James Burke - White Doves at Morning

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'White doves come at morning Where my soldier sleeps in the ground. I placed my ring in his coffin, The trees o'er his grave have all turned brown.' Set mainly in Louisiana during the years 1861 1868, this passionate novel of men, women and war tells the story of the author's ancestor, Confederate soldier Willie Burke. A classic Burke hero, innately moral to the point of lunacy, Willie is soon in conflict with his superiors. As his best friend Jim Stubblefield observes: 'the juncture of Willie Burke and the Confederate Army is akin to the meeting of a wrecking ball and a crystal shop.' The characters who people these pages, many of them based on real historical figures, are as memorable as any Burke has created. Mulatto, Flower Jamison, victim of terrible abuse that never touches her soul, determined to better herself; Quaker abolitionist Abigail Dowling, whose Unionist sympathies put her in constant danger; Colonel Ira Jamison, rotten to his core yet who would rise from a cesspit smelling of roses; these and many others stay powerfully in the mind in this epic tale. Like all the best war novels, WHITE DOVES AT MORNING concentrates not on battles but on the edges of grand events, the detritus that wars create, the human cost, and, in this case, the terrible aftermath.

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On Sunday mornings Flower usually put on her gingham dress and bonnet and walked one and a half miles to a slat church house, where a white Baptist minister conducted a service for slaves and free people of color after he had completed services at the white church in town. He was considered a liberal minister and tolerant man because he often allowed one of the congregation to give the homily.

This morning the homilist was a free man of color by the name of Jubal Labiche, who actually never attended services in the church unless he was asked to give the sermon. He owned slaves and, upstream from town, a brick kiln on Bayou Teche. Behind a long tunnel of oak trees on the St. Martinville Road he had built a house that sought to imitate the classical design of his neighbors' houses, except the columns and porch were wood, not marble, the workmanship utilitarian, the paint an off-white that seemed to darken each year from the smoke of stubble fires.

He was a plump, short man, his eyes turquoise, his skin golden, his hair flattened with grease against his scalp. Even though it was warm inside the building, he wore a checkered silk vest with his suit, a gold watch as fat as a biscuit tucked in the pocket.

"No one loved God more than St. Paul. He was bound and jailed and whipped, but no matter how great his suffering, he never listened to false prophets. When the Ephesians were of a rebellious mind, this is what he told them…"

Jubal Labiche fitted on his spectacles and looked down at the Bible that rested on the podium in front of him.

" 'Servants, be obedient to them that are your masters according to the flesh, with fear and trembling, in singleness of your heart, as unto Christ,'" he read.

The people seated on the plank benches knotted their hands in their laps uncomfortably or looked at their shoes, or glanced furtively at the white minister, a sheep-shorn rail of a man with a long nose and pointed chin. Some of the people in the congregation nodded assent, before anyone perceived a glimmer of dissent in their eyes.

Flower looked directly into Jubal Labiche's face. He stared back at her, then raised his eyes, as though he were caught in a sudden spiritual moment. He began a long prayer of thanks to God during which the congregation would say in unison "Amen" or "Yes, Lord" whenever he paused.

After the service Jubal Labiche was climbing into his carriage when Flower walked past him. He stepped back down in the road and automatically started to touch his hat, then lowered his hand.

"You seemed to have great interest in the homily," he said.

"St. Paul wrote down that slaves is s'pposed to do what the master say?" she asked. /

"He's telling us to put our faith in the Lord. Sometime the Lord's voice comes to us – through those who know more about the world than a simple servant such as myself," he replied, bowing slightly.

"How come we cain't learn from the Bible ourself? How come it got to be read to us?"

"I guess I'm not really qualified to talk about that," he said.

"I guess you ain't," she said.

She turned and walked down the dirt road through the cane fields, her bonnet in her hand, her hair blowing. She could almost feel his eyes burrowing into her back.

BUT all the way home she found no release from the words Jubal Labiche had read to the congregation. Was it the will of God that people should own one another? If that was true, then God was not just. Or was the Scripture itself a white man's fraud?

She warmed a tin cup of coffee and fixed a plate of corn bread and molasses, peas, and a piece of fried ham and sat down to eat by her back window. But her food was like dry paper in her mouth. She felt a sense of abandonment and loneliness she could not describe. Outside, the wind was hot blowing across the cane fields, and the blue sky had filled with plumes of dust.

God wanted her to be a slave and Jesus, His son, was a teacher of submission?

She looked through her front door at the empty yard and laundry house. The widow who ran the laundry for Ira Jamison was away for the day, gone with a suitor who owned a hunting cabin on stilts back in the swamp.

Flower walked across the backyard, through the wash pots and clotheslines, and entered the back door of the laundry. The widow's bedroom door was open, and on the dresser was a leather-bound edition of the King James Bible.

It took her less than five minutes to find the lines Jubal Labiche had read aloud from Paul's letter to the Ephesians. Labiche had carefully avoided reading the passages that followed his selective excerpt, namely, that Christians should live and perform "not with eye-service, as men-pleasers; but as the servants of Christ, doing the will of God from the heart; with goodwill doing service, as to the Lord, and not to men."

And a bit farther on: "For we wrestle not against flesh and blood, but against principalities, against powers, against the rulers of the darkness of this world, against spiritual wickedness in high places."

She closed the cover on the book and went back to her cabin and finished her lunch, a strange sense of both confidence and tranquility in her heart, which she did not as yet quite understand.

Before sunset she walked downtown and bought a peppermint stick from the drugstore for a penny. She ate it on the bank of the bayou, not far from the boardinghouse operated by Willie Burke's mother. She watched the dusk gather in the trees along the bayou and the water darken and the sunfish and gars rolling in the shallows. The western sky was red and black now and she could smell the rain falling on the fields somewhere out on the rim of the earth.

She stood up from the bank and brushed off her dress and started to walk back to the quarters behind the laundry, before the paddy rollers came out on the roads. But now, for some unexplained reason, the thought of encountering them did not fill her with apprehension.

Then she realized the origin of the feelings that had flooded through her after she had gone into the widow's bedroom and hunted through the New Testament for the excerpt from St. Paul. She could read. No one could ever take that gift from her, and no one could hide knowledge or the truth about the world from her again.

AT sunrise the next morning she heard Rufus Atkins' horse in the yard, then heard him swing down from the saddle and approach her door. She was undressed, and she gathered up her clothes and sat on her bed and held them in her lap and over her breasts. He stepped inside the door, smelling of tobacco and cooked bacon, steam rising from his uniform in the morning coolness.

He removed the bent twenty-dollar gold piece from the watch pocket of his trousers and began working it over the tops of his knuckles.

"I got to go to bell count," she said.

"No, you don't."

"All the niggers got to be there, suh. The widow don't abide lateness."

"Not you, Flower. You can do almost any goddamn thing you want. You're a juicy bitch and you know it."

"Ain't right you talk to me like that, suh."

"I'm not here for what you think," he said. He walked to the back window and looked out on the cane field. The sun had just broken the edge of the horizon, like a soft red lump of molten metal.

"Marse Jamison is establishing a slaves council on all his plantations," Atkins said. "That means the slaves will lay out the punishment for anybody who breaks the rules. Marse Jamison reserves only the right-to overturn a punishment if he thinks it's too severe… are you listening?"

"I'm not dressed, suh."

Atkins took a deep breath and went outside the door. She heard him light a cigar and lean against the railing on her small gallery. She put on her work dress and lit the kindling in her stove and washed her face in the water bucket, then pushed the coffee pot over the flames that leaked around one of the iron pothole lids. She heard Atkins clear his throat and spit and then felt his weight bend the floorboards in the cabin.

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