Jeffery Deaver - A Maiden's Grave

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From Publishers Weekly
It's said that great minds think alike; apparently great thriller writers do too. Here's the second outstanding novel in as many months to see a busload of schoolchildren kidnapped by maniacs. The first was Mary Willis Walker's Under the Beetle's Cellar (Forecasts, June 12); Deaver's is equally gripping, with the added twist that these kids are deaf. In rural Kansas, an act of kindness launches a nightmare when Mrs. Harstrawn, along with hearing-impaired apprentice teacher Melanie Charrol, stops her busload of deaf schoolgirls at a car wreck, only to be taken hostage by Lou Handy and two other stone-cold killers who've just escaped from prison. Pursued by a state trooper, the captors race with their prey to an abandoned slaughterhouse. There, Arthur Potter, the FBI's foremost hostage negotiator, sets up a command post?but the nightmare intensifies when Handy releases one girl, then shoots her in the back just as she reaches the agent. After further brutalities, Melanie decides to rescue her students herself, tricking the killers with sign language games to convey her plan to her charges. Meanwhile, pressure mounts on Potter as the media get pushy, the local FBI stonewalls, Kansas State hostage rescue units try an end run to grab the glory and an assistant attorney general butts in. Deaver (Praying for Sleep) brilliantly conveys the tensions and deceit of hostage negotiations; he also proves a champion of the deaf, offering poetic insight into their world. Throughout, heartbreakingly real characters keep the wildly swerving plot from going off-track, even during the multiple-whammy twists that bring the novel, Deaver's best to date, to its spectacular finish. 200,000 first printing; $200,000 ad/promo; Literary Guild featured alternate; film rights to Interscope Communications; simultaneous Penguin Audiobook; author tour.
From Library Journal
A bus carrying eight deaf children and their teachers stops in the middle of the Kansas countryside, a car wreck directly ahead. Soon, three escaped killers rise out of the nearby cornfields and take children and teachers hostage. Pursued by the police, the convicts are forced to hole up in an abandoned slaughterhouse. There they threaten to shoot a child every hour until their demands are met. A 12-hour war of wits begins between FBI hostage expert Arthur Potter and the escapees' leader, Louis Jeremiah Handy. "I aim to get outta here…If it means I gotta shoot 'em dead as posts then that's the way it's gonna be," Handy boasts. Potter finds himself "in the middle of the week's media big bang," battling publicity-hungry politicians, trigger-happy cops, and the press as well as the unpredictable killers. This book by the best-selling author of Praying for Sleep (Viking, 1994) starts with a bang, and the tension never lets up. A topnotch thriller with an unexpected kicker at the end.

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Budd typed, He'd already arranged to fly out of there .

But , LeBow typed as fast as he could speak the words, if it was just a few miles up the road, and if there was an airplane or helicopter waiting for him, why go to the slaughterhouse at all ?

"Why?" Potter muttered. "Henry, tell me what we know. Let's start with what he had with him."

You're carrying a key, a magic sword, five stones, and a raven in a cage.

He went into the slaughterhouse with hostages, the guns, a can of gasoline, ammunition, a TV, the radio, a set of tools -

"The tools, yes," Potter said, as LeBow typed. He turned to Melanie. "Did you see him use them?"

No , Melanie answered. But I was in killing room for most of time. Toward end I remembered them walking around looking at the machinery and fixtures. I thought they were taking a nostalgic look at the place, maybe they were looking for something, though .

Potter snapped his fingers. "Dean told us something similar."

LeBow scanned through the incident chronology. He read, " 'Seven-fifty-six p.m. Sheriff Stillwell reported that a trooper under his command observed Handy and Wilcox searching the factory, testing doors and fixtures. Reason unknown.' "

"Okay. Good. Let's put the tools on hold for a minute. Those are the things he had with him when he went in. What did we give him?"

"Just the food and the beer," Budd said. "Oh, and the money."

"The money!" Potter cried. "Money he didn't ask for in the first place."

Angie typed, And he never tried to bargain up the fifty thousand. Why not ?

There's only one reason a man doesn't want money , LeBow typed. He's got more than he needs .

Potter was nodding excitedly. There's money hidden in the building. It was part of his plan all alongto stop at the slaughterhouse and pick it up .

That's why he had the toolsto get the cash out from where it was hidden , Budd managed to type. Potter nodded.

"Where did it come from?" Tobe wondered.

"He's a bank robber," Budd said wryly. "That's one possibility."

"Henry," Potter said, "jump into Lexis/Nexis and let's read about that most recent robbery of his. The arson."

In five minutes LeBow was on-line with Mead Data. He read newspaper accounts and summarized, "Handy was found with twenty thousand stolen from the Farmers amp; Merchants heist in Wichita."

"Had he ever burned anything before that?"

LeBow scrolled through the news accounts and his own sixteen-page profile of Louis J. Handy. "No prior arson."

Then why the fire ? Potter typed.

He always has a purpose , Angie reminded.

Melanie nodded emphatically then shivered and closed her eyes. Potter wondered what terrible memory had intruded into her thoughts. The agent and Budd looked at each other, four eyebrows arched. Then: "Yep, Charlie. That's right." Potter reached down to the keyboard. He wasn't there to rob that bank at all. He was there to burn it down .

LeBow was reading the profile. "And he shot his accomplice in the back when they'd been trapped by the troopers. Maybe so no one would find out what he was really doing there."

But why did he do it ? Budd typed.

Someone hired him ? Potter asked the question. LeBow nodded. "Of course."

"And whoever did," Potter said, "was paying him a ton of money. A lot more than fifty thousand. That's why he didn't think to ask for cash from us. He was already a rich man. Henry, get into the Corporation Trust database and get me the corporate documents on the bank."

The intelligence officer went offline with Mead and was soon scrolling through the articles of incorporation, bylaws, and securities filings of the bank. "Closely held, so it's limited public information. But we do know that the directors are also the officers. Here we go: Clifton Burbank, Stanley L. Poole, Cynthia G. Grolsch, Herman Gallagher. The ZIP codes are close together. All near Wichita. Burbank and Gallagher live in the city proper. Poole lives in Augusta. Ms . Grolsch is in Derby." Potter recognized none of the names but any one of them could have some connection to Handy. As could, say, an embezzling teller, a former employee who'd been fired, the spurned lover of one of the directors. But Arthur Potter would much rather have too many possibilities than none at all. "Charlie, what hotels are near that pay phone where Mr. X called Ted Franklin? In Towsend."

"Hell, there's a bunch. Four or five at least. Holiday Inn, a Ramada, I think a Hilton and some local one. Towsend Motor Lodge. Maybe another one or two."

Potter told Tobe to start calling. "Find out if any of those directors were registered in the hotels today or if anybody from any of those towns was registered."

In five minutes they had an answer. Tobe snapped his fingers. Everyone, except Melanie, looked at him. "Somebody registered from Derby, Kansas. Same as Cynthia Grolsch."

"Too much of a coincidence," Potter muttered, taking the phone. He identified himself, spoke to the clerk for a few moments. Finally he shook his head grimly, asked, "And what room?" He jotted down Holiday Inn. Rm. 611 on a pad. To the clerk he said, "No. And don't mention this call." He hung up, tapped the pad. "May be our Judas. Let's go have a talk with 'em, Charlie."

Melanie glanced at the pad of paper. Her face went still.

Who? Who is it ? Her eyes flared. She stood up abruptly, pulled a leather jacket from a hook.

"Let them handle it," Angie said.

Melanie looked back to Potter, her eyes flaring. She typed, Who is it ?

"Please." Potter took her by the shoulders. "I don't want anything to happen to you."

Slowly she nodded, pulled off the jacket, slung it over her shoulder. She looked like an aviatrix from the thirties.

Potter said, "Henry, Angie, and Tobe stay here. Handy knows about Melanie. He might come back." He said to her, "I'll be back soon." Then he hurried to the door. "Come on, Charlie."

After they'd gone Melanie smiled at the agents who remained. She typed Tea? Coffee ?

"Not for me," Tobe said.

"No, thank you. Want to play solitaire?" LeBow booted up the game.

She shook her head. I'm going to take a shower. Long day .

"Gotcha."

Melanie disappeared and a few minutes later they heard the sound of running water from a bathroom.

Angie began working on her incident report while Tobe called up Doom II on his laptop and started to play. Fifteen minutes later he'd been blown apart by aliens. He stood up and stretched. He looked over Henry LeBow's shoulder, made a suggestion about the red queen, which was not received very generously at all, and then paced in the living room. He glanced at the sideboard, where he'd left the keys to the government pool car. They were gone. He wandered to the front of the house and glanced outside at the empty street. Why, he wondered, would Potter and Budd have taken two separate cars to the Holiday Inn?

But his blood lust was insatiable and he stopped worrying about such a trivial matter as he returned to his computer and prepared to blast his way out of the fortress of Doom.

2:35 A.M.

It had been Hawaiian Night at the Holiday Inn.

Steel guitar still pumped through the PA and limp plastic leis hung around the night clerks' necks.

Agent Arthur Potter and Captain Charles Budd walked between two fake palms and took the elevator up to the sixth floor.

For a change Budd was the law enforcer looking perfectly confident; it was Potter who was ill-at-ease. The last kick-in the agent had been involved in was the arrest of a perp who happened to be wearing a turquoise Edwardian suit and silver floral polyester shirt, which carbon-dated the bust to around 1977.

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