Harlan Coben - Just One Look

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From Publishers Weekly
Just one look at Coben's latest stand-alone thriller (after No Second Chance) highlights the author's customary strengths (swift pacing, strong lead characters) but also his weaknesses, including limited originality and, in this case, a plot so complicated that many final pages are devoted to sorting it out. The premise is simple enough: suburban housewife Grace Lawson collects some pictures at the local Photomat; inexplicably, one is an old print depicting her husband, Jack, with other college students; when Grace shows the photo to Jack, he drives away-and disappears. Grace's hunt for her missing husband, whom we learn has been kidnapped (but why? and Coben fans will note that the author's last novel also hinged on a kidnapped family member), sweeps her back into a nightmare she thought she'd escaped: the evening years ago when she survived a rock concert rampage, occasioned by a shooting that left many dead. Meanwhile, Eric Wu, a-dare we say?-inscrutable martial-arts killer who has snatched Jack for reasons unknown, menaces assorted folk. Eventually Grace, aided by a Gotti-like mobster whose child was killed in the rampage, gloms on to Wu, as well as on to Jack's sister, a high-powered attorney who, it turns out, is representing the guy who started the rampage by firing his gun. Only he didn't start the rampage after all, and then there's the rock star who vanished after the shooting and resultant mayhem-what's he now doing on Grace's doorstep? This is all as complicated as a thousand-piece jigsaw puzzle and about as hard to figure out, although in the midst of the murk there are some wonderful character touches. Coben can write thrillers that lift readers off their seats; this one, alas, will have them slumping.
From Booklist
If the trick of suspense writing is to get readers to identify so passionately with the beleaguered principal character that they disappear into the story, feeling the knife points of tension themselves, then Coben is the Houdini of the form. Coben, who has won the Trifecta of mystery writing-the Edgar, the Anthony, and the Shamus Awards-likes to burst the bubble of suburban security by having his characters' well-ordered, happy lives upended in ways that mirror readers' fears. In his four stand-alone thrillers, the past comes back to bite or haunt the protagonist, or the present vanishes in one fatal moment. In this latest excursion into the dark, a suburban mother finds one picture that does not belong in the pack of family outing photos she's just picked up. The picture, showing a group of college students, seems as if it was taken 20 years ago. One of the group looks like her husband. A girl in the group has an X drawn across her face. When Mrs. Happily Married shows the picture to her husband, he seems shaken, then leaves home. Coben ratchets up the suspense of the wife trying to find her husband with another drama, that of a serial killer in the neighborhood. A tragic accident from the woman's past intersects with her husband's secrets and the movements of the killer in ways that are satisfyingly creepy.

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“So you took the case?”

Sandra Koval nodded. “Pro bono. I came to him two years ago. We started preparing for the parole hearing.”

Something clicked. “Jack knew, didn’t he?”

“That I don’t know. We don’t talk, Grace.”

“Are you still going to tell me you didn’t talk to him that night? Nine minutes, Sandra. The phone company says the call lasted nine minutes.”

“Jack’s call had nothing to do with Wade Larue.”

“What did it have to do with?”

“That photograph.”

“What about it?”

Sandra leaned forward. “First you answer a question for me. And I need the truth here. Where did you get that picture?”

“I told you. It was in my packet of film.”

Sandra shook her head, not believing her. “And you think the guy from Photomat stuck it in there?”

“I don’t know anymore. But you still haven’t explained – what about the picture made him call you?”

Sandra hesitated.

“I know about Geri Duncan,” Grace said.

“You know what about Geri Duncan?”

“That she’s the girl in the picture. And that she was murdered.”

That made Sandra sit up. “She died in a fire. It was an accident.”

Grace shook her head. “It was set intentionally.”

“Who told you that?”

“Her brother.”

“Wait, how do you know her brother?”

“She was pregnant, you know. Geri Duncan. When she died in that fire, she was carrying a baby.”

Sandra stopped and looked up in horror. “Grace, what are you doing?”

“I’m trying to find my husband.”

“And you think this is helping?”

“You told me yesterday you didn’t know anyone in the picture. But you just admitted you knew Geri Duncan, that she died in a fire.”

Sandra closed her eyes.

“Did you know Shane Alworth or Sheila Lambert?”

Her voice was soft. “Not really, no.”

“Not really. So their names are not totally unfamiliar to you?”

“Shane Alworth was a classmate of Jack’s. Sheila Lambert, I think, was a friend from a sister college or something. So what?”

“Did you know that the four of them played together in a band?”

“For a month maybe. Again so what?”

“The fifth person in the picture. The one with her head turned. Do you know who she is?”

“No.”

“Is it you, Sandra?”

She looked up at Grace. “Me?”

“Yes. Is it you?”

There was a funny look on Sandra’s face now. “No, Grace, it’s not me.”

“Did Jack kill Geri Duncan?”

The words just came out. Sandra’s eyes opened as if she’d been slapped. “Are you out of your mind?”

“I want the truth.”

“Jack had nothing to do with her death. He was overseas already.”

“So why did the picture freak him out?”

She hesitated.

“Why, dammit?”

“Because he didn’t know Geri was dead until then.”

Grace looked confused. “Were they lovers?”

“Lovers,” she repeated, as if she’d never heard the word before. “That’s a pretty mature term for what they were.”

“Wasn’t she dating Shane Alworth?”

“I guess. But they were all just kids.”

“Jack was fooling around with his friend’s girlfriend?”

“I don’t know how friendly Jack and Shane were. But yes, Jack slept with her.”

Grace’s head began to whirl. “And Geri Duncan got pregnant.”

“I don’t know anything about that.”

“But you know she’s dead.”

“Yes.”

“And you know Jack ran away.”

“Before she died.”

“Before she was pregnant?”

“I just told you. I never knew she was pregnant.”

“And Shane Alworth and Sheila Lambert, they’re both missing too. You want to tell me it’s all a coincidence, Sandra?”

“I don’t know.”

“So what did Jack say when he called you?”

She let loose a deep sigh. Her head dropped. She was silent for a while.

“Sandra?”

“Look, that picture has to be, what, fifteen, sixteen years old? When you just gave it to him like that, out of the blue… how did you think he’d react? With Geri’s face crossed out. So Jack went to the computer. He did a Web search – I think he used the Boston Globe ’s archives. He found out she’s been dead this whole time. That was why he called me. He wanted to know what happened to her. I told him.”

“Told him what?”

“What I knew. That she died in a fire.”

“Why would that make Jack run out?”

“That I don’t know.”

“What made him run overseas in the first place?”

“You have to let this go.”

“What happened to them, Sandra?”

She shook her head. “Forget the fact that I’m his attorney and that it’s protected. It is simply not my place. He’s my brother.”

Grace reached out and took Sandra’s hands in hers. “I think he’s in trouble.”

“Then what I know can’t help him.”

“They threatened my children today.”

Sandra closed her eyes.

“Did you hear what I said?”

A man in a business suit leaned into the room. He said, “It’s time, Sandra.” She nodded and thanked him. Sandra pulled her hands away, stood, smoothed out the lines of her suit.

“You have to stop this, Grace. You have to go home now. You have to protect your family. It’s what Jack would want you to do.”

chapter 38

The threat at the supermarket had not taken.

Wu was not surprised. He had been raised in an environment that stressed the power of men and the subordination of women, but Wu had always found it to be more hope than truth. Women were harder. They were more unpredictable. They handled physical pain better – he knew this from personal experience. When it came to protecting their loved ones, they were far more ruthless. Men would sacrifice themselves out of machismo or stupidity or the blind belief that they would be victorious. Women would sacrifice themselves without self-deception.

He had not been in favor of making the threat in the first place. Threats left enemies and uncertainty. Eliminating Grace Lawson earlier would have been routine. Eliminating her now would be riskier.

Wu would have to return and handle the job himself.

He was in Beatrice Smith’s shower, dyeing his hair back to its original color. Wu usually wore it bleached blond. He did this for two reasons. The first reason was basic: He liked the way it looked. Vanity, perhaps, but when Wu looked in the mirror he thought the surfer-blond, gel-spiked style worked on him. Reason two, the color – a garish yellow – was useful because it was what most people remembered. When he brought his hair back to its natural state of everyday Asian-black, flattened it down, when he changed his clothes from the modern hip style to something more conservative, donned a pair of wire-rimmed spectacles, well, the transformation was very effective.

He grabbed Jack Lawson and dragged him down into the basement. Lawson did not resist. He was barely conscious. He was not doing well. His mind, already stretched, had perhaps snapped. He would not survive much longer.

The basement was unfinished and damp. Wu remembered the last time he’d been in a similar setting, out in San Mateo, California. The instructions had been specific. He had been hired to torture a man for exactly eight hours – why eight Wu had never learned – and then break bones in both the man’s legs and arms. Wu had manipulated the broken bones so that the jagged edges sat next to nerve bundles or near the surface of the skin. Any movement, even the slightest, would cause excruciating pain. Wu locked the basement and left the man by himself. He checked up on him once a day. The man would plead, but Wu would just stare silently. It took eleven days for the man to die of starvation.

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