Harlan Coben - Just One Look

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From Publishers Weekly
Just one look at Coben's latest stand-alone thriller (after No Second Chance) highlights the author's customary strengths (swift pacing, strong lead characters) but also his weaknesses, including limited originality and, in this case, a plot so complicated that many final pages are devoted to sorting it out. The premise is simple enough: suburban housewife Grace Lawson collects some pictures at the local Photomat; inexplicably, one is an old print depicting her husband, Jack, with other college students; when Grace shows the photo to Jack, he drives away-and disappears. Grace's hunt for her missing husband, whom we learn has been kidnapped (but why? and Coben fans will note that the author's last novel also hinged on a kidnapped family member), sweeps her back into a nightmare she thought she'd escaped: the evening years ago when she survived a rock concert rampage, occasioned by a shooting that left many dead. Meanwhile, Eric Wu, a-dare we say?-inscrutable martial-arts killer who has snatched Jack for reasons unknown, menaces assorted folk. Eventually Grace, aided by a Gotti-like mobster whose child was killed in the rampage, gloms on to Wu, as well as on to Jack's sister, a high-powered attorney who, it turns out, is representing the guy who started the rampage by firing his gun. Only he didn't start the rampage after all, and then there's the rock star who vanished after the shooting and resultant mayhem-what's he now doing on Grace's doorstep? This is all as complicated as a thousand-piece jigsaw puzzle and about as hard to figure out, although in the midst of the murk there are some wonderful character touches. Coben can write thrillers that lift readers off their seats; this one, alas, will have them slumping.
From Booklist
If the trick of suspense writing is to get readers to identify so passionately with the beleaguered principal character that they disappear into the story, feeling the knife points of tension themselves, then Coben is the Houdini of the form. Coben, who has won the Trifecta of mystery writing-the Edgar, the Anthony, and the Shamus Awards-likes to burst the bubble of suburban security by having his characters' well-ordered, happy lives upended in ways that mirror readers' fears. In his four stand-alone thrillers, the past comes back to bite or haunt the protagonist, or the present vanishes in one fatal moment. In this latest excursion into the dark, a suburban mother finds one picture that does not belong in the pack of family outing photos she's just picked up. The picture, showing a group of college students, seems as if it was taken 20 years ago. One of the group looks like her husband. A girl in the group has an X drawn across her face. When Mrs. Happily Married shows the picture to her husband, he seems shaken, then leaves home. Coben ratchets up the suspense of the wife trying to find her husband with another drama, that of a serial killer in the neighborhood. A tragic accident from the woman's past intersects with her husband's secrets and the movements of the killer in ways that are satisfyingly creepy.

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Grace couldn’t move.

“Please tell me how you got that picture.”

She felt the tears coming, but she would not let herself cry. Stupid. Macho. But she would not cry. She said it again, about going to the Photomat, and getting that packet. Still straddling her back, his knees on the other side of her hips, he put his index finger on the damaged bottom of the rib cage. Grace tried to buck. He found the spot where it hurt the most and rested the tip of his finger right there. For a moment he did not do anything. She bucked more. She flung her head back and forth. She flailed. He just waited a second. Then another.

And then he jammed the finger between two broken ribs.

Grace screamed.

The voice unchanged: “Please tell me how you got that picture.”

Now she did cry. He let her. She started explaining again, changing her words, hoping it would sound more believable, more convincing. He did not say a word.

He rested the index finger on the damaged rib again.

That was when a cell phone rang.

The man sighed. He put his hands on her back and lifted himself off. The ribs screamed again. Grace heard a whimpering sound and realized that it was coming from her. She made herself stop. She managed to glance over her shoulder. He kept his eyes on her, took the phone from his pocket, snapped it open.

“Yes.”

One thought in her head: Go for the gun.

He stared down at her. She almost didn’t care. Going for the gun right now would be suicide, but her thoughts were base-escape the pain. Whatever the cost. Whatever the risk. Escape the pain.

The man kept the phone by his ear.

Emma and Max. Their faces floated toward her in something of a haze. Grace encouraged the vision. And something odd happened then.

Lying there, still on her stomach, her cheek pressed to the floor, Grace smiled. Actually smiled. Not from feelings of maternal warmth, though that might be part of it, but with specific memory.

When she was pregnant with Emma, she told Jack that she wanted to do natural childbirth and that she did not want to take any drugs. She and Jack dutifully attended Lamaze class every Monday night for three months. They practiced breathing techniques. Jack would sit behind her and rub her belly. He would go “hee hee hoo hoo.” She would copy him. Jack even bought a shirt that read “Coach” on the front and “Team Healthy Baby” on the back. He wore a whistle around his neck.

When the contractions began, they rushed to the hospital all prepared, all ready for their hard work to pay off dividends. Once there, Grace felt a stronger contraction. They started doing their breathing. Jack would go “hee hee hoo hoo.” Grace would follow suit. It worked wonderfully well right up until the very moment Grace started to, well, started to feel pain.

Then the insanity of their plan-when did “breathing” become a euphemism for “painkiller”?-became apparent. It washed away the macho idiocy of “taking the hurt,” a concept idiotically male in the first place, and reason, calm reason, finally came to her.

She reached out then, grabbed a part of Jack’s anatomy, pulled him close so he could hear her. She told him to find an anesthesiologist. Now. Jack said he would, the moment she released said anatomy. She obliged. He ran and found an anesthesiologist. But by then it was too late. The contractions were too far along.

And the reason Grace was smiling now, some eight years after the fact, was that the pain that day was at least this bad, probably worse. She had taken it. For her daughter. And then, miraculously, she had been willing to risk it again for Max.

So bring it on, she thought.

Maybe she was delirious. Nothing maybe about it. She was. But she didn’t care. The smile stayed in place. Grace could see Emma’s beautiful face. She saw Max’s face too. She blinked and they were gone. But that didn’t matter anymore. She looked at the cruel man on the phone.

Bring it on, you sick son of a bitch. Bring it on.

He finished with his phone call. He moved back toward her. She was still on her stomach. He straddled her again. Grace closed her eyes. Tears squeezed out of them. She waited.

The man took hold of both of her hands and pulled them behind her back. He wrapped duct tape around them and stood. He pulled her so that she was on her knees, her hands bound behind her back. The ribs ached but the pain was manageable for now.

She looked up at him.

He said, “Don’t move.”

He turned away and left her alone then. She listened. She heard a door open and then the sound of footsteps.

He was heading down into the basement.

She was alone.

Grace struggled to free her arms, but they were wrapped tightly. No way to reach the gun. She debated trying to stand and run, but that would be futile at best. The position of her arms, the searing pain in her ribs, and of course, the fact that she was a major gimp under the best of circumstances-add it up and it didn’t look like a sound alternative.

But could she slip her hands under herself?

If she could do that, if she could get her hands, even bound, to the front of her body, she could go for the gun.

It was a plan.

Grace had no idea how long he’d be gone-not long, she figured-but she had to chance it.

Her shoulders rolled back in their sockets. Her arms straightened. Every movement-every breath-set the ribs afire. She fought through it. She stood and bent at the waist. She forced her hands down.

Progress.

Still standing, she bent the knees and squirmed. She was getting close. Footsteps again.

Damn, he was heading back up the stairs.

She was caught in the middle, her bound hands under her buttocks.

Hurry, dammit. One way or the other. Put the hands back behind her or keep going.

She chose to keep going. Keep going forward.

This was going to end here and now.

The footsteps were slow. Heavier. It sounded like he was dragging something with him.

Grace pushed harder. Her hands were stuck. She bent more at the waist and knees. The pain made her head swim. She closed her eyes and swayed. She pulled up, willing to dislocate her shoulders if it would help her get through.

The footsteps stopped. A door closed. He was here.

She forced her arms through. It worked. They came out in front of her.

But it was too late. The man was back. He stood in the room, not five feet from her. He saw what she had done. But Grace did not notice that. She was, in fact, not looking at the man’s face at all. She stared openmouthed at the man’s right hand.

The man let go. And there, falling to the floor by his side, was Jack.

chapter 46

Grace dove toward him. “Jack? Jack?”

His eyes were closed. His hair was matted to his forehead. Her hands were still bound, but she was able to hold his face. Jack’s skin was clammy. His lips were dry and caked over. There was duct tape around his legs. A handcuff hung around his right wrist. She could see scabs on his left wrist. It had been cuffed too, for a long time judging by the marks.

She called his name again. Nothing. She lowered her ear to his mouth. He was breathing. She could see that. Shallow, but he was breathing. She shifted around and put his head in her lap. Her rib pain screamed but that was irrelevant now. He lay flat on his back, her lap his pillow. Her mind fell back to the grape groves in that vineyard in Saint-Emilion. They’d been together about three months by then, totally infatuated, jammed neatly in that sprint-across-the-park, thumping-of-the-heart-whenever-you-see-the-person stage. She packed some pâté, some cheese, wine of course. The day had been sun-kissed, the sky the kind of blue that made you believe in the angels. They’d lain down on a red tartan blanket, his head in her lap like this, she stroking his hair. She’d spent more time staring at him than the natural wonders that surrounded them. She’d traced his face with her fingers.

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