Dean Koontz - Odd Thomas

Four police cruisers stood in front of the house. All had been parked hastily, at angles to the curb. The roof-rack beacons of one car still flashed, revolved.

On the front lawn, across which rhythmic splashes of red light chased waves of blue, five officers gathered in conversation. Their posture suggested that they were consoling one another.

I had intended to park across the street from the chief's house. I would have called his private number only after concocting a story that avoided any mention of my recent exertions as a dead-man's taxi service.

Instead, with a helpless sinking of the heart, I abandoned the Chevy in the street, beside one of the patrol cars. I switched the headlights off but left the engine running, with the hope that none of the cops would get close enough to see that no keys were in the ignition.

The officers on the lawn were all known to me. They turned to face me as I ran to them.

Sonny Wexler, the tallest and toughest and softest-spoken of the group, extended one brawny arm as if to stop me from rushing past him to the house. "Hold on, stay back here, kid. We've got CSI working the place."

Until now I had not seen Izzy Maldanado on the front porch. He rose from some task that he'd been attending to on his knees, and stretched to get a kink out of his back.

Izzy works for the Maravilla County Sheriff's Department crime lab, which contracts its services to the Pico Mundo police. When the body of Bob Robertson was eventually found in that Quonset hut,

Izzy would most likely be the technician meticulously sifting the scene for evidence.

Although I desperately wanted to know what had happened here, I couldn't speak. I couldn't swallow. Some gluey mass seemed to be obstructing my throat.

Trying unsuccessfully to choke down that phantom wad, which I knew to be only a choking emotion, I thought of Gunther Ulstein, a much-loved music teacher and director of the Pico Mundo High School band, who had experienced occasional difficulty swallowing. Over several weeks, the condition rapidly grew worse. Before he had it diagnosed, cancer of the esophagus spread all the way into his larynx.

Because he couldn't swallow, his weight plummeted. Doctors treated him first with radiation, intending subsequently to remove his entire esophagus and to fashion a new one from a length of his colon. Radiation therapy failed him. He died before surgery.

Thin and withered-looking, as he had been in his final days, Gunny Ulstein can usually be found in a rocking chair on the front porch of the house that he built himself. His wife of thirty years, Mary, still lives there.

During his last few weeks of life, he had lost his ability to speak. He'd had so much that he wanted to say to Mary-how she had always brought out the best in him, how he loved her-but he couldn't write down his feelings with the subtlety and the range of emotion that he could have expressed in speech. He lingers now, regretting what he failed to say, futilely hoping that as a ghost he will find a way to speak to her.

A muting cancer seemed almost to be a blessing if it would have kept me from asking Sonny Wexler, "What happened?"

"I thought you must've heard," he said. "I thought that's why you came. The chief's been shot."

Jesus Bustamante, another officer, said angrily, "Almost an hour ago now, some pusbag sonofabitch plugged the chief three times in the chest on his own front porch."

My stomach turned over, over, over, almost in time with the revolving beacons on the nearby cruiser, and the phantom obstruction in my esophagus became real when a bitter gorge rose into the back of my throat.

I must have paled, must have wobbled on suddenly loose knees, for Jesus put an arm against my back to support me, and Sonny Wexler said quickly, "Easy, kid, easy, the chief's alive. He's bad off, but he's alive, he's a fighter."

"The doctors are working on him right now," said Billy Munday, whose port-wine birthmark, over a third of his face, seemed to glow strangely in the night, lending him the aura of a painted shaman with warnings and portents and evils imminent to report. "He's going to be all right. He's got to be. I mean, what would happen without him?"

"He's a fighter," Sonny repeated.

"Which hospital?" I asked.

"County General."

I ran to the car that I'd left in the street.

THESE DAYS, MOST NEW HOSPITALS IN SOUTHERN CALIfornia resemble medium-rent retail outlets selling discount carpet or business supplies in bulk. The bland architecture doesn't inspire confidence that healing can occur within those walls.

County General, the oldest hospital in the region, features an impressive porte-cochere with limestone columns and a dentil-molding cornice all the way around the building. At first sight of it, you know that nurses and doctors work inside, instead of sales clerks.

The main lobby has a travertine floor, not industrial carpet, and the travertine face of the information desk boasts an inlaid bronze caduceus.

Before I reached the desk, I was intercepted by Alice Norrie, a ten-year veteran of the PMPD, who was running interference to keep reporters and unauthorized visitors from advancing past the lobby.

"He's in surgery, Odd. He's going to be there awhile."

"Where's Mrs. Porter?"

"Karla's in the ICU waiting room. They'll be taking him there pretty much straight from the OR."

The intensive-care unit was on the fourth floor. In a tone meant to imply that she would have to arrest me to stop me, I said, "Ma'am, I'm going up there."

"You don't have to bust my badge to get there, Odd. You're on the short list Karla gave me."

I took the elevator to the second floor, where County General has its operating rooms.

Finding the right OR proved easy. Rafus Carter, in uniform and big enough to give pause to a rampaging bull, stood guard outside the door.

As I approached through the fluorescent glare, he rested his right hand on the butt of his holstered gun.

He saw me react to his suspicion, and he said, "No offense, Odd, but only Karla could come along this corridor and not get my back up."

"You think he was shot by somebody he knew?"

"Almost had to be, which means it's probably someone I know, too."

"How bad is he?"

"Bad."

"He's a fighter," I said, echoing Sonny Wexler's mantra.

Rafus Carter said, "He better be."

I returned to the elevator. Between the third and fourth floors, I pressed the stop button.

Uncontrollable trembling shook the strength out of me. With my legs too weak to stand on, I slid down the wall of the cab and sat on the floor.

Life, Stormy says, is not about how fast you run or even with what degree of grace. It's about perseverance, about staying on your feet and slogging forward no matter what.

After all, in her cosmology, this life is boot camp. If you don't persevere through all its obstacles and all the wounds that it inflicts, you cannot move on to your next life of high adventure, which she calls

"service," or eventually to your third life, which she assumes will be filled with pleasures and glories far greater even than a bowl of coconut cherry chocolate chunk.

Regardless of how hard the winds of chance might blow or how heavy the weight of experience might become, Stormy always stays on her feet, metaphorically speaking; unlike her, I find that sometimes I must pause if ultimately I am to persevere.

I wanted to be calm, collected, strong, and full of positive energy when I went to Karla. She needed support, not tears of either sympathy or grief.

After two or three minutes, I was calm and half collected, which I decided would have to be good enough. I rose to my feet, took the elevator off stop, and continued to the fourth floor.

The dreary waiting room, just down the hall from the intensive-care unit, had pale-gray walls, a gray-and-black speckled vinyl-tile floor, gray and mud-brown chairs. The ambience said, death . Someone needed to slap the hospital's decorator upside the head.