Lawrence Block - Everybody Dies

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Matthew Scudder is finally leading a comfortable life. He's sober, he's married, and the state just gave him a private investigator's license. He's growing older, and he's even getting respectable. Then Scudder signs on to help his closest and most unlikely friend, the larger-than-life Hell's Kitchen hoodlum Mick Ballou. And all hell breaks loose. Scudder finds out he's not so respectable after all. He learns the spruced-up sidewalks of New York are as mean as they ever were, dark and gritty and stained with blood. And he discovers he's living in a world where the past is a minefield, the present is a war zone, and the future's an open question.

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"No."

"Ah, you'd love it, the two of you."

"You could come along," I said. "Show us around, give us the grand tour."

"Just walk away and let them take what they want," he mused. "Do you know, I've thought of it. It's not my way, but is it my way to fight something I can't see? Let them take it, let them have it all."

"Why not?"

He fell silent, considering the question. Over his big shoulder I saw Andy Buckley lean forward to waft a dart. He lost his balance, and Tom Heaney reached out to set him right. Tom, another Belfast native, worked the bar days, and hardly said a word. He came along when Mick and I had that business in Maspeth. Tom took a bullet that night, and the four of us rode clear out to Mick's farm with Andy at the wheel. Mick got a doctor to patch him up, and Tom hardly said a word throughout the ordeal, and was just as closemouthed afterward.

Someone at the bar was laughing- not, surely, the ever-silent Mr. Dougherty- and at the table near us the man was telling the woman that it was no easier for him than it was for her.

"Maybe it's not supposed to be easy," she said.

I looked across at Mick, wondering if he'd heard what she said. He was forming a response to my question, and then his face changed as he caught sight of something behind me. Before I could turn to see what he was looking at, he was in motion, swatting the little table and sending it flying, cup and saucer and bottle and all, then heaving himself at me across the space where the table had been.

There was a ragged burst of gunfire. Mick hurtled into me and I flew over backward, my chair breaking up into kindling beneath me. I landed on it and he landed on top of me. He had a gun in his fist and he was firing it, snapping off spaced single shots in answer to the bursts of automatic-weapon fire from the doorway.

I caught sight of something sailing overhead. Then there was a loud noise, with shock waves rolling, rolling like the sea. And then there was nothing at all.

I couldn't have been out for very long. I don't remember coming to, but the next thing I knew I was on my feet, with Mick urging me on. He had one big arm around my waist, the hand clutching a battered leather satchel. He'd gone and fetched it from his office, so I must have been unconscious for at least as long as it had taken him to do that. But not much longer than that.

He had a pistol in his other hand, an army-issue.45 with the front sight filed down. I managed a look around but couldn't take in what I was seeing. Chairs and tables were overturned, some of them smashed to splinters. Barstools lay on the tile floor like corpses. The backbar mirror had disappeared, all but a few stray shards still left in the frame. The air was thick with the residue of battle, and my eyes stung from smoke and the fumes of gunpowder and spilled whiskey.

There were bodies scattered around, looking like dolls tossed aside by a thoughtless child. The man and woman who'd been discussing their relationship were together in death, sprawled alongside their overturned table. He was flat on his back with most of his face gone. She lay curled on her side, bent like a fishhook, with the top of her head open and her brains spilling from her shattered skull.

"Come on, man!"

I suppose he was shouting, but his voice didn't sound very loud to me. I guess the bomb blast had left me partially deaf. Everything was slightly muffled, the way it is in an airport when you're fresh off a plane and your ears haven't popped yet.

I heard him and the words registered, but I stayed where I was, rooted to the spot, unable to draw my eyes from them. This is no easier for me than it is for you, he'd told her.

Famous last words…

"They're fucking dead," Mick said, his tone at once brutal and gentle.

"I knew her," I said.

"Ah," he said. "Well, there's fuck-all you can do for her now, and no time to waste trying."

I swallowed, trying to clear my ears. It was like getting off a plane m the middle of a war zone, I thought. Smelling the cordite and the death, and stepping over bodies on the way to the baggage claim.

One such body lay in the doorway, a small man with delicate Asian features. He was wearing black pants and a lime green shirt, and at first I took it for one of those Hawaiian shirts with tropical flowers on it. But it was a solid-color shirt and the flowers were three bullet holes and his blood supplied the petals.

Resting in the crook of his arm was the automatic rifle with which he'd sprayed the room.

Mick stopped long enough to snatch up the gun, then gave the dead man a solid boot in the side of the head. "Go straight to hell, you fucker," he said.

A car stood at the curb, a big old Chevy Caprice, the body badly pitted with rust. Andy Buckley was behind the wheel and Tom Heaney was standing alongside the open door, a gun in his hand, covering our exit.

We dashed across the sidewalk. Mick shoved me into the back seat, piled in after me. Tom got in front next to Andy. The car was moving before the doors were shut.

I could hear sirens. Imperfectly, as I heard everything, but I could hear them. Sirens, coming our way.

"You're all right, Andy?"

"I'm fine, Mick."

"Tom?"

"No harm, sir."

"Good job you were both in the back. What hell they made of Grogan's, eh? The fuckers."

We'd headed north on the West Side Drive, then cut over to the Deegan at some point. Andy offered more than once to drop me and Mick wherever we wanted to go, but that wasn't what Mick wanted. He said he wasn't sure yet where he'd be staying, and wanted a car.

"Well, this here's a step down from the Caddy," Andy said. "But it was just down the block, and a lot quicker than getting yours out of the garage."

"It'll do me fine," Mick said. "And I'll take good care of it."

"This piece of shit? You treat it nice, it'll die of shock." He slapped the steering wheel. "She runs good, though. And the body damage is a plus, far as I'm concerned. You can park it on the street and know it's gonna be there when you come back for it."

We drove through the Bronx, a part of town I know hardly at all. I lived there briefly as a child, upstairs of the little shoe store my father opened- and closed, whereupon we moved to Brooklyn. The building where we lived is gone, the whole block bulldozed for an addition to the Cross-Bronx Expressway, and my recollection of the neighborhood is gone with it.

So I couldn't really keep track of where we were, and I might have been equally lost in more familiar terrain, my hearing still imperfect and my whole inner self numb and befogged. There wasn't much conversation, but I missed a portion of what there was, tuning in and out.

Tom said he'd walk from Andy's house, there was no need to take him to his door, and Andy said it was easy enough to run him home, that it wasn't far at all. Mick said near or far we'd drop Tom at his home, for God's sake.

Andy said, "You're in the same place, Tom? Perry Avenue?" and Tom nodded. We drove there through unfamiliar streets and Tom got out in front of a little box of a house clad in asphalt siding. Mick said he'd be in touch, and Tom nodded and trotted to the door and stuck his key in the lock, and Andy turned the car around.

At a red light he said, "Mick, are you sure I can't run you back to the city? You can keep this car and I'll get a subway home."

"Don't be silly."

"Or you can pick up the Caddy. Or I'll get the Caddy, whatever you say."

"Drive yourself home, Andy."

Andy lived on Bainbridge Avenue, on the other side of the Mosholu Parkway from Tom. He pulled up in front of his house and got out of the car. Mick leaned out the window and motioned him over, and Andy walked around the car and leaned against it with his hand on the roof. "My best to your mother," Mick said.

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