Harlan Coben - Just One Look

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From Publishers Weekly
Just one look at Coben's latest stand-alone thriller (after No Second Chance) highlights the author's customary strengths (swift pacing, strong lead characters) but also his weaknesses, including limited originality and, in this case, a plot so complicated that many final pages are devoted to sorting it out. The premise is simple enough: suburban housewife Grace Lawson collects some pictures at the local Photomat; inexplicably, one is an old print depicting her husband, Jack, with other college students; when Grace shows the photo to Jack, he drives away-and disappears. Grace's hunt for her missing husband, whom we learn has been kidnapped (but why? and Coben fans will note that the author's last novel also hinged on a kidnapped family member), sweeps her back into a nightmare she thought she'd escaped: the evening years ago when she survived a rock concert rampage, occasioned by a shooting that left many dead. Meanwhile, Eric Wu, a-dare we say?-inscrutable martial-arts killer who has snatched Jack for reasons unknown, menaces assorted folk. Eventually Grace, aided by a Gotti-like mobster whose child was killed in the rampage, gloms on to Wu, as well as on to Jack's sister, a high-powered attorney who, it turns out, is representing the guy who started the rampage by firing his gun. Only he didn't start the rampage after all, and then there's the rock star who vanished after the shooting and resultant mayhem-what's he now doing on Grace's doorstep? This is all as complicated as a thousand-piece jigsaw puzzle and about as hard to figure out, although in the midst of the murk there are some wonderful character touches. Coben can write thrillers that lift readers off their seats; this one, alas, will have them slumping.
From Booklist
If the trick of suspense writing is to get readers to identify so passionately with the beleaguered principal character that they disappear into the story, feeling the knife points of tension themselves, then Coben is the Houdini of the form. Coben, who has won the Trifecta of mystery writing-the Edgar, the Anthony, and the Shamus Awards-likes to burst the bubble of suburban security by having his characters' well-ordered, happy lives upended in ways that mirror readers' fears. In his four stand-alone thrillers, the past comes back to bite or haunt the protagonist, or the present vanishes in one fatal moment. In this latest excursion into the dark, a suburban mother finds one picture that does not belong in the pack of family outing photos she's just picked up. The picture, showing a group of college students, seems as if it was taken 20 years ago. One of the group looks like her husband. A girl in the group has an X drawn across her face. When Mrs. Happily Married shows the picture to her husband, he seems shaken, then leaves home. Coben ratchets up the suspense of the wife trying to find her husband with another drama, that of a serial killer in the neighborhood. A tragic accident from the woman's past intersects with her husband's secrets and the movements of the killer in ways that are satisfyingly creepy.

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Wu found a strong pipe and chained Lawson to it. He also cuffed his arms behind his back around a support wall. He put the gag back into his mouth.

Then he decided to test the binds.

“You should have gotten every copy of that photograph,” Wu whispered.

Jack Lawson’s eyes rolled up.

“Now I’ll have to pay your wife a visit.”

Their gazes locked. A second passed, no more, and then Lawson sprang to life. He began to flail. Wu watched him. Yes, this would be a good test. Lawson struggled for several minutes, a fish dying on the line. Nothing gave way.

Wu left him alone then, still fighting his chains, to find Grace Lawson.

chapter 39

Grace did not want to stay for the press conference.

Being in the same room with all these mourners… She didn’t like to use the term “aura,” but it seemed to fit. The room had a bad aura. Shattered eyes stared at her with a yearning that was palpable. Grace understood, of course. She was no longer the conduit to their lost children – too much time had passed for that. Now she was the survivor. She was there, alive and breathing, while their children rotted in the grave. On the surface there was still affection, but beneath that Grace could feel rage at the unfairness of it all. She had lived – their children had not. The years had offered no reprieve. Now that Grace had children of her own, she understood in a way that would have been impossible fifteen years ago.

She was about to slide out the back door when a hand took firm hold of her wrist. She turned and saw it was Carl Vespa.

“Where are you going?” he asked.

“Home.”

“I’ll give you a ride.”

“That’s okay. I can hire a car.”

His hand, still on her wrist, tightened for a brief moment and again Grace thought she saw something detonate behind his eyes. “Stay,” he said.

It was not a request. She searched his face, but it was oddly calm. Too calm. His demeanor – so off with the surroundings, so different from the flash of fury she’d seen last night – frightened her anew. Was this really the man she was trusting with her children’s lives?

She sat next to him and watched Sandra Koval and Wade Larue take to the podium. Sandra pulled the microphone closer and started up with the standard clichés about forgiveness and starting over and rehabilitation. Grace watched the faces around her shut down. Some cried. Some pursed their lips. Some visibly shook.

Carl Vespa did none of that.

He crossed his legs and leaned back. He surveyed the proceedings with a casualness that scared her more than the worst scowl. Five minutes into Sandra Koval’s statement, Vespa’s eyes shifted toward Grace. He saw that she’d been watching him. Then he did something that made her shiver.

He winked at her.

“Come on,” he whispered. “Let’s get out of here.”

With Sandra still talking, Carl Vespa rose and headed for the door. Heads turned and there was a brief hush. Grace followed. They took the elevator down in silence. The limousine was right out front. The big burly guy was in the driver’s seat.

“Where’s Cram?” Grace asked.

“On an errand,” Vespa said, and Grace thought she saw the trace of a smile. “Tell me about your meeting with Ms. Koval.”

Grace recounted her conversation with her sister-in-law. Vespa stayed silent, gazing out the window, his index finger gently tapping his chin. When she finished, he asked, “Is that everything?”

“Yes.”

“Are you sure?”

She did not like the lilt in his tone.

“What about your recent” – Vespa looked up, scanning for the word – “visitor?”

“You mean Scott Duncan?”

Vespa had the oddest grin. “You are aware, of course, that Scott Duncan works for the U.S. attorney’s office.”

“Used to,” she corrected.

“Yes, used to.” His voice was too relaxed. “What did he want with you?”

“I told you.”

“Did you?” He shifted in his chair, but he still did not face her. “Did you tell me everything?”

“What’s that supposed to mean?”

“Just a question. Was this Mr. Duncan your only recent visitor?”

Grace did not like how this was going. She hesitated.

“Nobody else you’d like to tell me about?” he continued.

She tried to search his face for a clue, but he kept it turned away from her. What was he talking about? She mulled it over, replayed the past few days…

Jimmy X?

Could Vespa somehow know about Jimmy stopping by after his concert? It was possible, of course. He had found Jimmy in the first place – it would stand to reason that he’d have someone following him. So what should Grace do here? Would saying something now just compound the issue? Maybe he didn’t know about Jimmy. Maybe opening her mouth now would just get her in deeper trouble.

Play it vague, she thought. See where it goes. “I know I asked for your help,” she said, her tone deliberate. “But I think I’d like to handle this on my own now.”

Vespa finally turned toward her and faced her full. “Really?”

She waited.

“Why is that, Grace?”

“Truth?”

“Preferably.”

“You’re scaring me.”

“You think I’d harm you?”

“No.”

“Then?”

“I just think it might be best -”

“What did you tell him about me?”

The interruption caught her off guard. “Scott Duncan?”

“Is there anyone else you talked to about me?”

“What? No.”

“So what did you say to Scott Duncan about me?”

“Nothing.” Grace tried to think. “What could I tell him anyway?”

“Good point.” He nodded, more to himself than at Grace. “But you were never very specific on why Mr. Duncan paid you this visit.” Vespa folded his hands and put them on his lap. “I’d very much like to know the details.”

She didn’t want to tell him – didn’t want him involved anymore – but there was no way to avoid it. “It’s about his sister.”

“What about her?”

“Do you remember the girl crossed out in that picture?”

“Yes.”

“Her name was Geri Duncan. She was his sister.”

Vespa frowned. “And that’s why he came to you?”

“Yes.”

“Because his sister was in the photograph?”

“Yes.”

He sat back. “So what happened to her, this sister?”

“She died in a fire fifteen years ago.”

Vespa surprised Grace then. He didn’t ask a follow-up question. He didn’t ask for clarification. He simply turned away and stared out the window. He did not speak again until the car pulled into the driveway. Grace opened the door to get out, but there was some kind of locking system on it, like the safety lock she’d used when the kids were small, and she could not open it from the inside. The burly driver came around and took hold of the door handle. She wanted to ask Carl Vespa what he planned on doing now, if he’d indeed leave them alone, but his body language was wrong.

Calling him in the first place had been a mistake. Telling him she wanted him out of this may have compounded it.

“I’ll keep my men on until you pick up the children from school,” he said, still not facing her. “Then you’ll be on your own.”

“Thank you.”

“Grace?”

She looked back at him.

“You should never lie to me,” he said.

His voice was ice. Grace swallowed hard. She wanted to argue, to tell him that she hadn’t, but she worried that it would sound too defensive – protesting too much. So she simply nodded.

There were no good-byes. Grace headed up the walk alone. Her step teetered from something more than the limp.

What had she done?

She wondered about her next step. Her sister-in-law had said it best: Protect the children. If Grace were in Jack’s shoes, if she had gone missing for whatever reason, that would be what she’d want. Forget me, she’d tell him. Keep the children safe.

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