James Burke - White Doves at Morning

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'White doves come at morning Where my soldier sleeps in the ground. I placed my ring in his coffin, The trees o'er his grave have all turned brown.' Set mainly in Louisiana during the years 1861 1868, this passionate novel of men, women and war tells the story of the author's ancestor, Confederate soldier Willie Burke. A classic Burke hero, innately moral to the point of lunacy, Willie is soon in conflict with his superiors. As his best friend Jim Stubblefield observes: 'the juncture of Willie Burke and the Confederate Army is akin to the meeting of a wrecking ball and a crystal shop.' The characters who people these pages, many of them based on real historical figures, are as memorable as any Burke has created. Mulatto, Flower Jamison, victim of terrible abuse that never touches her soul, determined to better herself; Quaker abolitionist Abigail Dowling, whose Unionist sympathies put her in constant danger; Colonel Ira Jamison, rotten to his core yet who would rise from a cesspit smelling of roses; these and many others stay powerfully in the mind in this epic tale. Like all the best war novels, WHITE DOVES AT MORNING concentrates not on battles but on the edges of grand events, the detritus that wars create, the human cost, and, in this case, the terrible aftermath.

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"You're going to be on the slaves council for the laundry and two of the plantations up the road," he said.

"This don't sound like Marse Jamison," she said.

"What do you care? It gives you a little power you didn't have before."

"What if I say I don't want it?"

"I'd say you were a mighty stupid black girl."

"Tell him the stupid black girl don't want it."

He removed the cigar from his mouth and tossed it through the back window.

"You're a handful, Flower. In lots of ways," he said, biting down on his lip.

"You been in my bed, Marse Rufus. But it ain't gonna happen again."

"Say that again?"

"You heard me. I ain't afraid of you no more."

It was silent inside the cabin. Outside, the wind off the Gulf rustled the cane and flapped the clothes drying in the yard.

"I wouldn't be talking out of school, Flower. There are houses in Congo Square for girls who do that," he said.

"I ain't afraid."

He took a step toward her, his eyes roving over her face and the tops of her breasts. Her hand touched the oyster knife she kept on the table next to the stove.

Atkins rubbed his mouth and laughed.

"Damned if being white makes any man less of a fool. If I ever get rich I'll buy you and carry you off on my saddle and keep you as my personal strumpet. You believe that? It's a fact. Wouldn't lie to you, girl," he said.

His eyes seemed to be laughing at her now, as though he were reliving each moment he had probed inside her, put her nipples in his mouth, lifted her up spread-eagled across his loins. She turned away and picked up the coffeepot and burned her hand. Behind her, she heard him walk out the door, his boots knocking with a hollow sound on her gallery.

I hope the Yankees kill you, she said under her breath. But the vehemence in her thoughts brought her little solace.

WHEN she was a child, Abigail Dowling's father, who was a physician and a Quaker, taught her that a lie was an act of theft as well as one of deceit. A lie stole people's faith in their fellow man, he said, and the loss was often irreparable, whereas a monetary one was not.

In early August of 1861 the first casualty lists from Manassas Junction made their way back to New Iberia. The postmaster sat down behind the counter where he daily sorted the mail into pigeonholes, an eyeshade fastened on his forehead, and went down the alphabetized row of names from the 8th Louisiana Volunteers with his finger. Then he removed his glasses and placed them on his desk and with some very tiny nails he tacked all the lists to the post office wall.

He put on his coat and went out the front door and walked toward the end of Main, where he lived in a tree-shaded house behind the Episcopalian church. Without apparent cause he began to sway from side to side, as though he were drunk or possessed of epilepsy. When he collapsed against a hitching rail, a black deliveryman picked him up and sat him down in a chair against the front wall of the grocery. Then two white men took him inside and peeled off his coat and fanned his face and tried to get him to drink a glass of water.

Abigail stared through the grocery window at the scene taking place inside.

"What happened?" she asked the black man.

"Mr. LeBlanc's son got kilt in Virginia," the black man said.

"How did he learn?" she asked.

"I reckon it come t'rew the wire or the mail, Miss Abigail. That po' man."

Abigail hurried inside the post office. The wind through the open door and windows was lightly rattling the casualty lists against the wall. Her heart beating, she read the names of the soldiers under the captions "Wounded" and "Killed" and saw none there she could put a face with. She let out her breath and pressed her hand against her heart and then felt shame that her joy was at the expense of families that would never see their soldier boys again.

When she turned to leave the post office she glanced at the floor and saw a sheet of paper the wind had blown loose from the nails. She picked it up, her hand beginning to tremble. At the top of the page was the caption "Missing in Action." The third name in the column was that of Lieutenant Robert S. Perry.

She walked stone-faced down the street to her house, her ears ringing, unaware of the words spoken to her by others on the street or the peculiar looks they gave her when she didn't respond to their greetings.

Later, she did not remember drawing the curtains inside her house, filling it with summer heat that was almost unbearable, nor did she remember pacing from one room to the other, her mind drumming with her father's words about his experience as a surgeon with Zachary Taylor's troops in Mexico.

"I saw a lad, not more than a tyke really, struck by an exploding cannonball. It blew him into small pieces. We buried parts of his fingers and feet. I had to pick them up with forceps and put them in a sack," her father had said.

Why had she lectured Robert on slavery, trying to inculcate guilt in him for deeds that were his family's and not his? Were her piety, the sense of righteousness with which she bore her cause like a personal flag, even her sexual modesty, were all these virtues in which she prided herself simply a vanity, a self-deception that concealed the secret pleasure she took in the superiority of her education and New England background?

Could she deny she was not guilty of pride, the most pernicious of the seven deadly sins? Or of carnal thoughts that took hold of her sleep and caused her to wake hot and wet in the middle of the night?

She saw Robert's face before her, the shine like polished mahogany in the thickness of his hair, his eyes that were the bluest and most beautiful she had ever seen in a man. She saw him on a meandering, pebble-bottomed creek, surrounded by green hills, saw him rise from behind earthworks and walk with an extended sword toward a line of dark-clad soldiers, perhaps boys from Massachusetts, who in unison fired their muskets in a roar of dirty black smoke and covered Robert's face and chest and legs with wounds that looked like the red lesions of the pox.

What about her participation in the Underground Railroad? she asked herself. She had told slaves of the land across the Ohio, filling them with hope, in some cases only to see them delivered into the hands of bounty hunters. Worse, she had personally put Flower's aunt on a boat that overturned and drowned her.

She wanted to cut the word "traitor" into her breast.

She fell asleep in her clothes, the late afternoon heat glowing through the curtains in her bedroom. She became wrapped in the sheet, her body bathed in sweat, and she dreamed she was inside a tunnel, deep underground, the wet clay pressing against her chest, pinning her arms at her sides, her cries lost inside the heated blackness.

She awoke in a stupor, unsure of where she was, and for just a moment she thought she heard Robert's voice in the room. She pulled her dress over her head and flung it on the floor and, dressed only in her underthings, went into the backyard and opened the valve on the elevated cistern that fed trapped rainwater into the bathhouse.

She closed the bathhouse door behind her, stripped off her undergarments, and sat in the tub while the wood sluice that protruded through the wall poured water over her head and shoulders and breasts. It was late afternoon now, almost evening, and the light breaking through the trees was green and gold and spinning with motes of dust. Somewhere a bird was singing. ,

You don't know that he's dead, she told herself. '

But when she closed her eyes she saw shells bursting in a field, geysering dirt into the air, while men crouched in the bottom of a trench and prayed and begged and pressed their palms against their ears.

Poseur, she thought. Self-anointed bride of Christ, walking among the afflicted. Hypocrite. Angel of Death.

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