Dean Koontz - Odd Hours

Street after street, every tree stood turbaned, robed, and bearded-until I arrived at the foot of a broad-leafed giant from which the fog appeared to shrink. This specimen towered sixty or seventy feet, and it offered a magnificent architecture of wide-spreading limbs.

Because knowing the names of things is a way to pay respect to the beauty of the world, I know the names of many trees; but I did not know the name of this one and could not recall having seen one like it before.

The leaves had two lamina, each with four lobes. Between thumb and forefinger, they felt thick and waxy.

Among the black branches, white flowers as large as bowls seemed radiant in the dark. They were reminiscent of magnolia blooms, though more imposing, but this was not a magnolia. Water dripped from the petals, as if the tree had condensed the fog to form these flowers.

Behind the tree stood a half-seen, two-story Victorian house, dressed with less gingerbread than was standard for the style, with a modest porch rather than a grand veranda.

Although the fog seemed to retreat from the tree, it conquered the house. The pale lights inside were barely able to pierce the windowpanes.

I passed under the tree, and psychic magnetism drew me not toward the residence but toward the detached garage, where a ruddy glow pressed out from the second-floor windows, tinting the fog.

Behind the garage, a flight of stairs led to a landing. At the top, the four French panes in the door were curtained with pleated sheers.

As I was about to knock, the latch slipped from the striker plate in the jamb, and the door eased inward a few inches. Through the gap, I could see a plastered wall where soft ringlets of shadow pulsed in a shimmerous coppery light.

I expected the door to be caught by a security chain and to see Annamaria peering warily past those links. But no chain was engaged, and no face appeared.

After a hesitation, I pushed the door open. Beyond lay a large room softly illuminated by five oil lamps.

One lamp rested on a dinette table at which stood two chairs. Annamaria sat facing the door.

She smiled as I crossed the threshold. She raised her right hand to motion me to the empty chair.

Pleased to be out of the dampness and chilly air, I closed the door and engaged the lock.

In addition to the table and two chairs, the humble furniture included a narrow bed in one corner, a nightstand on which stood a gooseneck desk lamp, a worn and sagging armchair with a footstool, and an end table.

Distributed around the room, the five oil lamps were squat, long-necked glass vessels in which floated burning wicks. Two were the color of brandy, and three were red.

When I sat across the table from her, I found dinner waiting. Two kinds of cheese and two kinds of olives. Tomatoes cut in wedges. Circlets of cucumber. Dishes of herb-seasoned yogurt glistening with a drizzle of olive oil. A plate of ripe figs. A loaf of crusty bread.

I didn’t realize how thirsty I was until I saw the mug of tea, which tasted as if it had been sweetened with peach juice.

As decoration, in a wide shallow bowl floated three of the white flowers from the tree at the front of the property.

Without a word, we began to eat, as if there were nothing unusual about my having found her or about her expecting me.

One of the oil lamps stood on the counter in the kitchenette, the others in the main space. On the ceiling above each lamp were circles of light and tremulous watery shadows of the glass vessels.

“Very nice,” I said eventually. “The oil lamps.”

She said, “The light of other days.”

“Other days?”

“The sun grows the plants. The plants express essential oils. And the oils fire the lamps-giving back the light of other days.”

I’d never thought of the light of an oil lamp being the stored, converted, and then liberated sunshine of years past, but of course it was.

“Lamplight reminds me of my parents.”

“Tell me about them.”

“You would be bored.”

“Try me.”

A smile. A shake of the head. She continued eating and said no more.

She wore the white tennis shoes, the dark-gray slacks, and the roomy pink sweater that she had worn earlier on the pier. The long sleeves were rolled up now to form thick cuffs, exposing her slender wrists.

The graceful silver bell gleamed on the silver chain.

“The pendant is lovely,” I said.

She did not reply.

“Does it have any significance?”

She met my eyes. “Doesn’t everything?”

Something in her stare made me look away, and fear found me. Not fear of her. Fear of…I knew not what. I felt a helpless sinking of the heart for reasons that eluded me.

She fetched a ceramic pitcher from the kitchen and refreshed my tea.

When she returned to her chair, I reached across the table to her, palm turned up. “Will you take my hand?”

“You want to confirm what you already know.”

I continued to reach out to her.

She acquiesced, and took my hand.

The garage apartment vanished, and I no longer sat on a chrome-and-vinyl chair, but stood upon a beach in bloody light, with the sky afire and molten masses rising in the sea.

When she released my hand, the dream relented. The only fires were those burning on the lamp wicks, safely contained in glass.

“You’re part of it,” I said.

“Not like the big man on the pier is part of it.”

He had been surprised by the vision that I had passed to him; but Annamaria was not surprised.

She said, “That man and I are in different camps. What camp are you in, Odd Thomas?”

“Have you had the dream, too?”

“It isn’t a dream.”

I looked into the palm of my hand, by the touch of which she had summoned the nightmare.

When I lifted my gaze, her dark eyes were ages older than her face, yet they seemed gentle and kind.

“What’s going to happen? When? Where-here in Magic Beach? And how are you a part of it?”

“That isn’t for me to say.”

“Why not?”

“All things in their time.”

“What does that mean?”

Her smile reminded me of the smile of someone else, but I could not remember who. “It means-all things in their time.”

Perhaps because time was the subject, I glanced at the lighted wall clock in the kitchen. I compared its declaration to that of my wristwatch.

The correct time was one minute until seven. The kitchen clock showed one minute until midnight, a five-hour error.

Then I realized that the thin red hand counting off the seconds had frozen on the 12. The broken wall clock had stopped.

“Your clock doesn’t work.”

“That depends on what you want from a clock.”

“The time,” I suggested.

When I returned my attention to Annamaria, I discovered that she had unclasped the silver chain and had taken it from around her neck. She held it out to me, the tiny bell suspended.

“Will you die for me?” she asked.

I said at once, “Yes,” and took the offered bell.

WE CONTINUED EATING, AS IF THE CONVERSATION and the events that had occurred since I had walked through the door were as ordinary as those of any dinner hour.

In fact, people were not in the habit of asking if I would die for them. And I was not accustomed to answering in the positive, without hesitation.

I would have died for Stormy Llewellyn, and she would have died for me, and neither of us would have needed to ask the other the question that Annamaria had posed to me. Stormy and I had understood, at a level more profound than mind or heart, at the level of blood and bone, that we were committed to each other at any cost.

Although I would have given my life for my lost girl, Fate had not allowed me to make that trade. Since the bullet-shattered day in which she died, I have lived a life I don’t need.