karin Slaughter left a great many mystery writers looking anxiously over their shoulders. With Kisscut, she leaves most of them behind' – JOHN CONNOLLY
‘Brilliant plotting and subtle characterisation make for a gruesomely gripping read' – Woman Home
‘Unsparing, exciting, genuinely alarming… excellent handling of densely woven plot, rich in interactions, well characterised and as subtle as it is shrewd' – Literary Review
‘Energetic, suspenseful writing from Slaughter, who spares no detail in this bloody account of violent sexual crime but also brings compassion and righteous anger to it' – Manchester Evening News
‘It's not easy to transcend a model like Patricia Cornwell, but Slaughter does so in a thriller whose breakneck plotting and not-for-the-squeamish forensics provide grim manifestations of a deeper evil her mystery trumpets without ever quite containing' – Kirkus Reviews
‘Slaughter has created a ferociously taut and terrifying story which is, at the same time, compassionate and real. I defy anyone to read it in more than three sittings' – DENISE MINA
‘Wildly readable… [Slaughter] has been compared to Thomas Harris and Patricia Cornwell, and for once the hype is justified…deftly crafted, damnably suspenseful and, in the end, deadly serious. Slaughter's plotting is brilliant, her suspense relentless' – Washington Post
‘Taut, mean, nasty and bloody well written. She conveys a sense of time and place with clarity and definite menace – the finely tuned juxtaposition of sleepy Southern town and urgent, gut-wrenching terror' – STELLA DUFFY

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Leo tried to cover himself. "The mother's story held up. There was no way I could-"

"It doesn't matter." Will glanced up. Abigail and Paul Campano were staring over the railing, watching, disbelieving. "Does Kayla have a car?"

Abigail spoke hesitantly. "She drives a white Prius."

Will took out his phone and hit the speed dial. He told Leo, "Try to nail down the old lady on the car-show her a photo array if you have to. Check all 9-1-1 calls coming out of the area in the last five hours. Get your guys to recanvass the neighborhood. There were a lot of joggers out earlier who are probably back home by now. I'll notify highway patrol; there's an on-ramp to the interstate less than a mile from here." Will put the phone to his ear just as Amanda picked up. He didn't waste time with pleasantries. "I need a team here. It looks like we've got a kidnapping."

CHAPTER TWO

EMMA CAMPANOS BEDROOM was almost as big as Wills entire house He hadnt had - фото 6

EMMA CAMPANO'S BEDROOM was almost as big as Will's entire house. He hadn't had his own room as a kid. He hadn't really had his own anything until he turned eighteen and the Atlanta Children's Home gave him a pat on the back and a check from the state. His first apartment was a box, but it was his box. Will could still remember what it felt like to leave his toothbrush and shampoo in the bathroom without having to worry someone else would swipe them-or worse. Even to this day, there was a certain joy he felt from opening the refrigerator and knowing that he could eat anything he wanted.

He wondered if Paul got a similar feeling when he walked through his multimillion-dollar home. Did his chest puff out with pride when he saw the dainty antique chairs and the obviously expensive canvases that hung on the walls? When he locked the front door at night, did he still get that sense of relief that no one had managed to take it all away from him? There was no arguing that the man had made a good life for his family. With the pool out back and the screening room in the basement, you'd never guess he had spent his early years perfecting the role of a juvenile delinquent.

Paul had never been quick, but he was street smart and even as a kid, he knew how to make a dollar. Abigail was obviously the brains in the family. She was right behind Will in figuring out what had really happened that morning in the Campano home. Will had never in his life seen someone so stricken with horror as when the woman realized that she had probably killed an innocent man- worse, an innocent man who might have been trying to help her daughter. She'd become hysterical. A doctor had been called to sedate her.

Typical Paul, he was working the angles before his wife's head hit the pillow. He'd taken out his cell phone and made two calls: one to his attorney and one to his influential father-in-law, Hoyt Bentley. Ten short minutes later, Will's own cell phone had started ringing. Once again, the governor had contacted the director of the Georgia Bureau of Investigation, who had pressed Amanda, and she in turn had pressed Will.

"Don't fuck this up," Amanda had told him in her usual supportive way.

The procedure in kidnapping cases was simple: have a cop with the family at all times and have the family by the phone for the ransom call. Even as the doctor stuck a needle in her arm, Abigail Campano had still refused to leave her home. There was a guest suite in the carriage house. After making sure the apartment was not part of the crime scene, Will had sent the parents there along with Hamish Patel, a GBI hostage negotiator. Paul had bristled about being assigned a babysitter, which meant he either had something to hide or thought he could control the situation without the police getting in his way.

Knowing the way Paul worked, it was probably a little of both. He had been so uncooperative during questioning that Will was actually looking forward to the lawyer showing up so the man could tell his client it was okay to give a straight answer. Or maybe Hamish Patel could work some of his magic. The hostage negotiator had been trained by Amanda Wagner when she'd led the GBI's rapid extraction team. He could pretty much talk the fleas off a dog.

Again following procedure, Will had put out an APB on Kayla Alexander's white Prius and issued a Levi's Call, Georgia's version of the Amber Alert, for Emma Campano. This meant that all the highway message boards in Atlanta as well as radios and television sets in Georgia would carry some sort of warning asking folks to come forward if they saw the car or the girl. Will had also set up traces on all the family telephones and cell phones, but he doubted there was a ransom call coming any time soon.

His gut told him that whoever had taken Emma Campano didn't want her for money. One look at Kayla Alexander told that story. The young woman had been beaten and raped by a sadist who had probably enjoyed every minute of it. There was only one reason to take a hostage from the scene, and it wasn't for cash. All Will could do at this moment was hope that he found something- anything-that pointed the way to the man before he killed again.

Will stood out in the hallway as he watched the crime-scene tech taking photos of Emma Campano's bedroom. He was trying to get a sense of who she was, but nothing stood out except for the fact that she was a tidy young woman. Neatly folded clothes that were waiting to be put up lined the top of a velvet bench with silk tassels and the books on the shelves were stacked in straight rows. Some sort of floral air freshener gave the room a sickly sweet smell. Outside the window, a small wind chime tinkled from a rare summer wind.

Though Emma's personal mark did not stand out, there was no mistaking the space belonged to a very fortunate teenage girl. The four-poster bed had a bright pink coverlet with purple sheets and heart-shaped pillows. The walls were painted a soothing, light lilac that complemented the geometrically patterned shag rugs on the hardwood floor. There was a flat panel television mounted over a large fireplace. Two comfortable-looking chairs were by the window. A book was pressed open on the arm of one-a romance from the look of it. Two purses had been thrown onto the other chair. A backpack was on the floor, stuffed with schoolbooks and loose papers. Two pairs of identical flip-flops had been kicked off by the door. One set was a larger size than the other.

That at least explained why the girls were barefoot.

The tech took a couple more photographs, the flash filling the room. He asked Will, "Anything specific you want me to cover?"

"Can you test the fluid on the bed?" The sheets were bunched up in a knot. The dark purple material made signs of sexual activity obvious.

"I need to get the kit out of my truck," the tech said. "You need anything else?"

Will shook his head and the man left. Outside, a heavy door slammed, making the familiar thumping sound that Will always associated with death. He walked to the window and saw Pete Hanson standing behind the coroner's van, hand flat to the back door as he took a moment to pay his respects to the dead bodies inside. Pete had given Will a preliminary rundown, but they wouldn't have hard facts until the autopsies were performed tomorrow morning.

The Atlanta Police Department had moved from a primary to supportive role now that there was a kidnapping involved. Leo Donnelly was probably calling his accountant at the moment, trying to figure out if he could take early retirement. Will had tossed him the task of tracking down Kayla Alexander's parents and telling them that their daughter had been murdered. That seemed punishment enough, though Amanda might have something to say about that.

Will tugged on a pair of latex gloves as he prepared to search Emma's room. He started with the two purses on one of the chairs. Methodically, Will searched each one. He found pens, tampons, candy, loose change at the bottom-exactly what you'd expect to find in any woman's handbag. The leather wallets in each were identical, both with the same designer logo on them, and he assumed the girls had bought them on a shopping trip together. They each had a Visa card with their name on it. Their driver's license photos showed images of two remarkably similar-looking girls: blond haired, blue eyed. Emma Campano had obviously been the prettier of the two, but there was a defiant tilt to Kayla

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