Harlan Coben - Just One Look

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From Publishers Weekly
Just one look at Coben's latest stand-alone thriller (after No Second Chance) highlights the author's customary strengths (swift pacing, strong lead characters) but also his weaknesses, including limited originality and, in this case, a plot so complicated that many final pages are devoted to sorting it out. The premise is simple enough: suburban housewife Grace Lawson collects some pictures at the local Photomat; inexplicably, one is an old print depicting her husband, Jack, with other college students; when Grace shows the photo to Jack, he drives away-and disappears. Grace's hunt for her missing husband, whom we learn has been kidnapped (but why? and Coben fans will note that the author's last novel also hinged on a kidnapped family member), sweeps her back into a nightmare she thought she'd escaped: the evening years ago when she survived a rock concert rampage, occasioned by a shooting that left many dead. Meanwhile, Eric Wu, a-dare we say?-inscrutable martial-arts killer who has snatched Jack for reasons unknown, menaces assorted folk. Eventually Grace, aided by a Gotti-like mobster whose child was killed in the rampage, gloms on to Wu, as well as on to Jack's sister, a high-powered attorney who, it turns out, is representing the guy who started the rampage by firing his gun. Only he didn't start the rampage after all, and then there's the rock star who vanished after the shooting and resultant mayhem-what's he now doing on Grace's doorstep? This is all as complicated as a thousand-piece jigsaw puzzle and about as hard to figure out, although in the midst of the murk there are some wonderful character touches. Coben can write thrillers that lift readers off their seats; this one, alas, will have them slumping.
From Booklist
If the trick of suspense writing is to get readers to identify so passionately with the beleaguered principal character that they disappear into the story, feeling the knife points of tension themselves, then Coben is the Houdini of the form. Coben, who has won the Trifecta of mystery writing-the Edgar, the Anthony, and the Shamus Awards-likes to burst the bubble of suburban security by having his characters' well-ordered, happy lives upended in ways that mirror readers' fears. In his four stand-alone thrillers, the past comes back to bite or haunt the protagonist, or the present vanishes in one fatal moment. In this latest excursion into the dark, a suburban mother finds one picture that does not belong in the pack of family outing photos she's just picked up. The picture, showing a group of college students, seems as if it was taken 20 years ago. One of the group looks like her husband. A girl in the group has an X drawn across her face. When Mrs. Happily Married shows the picture to her husband, he seems shaken, then leaves home. Coben ratchets up the suspense of the wife trying to find her husband with another drama, that of a serial killer in the neighborhood. A tragic accident from the woman's past intersects with her husband's secrets and the movements of the killer in ways that are satisfyingly creepy.

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The school was out of sight now. “Turn right.”

Grace obeyed.

Her captor, if that’s what you wanted to call him, had said that he was taking her to Jack. She did not know if that was true or not, but she somehow suspected that it was. She was sure, of course, that he was not doing this out of the goodness of his heart. She had been warned. She had gotten too close. He was dangerous-she didn’t need to see the gun in his waistband to know that. There was a crackle around him, an electricity, and you knew, just knew, that this man always left devastation in his path.

But Grace desperately needed to see where this led. She had her gun in the ankle holster. If she stayed smart, if she was careful, she would have the element of surprise. That was something. So for now she would go along. There was really no alternative anyway.

She was worried about working the gun and the holster. Would the gun come out smoothly? Would the gun really just fire when she pulled the trigger? Did you really just aim and pull? And even if she could get the gun from the holster in time-something doubtful with the way this guy was watching her-what would she do? Point it at him and demand he take her to Jack?

She couldn’t imagine that working.

She couldn’t just shoot him either. Forget the ethical dilemma or the question of if she’d be brave enough to pull the trigger. He, this man, might be her only connection to Jack. If she killed him, where would that leave her? She’d have silenced her only solid clue, maybe her only chance, to find Jack.

Better to wait and play it out. As if she had a choice.

“Who are you?” Grace asked.

Total stone face. He took hold of her purse and emptied the contents into his lap. He went through it, sifting and tossing items into the backseat. He found her cell phone, removed the battery, threw it in the back.

She kept peppering him with questions-where is my husband, what do you want with us-but he continued to ignore her. When they reached a stoplight, the man did something that she did not expect.

He rested his hand on her bad knee.

“Your leg was damaged,” he said.

Grace was not sure how to respond to this. His touch was light, almost feathery. And then without warning his fingers dug down with steel talons. They actually burrowed beneath the kneecap. Grace buckled. The tips of the man’s fingers disappeared into the hollow where the knee meets the shinbone. The pain was so sudden, so enormous, that Grace could not even scream. She reached out and grabbed his fingers, tried to pry them out of her knee, but there was absolutely no give. His hand felt like a concrete block.

His voice was barely a whisper. “If I dig in a little more and then pull…”

Her head was swimming. She was close to losing consciousness.

“… I could tear your kneecap right off.”

When the light turned green, he let go. Grace nearly collapsed in relief. The whole incident had probably taken less than five seconds. The man looked at her. There was the smallest hint of a smile on his face.

“I’d like you to stop talking now, okay?”

Grace nodded.

He faced forward. “Keep driving.”

***

Perlmutter called in the APB. Charlaine Swain had had the good sense to get both the make and license plate. The car was registered to Grace Lawson. No surprise there. Perlmutter was in an unmarked car now, heading toward the school. Scott Duncan was with him.

“So who is this Eric Wu?” Duncan asked.

Perlmutter debated what to tell him but saw no reason to hold this back. “To date we know he broke into a house, assaulted the owner in such a way as to leave him temporarily paralyzed, shot another man, and my guess is, he killed Rocky Conwell, the guy who was following Lawson.”

Duncan had no response.

Two other police cars were already on the scene. Perlmutter did not like that-marked cars at a school. They’d had the good sense, at least, to not use their sirens. That was something. The parents picking up offspring reacted in two ways. Some hurried their kids to their cars, hands on their shoulders, shielding them as though from gunfire. Others let curiosity rule the day. They walked over, oblivious or in a state of denial that there could be any danger in so innocent a setting.

Charlaine Swain was there. Perlmutter and Duncan hurried toward her. A young uniformed cop named Dempsey was asking her questions and taking notes. Perlmutter shooed him away and asked, “What happened?”

Charlaine told him about coming to school, keeping an eye out for Grace Lawson because of what he, Perlmutter, had said. She told him about seeing Eric Wu with Grace.

“There was no overt threat?” he asked.

Charlaine said, “No.”

“So she might have gone him with him voluntarily.”

Charlaine Swain flicked a glance at Scott Duncan, then back to Perlmutter. “No. She didn’t go voluntarily.”

“How do you know?”

“Because Grace came alone to pick up her kids,” Charlaine said.

“So?”

“So she wouldn’t just voluntarily leave them like that. Look, I couldn’t call you guys right away when I saw him. He was able to make me freeze from across a schoolyard.”

Perlmutter said, “I’m not sure I understand.”

“If Wu could do that to me from that far away,” Charlaine said, “imagine what he’d be able to do to Grace Lawson when he was right next to her, whispering in her ear.”

Another uniformed officer named Jackson came sprinting over to Perlmutter. His eyes were wide and Perlmutter could see he was trying everything he could not to panic. The parents picked up on it too. They took a step away.

“We found something,” Jackson said.

“What?”

He leaned in closer so no one would overhear. “A van parked two blocks away. I think you should come see this.”

***

She should use the gun now.

Grace’s knee throbbed. It felt as if someone had set off a bomb inside the joint. Her eyes were wet from holding back tears. She wondered if she’d be able to walk when they stopped.

She sneaked glances at the man who had hurt her so. Whenever she did, he was watching her, that bemused look still on his face. She tried to think, tried to organize her thoughts, but she kept flashing back to his hand on her knee.

He had been so casual about causing her such pain. It would have been one thing if he’d been emotional about it, one way or the other, if he’d been moved to either ecstasy or revulsion, but there had been nothing there. Like hurting someone was paperwork. No strain, no sweat. His boast, if you want to call it that, had not been idle: If he’d so desired, he could have twisted off her kneecap like a bottle top.

They had crossed the state line and were in New York now. She was on Interstate 287 heading toward the Tappan Zee Bridge. Grace did not dare speak. Her mind, naturally enough, kept going back to the children. Emma and Max would have come out of the school by now. They would have looked for her. Would they have been brought to the office? Cora had seen Grace in the schoolyard. So had several other mothers, Grace was sure. Would they say or do something?

This was all irrelevant and, more than that, a waste of mental energy. Nothing she could do about it. Time to concentrate on the task at hand.

Think about the gun.

Grace tried to rehearse in her mind how it would go. She would reach down with both hands. She would pull her cuff up with her left and grab the weapon with her right. How was it strapped in? Grace tried to remember. There was a strip covering the top, wasn’t there? She had snapped it into place. It kept the gun secure, so it wouldn’t jerk around. She’d have to unsnap that. If she just tried to pull the gun free, it would get caught.

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