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Dean Koontz: Odd Hours

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Dean Koontz Odd Hours

Odd Hours: краткое содержание, описание и аннотация

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Only a handful of fictional characters are recognized by first name alone. Dean Koontz's Odd Thomas is one of those rare literary heroes who have come alive in readers' imaginations as he explores the greatest mysteries of this world and the next with his inimitable wit, heart, and quiet gallantry. Now Koontz follows Odd as he is irresistibly drawn onward to a destiny he cannot imagine and to undreamed of places where the perils he will face and the stakes for which he fights will eclipse all that he has known. The legend began in the obscure little town of Pico Mundo. A fry cook named Odd was rumored to have the extraordinary ability to communicate with the dead. Through tragedy and triumph, exhilaration and heartbreak, word of Odd Thomas's gifts filtered far beyond Pico Mundo, attracting unforgettable new friends-and enemies of implacable evil. With great gifts comes the responsibility to meet great challenges. But no mere human being was ever meant to face the darkness that now stalks the world-not even one as oddly special as Odd Thomas. After grappling with the very essence of reality itself, after finding the veil that separates him from his soul mate, Stormy Llewellyn, tantalizingly thin yet impenetrable, Odd longed only to return to a life of quiet anonymity with his two otherworldly sidekicks-his dog Boo and a new companion, one of the few who might rival his old pal Elvis. But a true hero, however humble, must persevere. Haunted by dreams of an all-encompassing red tide, Odd is pulled inexorably to the sea, to a small California coastal town where nothing is as it seems. Now the forces arrayed against him have both official sanction and an infinitely more sinister authority…and in this dark night of the soul dawn will come only after the most shattering revelations of all. Burnishing Dean Koontz's stature as a master of suspense and one of our most innovative and gifted storytellers, Odd Hours illuminates a legacy of mystery and hope that will shine on long after the final page.

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Since going to work for Hutch, I had read some of the volumes of Shakespeare’s plays that were in his library. Ozzie Boone, the famous mystery writer, my mentor and cherished friend in Pico Mundo, would be delighted if he knew that I was thus continuing my education.

In high school, I had been an indifferent student. In part, my lack of academic achievement could be attributed to the fact that while other kids were at home, dutifully poring through their Macbeth assignment, I was being chained to a pair of dead men and dumped off a boat in the middle of Malo Suerte Lake.

Or I was bound with rope, hanging from a rack in a refrigerated meat locker, beside a smiling Japanese chiropractor, waiting for a quartet of unreasonable men to return and torture us, as they had promised to do.

Or I had stepped into the parked motor home of an itinerant serial killer who might return at any moment, where I had discovered two ferocious attack dogs that were determined to keep me from leaving, against which I had no weapons or defenses except one fluffy pink dust mop and six cans of warm Coke, which when shaken spewed foamy streams that terrified the killer canines.

As a teenager, I always intended to do my homework. But when the supplicant dead come to you for justice and you also have occasional prophetic dreams, life tends to interfere with your studies.

Now, as I hung twenty feet above the surface of the sea, the witchy shadows closed around me so completely that I couldn’t see the next piton thrusting from the pole above my head. I halted, pondering whether I could ascend safely in the pitch dark or should retreat to the narrow concrete ledge below.

The penetrating odor of creosote, applied to preserve the wood, had grown thicker as I climbed. I could no longer smell the ocean or the wet concrete pilings, or even my sweat: only the astringent scent of the preservative.

Just as I decided that prudence-which, as you know, is one of my most reliable character traits-required me to go back down to the ledge, lights blinked on under the pier.

Fixed to numerous wooden posts, five feet below my position, floodlights were directed down toward the sea. A long line of them extended from one end of the structure to the other.

I could not recall if the underside of the pier had been illuminated on other nights. These lamps might be automatically activated every evening at dusk.

If the floodlights were only for emergency situations, such as in the event someone fell off the pier, then perhaps a responsible citizen had seen me go over the side and had alerted the authorities.

More likely, the hulk and the redheaded gunmen had known where to find the switch. In that case, they had glimpsed me underwater, making for cover, and they had wasted no time scanning the incoming tide for a shorebound swimmer.

As I hung there in a quandary, trying to decide whether this meant I should continue upward or perhaps return to the water, I heard what for a moment I thought was a chain saw in the distance. Then I recognized the sound as that of an outboard engine.

After ten or fifteen seconds, the engine throttled back. The consequent throbbing chug could not be mistaken for anything but an outboard.

Cocking my head left, right, I tried to hear around the thick support to which I clung. Sounds bounced deceptively through the ranks of posts and crossbeams and ricocheted off the gently rolling water, but after half a minute, I was sure the craft was proceeding slowly shoreward from the ocean-end of the pier.

I looked westward but could not see the boat for the intervening substructure. The pilot might be cruising in open water, paralleling the pier, or he could be threading through the pilings to conduct a more thorough search.

Although the floodlamps were below my position and were directed downward, light bounced off the moving water. Shimmering phantoms swooped up the columns, across the horizontal beams, and fluttered all the way up against the underside of the pier deck.

In these quivering reflections, I was revealed. An easy target.

If I descended now, I would be going down to death.

Considering the events of the last couple of years, I was ready for death when my time came, and I did not fear it. But if suicide damns the soul, then I would never see my lost girl again. Peace is not worth the slightest risk of being denied that reunion.

Besides, I suspected that Annamaria was in trouble and that I had been drawn to Magic Beach, in part, to help her.

I climbed more rapidly than before, hoping to find a junction of beams or an angular nest between purlins and posts where I would be hidden not merely from the floodlamps reflecting off the water but also from probing flashlights, if the searchers had any.

Although I wasn’t afraid of heights, I could have composed an almost infinite list of places that I would rather have been than up a pier post, much like a cat treed by wolves. I counseled myself to be grateful that, indeed, there were not vicious attack dogs below; although on the other hand, to assist in self-defense, I didn’t have even so much as a fluffy pink dust mop or a six-pack of warm Cokes.

THREE

MONKEY-QUICK BUT CLUMSY IN MY DESPERATION, I scrambled up the post, feet stepping where my hands had grasped a moment earlier.

A loose piton cracked out of dry wood underfoot and fell away, and rang off concrete below. The chug of the approaching outboard masked the sound of the water receiving the steel.

The post bypassed a massive crossbeam. I clambered and clawed sideways onto that horizontal surface with such an ungainly series of maneuvers that no observer would have mistaken me for a member of a species that lived in trees and ate bananas by the bunch.

Although the beam was wide, it was not as wide as I was. Like radiant spirits, the leaping bright reflections of floodlamps off the rolling sea soared and swooned over me, making of me a pigeon, easy plinking for a practiced gunman shooting from below.

Fleeing on all fours is fine if your four are all feet, but hands and knees don’t allow much speed. Grateful that I was not afraid of high places, wishing that my stomach shared my insouciance about heights, I stood and my stomach sank.

I peered down into the drink and grew a little dizzy, then glanced west toward the grumble of the outboard. The ranks of intervening pier supports hid the boat from me.

At once, I discovered why high-wire walkers use a balance pole. With my arms tucked close to my sides and hands tensely fisted, I wobbled as if I were a drunk who had failed out of a twelve-step program in just four steps.

Defensively, I spread my arms and opened my hands. I cautioned myself not to look down at my feet but, instead, at the beam ahead, where I wanted my feet to go.

Quivering specters of reflected light painted an illusion of water across the beam and the surrounding posts, raising in me the irrational feeling that I would be washed off my perch.

This high above the sea, under the cowl of the pier, the odor of creosote intensified. My sinuses burned, and my throat. When I licked my dry lips, the taste of coal tar seemed to have condensed on them.

I halted and closed my eyes for a moment, shutting out the leaping ghosts of light. I held my breath and pressed away the dizziness, and moved on.

When I had crossed half the width of the pier, the north-south beam intersected another running east-west.

The outboard had grown louder, therefore nearer. Still the searchers had not hoved into view below.

I turned east, onto the intersecting beam. Always putting foot in front of foot on the narrow path, I was not as fleet as a ballet dancer hurrying en pointe across a stage, but I made swift progress.

My jeans did not accommodate such movement as well as a pair of tights would have. Instead they kept binding where too much binding would squeeze my voice into a permanent falsetto.

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