Dean Koontz - Odd Thomas

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Odd Thomas: краткое содержание, описание и аннотация

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"The dead don't talk. I don't know why." But they do try to communicate, with a short-order cook in a small desert town serving as their reluctant confidant. Odd Thomas thinks of himself as an ordinary guy, if possessed of a certain measure of talent at the Pico Mundo Grill and rapturously in love with the most beautiful girl in the world, Stormy Llewellyn. Maybe he has a gift, maybe it's a curse, Odd has never been sure, but he tries to do his best by the silent souls who seek him out. Sometimes they want justice, and Odd's otherworldly tips to Pico Mundo's sympathetic police chief, Wyatt Porter, can solve a crime. Occasionally they can prevent one. But this time it's different.
A mysterious man comes to town with a voracious appetite, a filing cabinet stuffed with information on the world's worst killers, and a pack of hyena-like shades following him wherever he goes. Who the man is and what he wants, not even Odd's deceased informants can tell him. His most ominous clue is a page ripped from a day-by-day calendar for August 15.
Today is August 14.
In less than twenty-four hours, Pico Mundo will awaken to a day of catastrophe. As evil coils under the searing desert sun, Odd travels through the shifting prisms of his world, struggling to avert a looming cataclysm with the aid of his soul mate and an unlikely community of allies that includes the King of Rock 'n' Roll. His account of two shattering days when past and present, fate and destiny converge is the stuff of our worst nightmares-and a testament by which to live: sanely if not safely, with courage, humor, and a full heart that even in the darkness must persevere.

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"Fate isn't one straight road," I said, becoming the oracle that earlier in the day I had declined to be for her. "There are forks in it, many different routes to different ends. We have the free will to choose the path."

"Do whatever Oddie says," Stormy advised, "and you'll be all right."

"It's not that easy," I said quickly. "You can change the road you take, but sometimes it can bend back to lead you straight to that same stubborn fate."

Viola regarded me with too much respect, perhaps even awe. "I was just sure you knew about such things, Odd, about all that's Otherly and Beyond."

Uneasy with her admiration, I went to the other open window. Terri's Mustang stood under a streetlamp in front of the house. All quiet. Nothing to be alarmed about. Nothing and everything.

We had taken steps to be sure we weren't being followed from the bowling center. I remained concerned, anyway, because Robertson's appearance at Little Ozzie's house and again in the churchyard had surprised me, and I could not afford to be surprised a third time.

"Viola," I said, turning to her once more, "changing all your plans for tomorrow isn't enough. You'll also need to remain vigilant, alert to anything that seems… wrong."

"I'm already as jumpy as a cricket."

"That's no good. Jumpy isn't the same as vigilant."

She nodded. "You're right."

"You need to be as calm as possible."

"I'll try. I'll do my best."

"Calm and observant, prepared to react fast to any threat but calm enough to see it coming."

Poised on the edge of the chair, she still appeared to be as ready to leap as any cricket.

"In the morning," Stormy said, "we'll bring you a photo of a man you ought to be on the lookout for." She glanced at me. "Can you get her a good picture of him, Oddie?"

I nodded. The chief would provide me with a computer-printed blow-up of the photo of Robertson that the DMV had released to him.

"What man?" Viola asked.

As vividly as possible, I described Fungus Man, who had been at the Grille during the first shift, before Viola had arrived for work. "If you see him, get away from him. You'll know the worst is coming. But I don't think anything will happen tonight. Not here. From all indications, he's intending to make headlines in a public place, lots of people__"

"Tomorrow, don't go to the movies," Stormy said.

"I won't," Viola assured her.

"And not out to dinner, either."

Although I didn't understand what could be gained from having a look at Nicolina and Levanna, I suddenly knew that I should not leave the house without checking on them. "Viola, may I see the girls?"

"Now? They're sleeping."

"I won't wake them. But it's… important."

She rose from the chair and led us to the room that the sisters shared: two lamps, two nightstands, two beds, and two angelic little girls sleeping in their skivvies, under sheets but without blankets.

One lamp had been set at the lowest intensity on its three-way switch. The apricot-colored shade cast a soft, inviting light.

Two windows were open to the hot night. As insubstantial as a spirit, a translucent white moth beat its wings insistently against one of the screens, with the desperation of a lost soul fluttering against the gates of Heaven.

Mounted on the inside of the windows, with an emergency-release handle that couldn't be reached from outside, were steel bars that would prevent a man like Harlo Landerson from getting at the girls.

Screens and bars could foil moths and maniacs, but neither could keep out bodachs. Five of them were in the room.

TWENTY-SIX

TWO SINISTER SHAPES STOOD AT EACH BED, VISITORS from one hell or another, travelers out of the black room.

They hunched over the girls and appeared to be studying them with keen interest. Their hands, if they had hands, floated a few inches above the sheets, and seemed slowly to trace the shrouded contours of the children's bodies.

I couldn't know for sure what they were doing, but I imagined that they were drawn to the very life energy of Nicolina and Levanna- and were somehow basking in it.

These creatures seemed to be unaware that we had entered the room. They were enthralled if not half hypnotized by some radiance that the girls emitted, a radiance invisible to me but evidently dazzling to them.

The fifth beast crawled the bedroom floor, its movements as fluid and serpentine as those of any reptile. Under Levanna's bed it slithered, seemed to coil there, but a moment later emerged with a salamandrian wriggle, only to glide under Nicolina's bed and whip itself silently back and forth, like a thrashing snake in slow-mo.

Unable to repress a shudder, I sensed that this fifth intruder must be savoring some exquisite spoor, some ethereal residue left by the passage of the little girls' feet. And I imagined-or hope I did-that I saw this squirming bodach repeatedly lick the carpet with a cold thin tongue.

When I would not venture far past the doorway, Viola whispered, "It's all right. They're deep sleepers, both of them."

"They're beautiful," Stormy said.

Viola brightened with pride. "They're such good girls." Seeing in my face a faint reflection of the abhorrence that gripped my mind, she said, "What's wrong?"

Glancing at me as I summoned an unconvincing smile, Stormy at once suspected the truth. She squinted into the shadowy corners of the room-left, right, and toward the ceiling-hoping to catch at least a fleeting glimpse of whatever supernatural presence revealed itself to me.

At the beds, the four hunched bodachs might have been priests of a diabolic religion, Aztecs at the altar of human sacrifice, as their hands moved sinuously and ceaselessly in ritualistic pantomime over the sleeping girls.

When I failed to answer Viola's question at once, she thought that I'd seen something wrong with her daughters, and she took a step toward the bed.

Gently I gripped her arm and held her back. "I'm sorry, Viola. Nothing's wrong. I just wanted to be sure the girls were safe. And with those bars on the windows, they are."

"They know how to work the emergency release," she said.

One of the entities at Nicolina's bedside appeared to rise out of its swoon and recognize our presence. Its hands slowed but did not entirely stop their eerie movements, and it raised its wolfish head to peer in our direction with disturbing, eyeless intensity.

I was loath to leave the girls alone with those five phantoms, but I could do nothing to banish them.

Besides, from everything that I have seen of bodachs, they can experience this world with some if not all of the usual five senses, but they don't seem to have any effect on things here. I have never heard them make a sound, have never seen them move an object or, by their passage, disturb so much as the dust motes floating in the air.

They are of less substance than an ectoplasmic wraith drifting above the table at a seance. They are dream creatures on the wrong side of sleep.

The girls would not be harmed. Not here. Not yet.

Or so I hoped.

I suspected that these spirit travelers, having come to Pico Mundo for ringside seats at a festival of blood, were entertaining themselves on the eve of the main event. Perhaps they took pleasure in studying the victims before the shots were fired; they might be amused and excited to watch innocent people progress all unknowing toward imminent death.

Pretending to be unaware of the nightmarish intruders, putting one finger to my lips as if suggesting to Viola and Stormy that we be careful not to wake the girls, I drew both women with me, out of the room. I pushed the door two-thirds shut, just as it had been when we'd arrived, leaving the bodachs to slither on the floor, to sniff and thrash, to weave their patterns of sinuous gesticulations with mysterious purpose.

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