Jeffery Deaver - A Maiden's Grave

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From Publishers Weekly
It's said that great minds think alike; apparently great thriller writers do too. Here's the second outstanding novel in as many months to see a busload of schoolchildren kidnapped by maniacs. The first was Mary Willis Walker's Under the Beetle's Cellar (Forecasts, June 12); Deaver's is equally gripping, with the added twist that these kids are deaf. In rural Kansas, an act of kindness launches a nightmare when Mrs. Harstrawn, along with hearing-impaired apprentice teacher Melanie Charrol, stops her busload of deaf schoolgirls at a car wreck, only to be taken hostage by Lou Handy and two other stone-cold killers who've just escaped from prison. Pursued by a state trooper, the captors race with their prey to an abandoned slaughterhouse. There, Arthur Potter, the FBI's foremost hostage negotiator, sets up a command post?but the nightmare intensifies when Handy releases one girl, then shoots her in the back just as she reaches the agent. After further brutalities, Melanie decides to rescue her students herself, tricking the killers with sign language games to convey her plan to her charges. Meanwhile, pressure mounts on Potter as the media get pushy, the local FBI stonewalls, Kansas State hostage rescue units try an end run to grab the glory and an assistant attorney general butts in. Deaver (Praying for Sleep) brilliantly conveys the tensions and deceit of hostage negotiations; he also proves a champion of the deaf, offering poetic insight into their world. Throughout, heartbreakingly real characters keep the wildly swerving plot from going off-track, even during the multiple-whammy twists that bring the novel, Deaver's best to date, to its spectacular finish. 200,000 first printing; $200,000 ad/promo; Literary Guild featured alternate; film rights to Interscope Communications; simultaneous Penguin Audiobook; author tour.
From Library Journal
A bus carrying eight deaf children and their teachers stops in the middle of the Kansas countryside, a car wreck directly ahead. Soon, three escaped killers rise out of the nearby cornfields and take children and teachers hostage. Pursued by the police, the convicts are forced to hole up in an abandoned slaughterhouse. There they threaten to shoot a child every hour until their demands are met. A 12-hour war of wits begins between FBI hostage expert Arthur Potter and the escapees' leader, Louis Jeremiah Handy. "I aim to get outta here…If it means I gotta shoot 'em dead as posts then that's the way it's gonna be," Handy boasts. Potter finds himself "in the middle of the week's media big bang," battling publicity-hungry politicians, trigger-happy cops, and the press as well as the unpredictable killers. This book by the best-selling author of Praying for Sleep (Viking, 1994) starts with a bang, and the tension never lets up. A topnotch thriller with an unexpected kicker at the end.

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"So Handy had another phone in the slaughterhouse?" Potter asked. "Not a phone," Tobe said. "It'd be a radio. And four eighty is often reserved for federal operations, Arthur."

"Is that right?" Potter considered this, then said, "But a radio wasn't found at the site, was it?"

Budd dug through a black attache" case. He found the sheet that listed the inventory of evidence found at the crime scene and the initial chain of custody. "No radio."

"Could've hidden it, I suppose. There'd be a million nooks and crannies in a place like that." Potter considered something. "Is there any way to trace the transmissions?"

"Not now. You have to triangulate on a real-time signal." Tobe said this as if Potter had asked if it could snow in July.

"Commander Franklin," the agent asked, "you got a phone call, right? From this supposed trooper? It wasn't a radio transmission?"

"A landline, right. And it wasn't patched in from a radio either. You can always tell."

Potter paused and examined one of the flowers. Was it a begonia? A fuchsia? Marian had gardened. "So Handy radioed Mr. X, who then called Commander Franklin. Then X called Handy's girlfriend and gave her the go-ahead to intercept Sharon Foster. Tobe?"

The young agent's eyes flashed with understanding. He snapped his fingers and sat up. "You got it, Arthur," he responded to the request that Potter was about to make. "Pen register of all incoming calls to your office, Commander Franklin. You object to that?"

"Hell, no. I want this boy as much as you do."

"You have a direct line?" Tobe asked.

"I do, yes, but half of my calls come in from the switchboard. And when I pick up I don't know where it's coming in from."

"We'll do them all," Tobe said patiently, undaunted.

Who's Handy's accomplice? Potter wondered.

Tobe asked, "Henry? A warrant request, please."

LeBow printed one out on Stillwell's NEC and handed it to Potter then called up on his screen the Federal Judiciary Directory . Potter placed a call to a judge who sat on the district court of Kansas. He explained about the request. At home at this hour, the judge agreed to sign the warrant on the basis of the evidence Potter presented; he'd been watching CNN and knew all about the incident.

As a member of the bars of D.C. and Illinois, Potter signed the warrant request. Tobe faxed it to the judge, who signed and returned it immediately. LeBow then scrolled through Standard amp; Poor's Corporation Directory and found the name of the chief general counsel of Midwestern Bell. They served the warrant via fax to the lawyer at home. One phone conversation and five minutes later the requested files were dumped ingloriously into LeBow's computer.

"Okay, Commander Franklin," LeBow said, scrolling through his screen, "it looks like we have seventy-seven calls coming into your HQ today, thirty-six into your private line."

Potter said, "You're a busy man."

"Heh. The family can attest to that."

Potter asked when the call about Foster came in.

"About nine-thirty."

Potter said, "Make it a twenty-minute window."

Keys tapped.

"We're down to about sixteen total," LeBow said. "That's getting workable."

"If Handy had a radio," Budd said, "what'd the range of that thing be?"

"Good question, Charlie,'* Tobe said. "That'll narrow things down even more. If it's standard law-enforcement issue I'd guess three miles. Our Mr. X would have to've been pretty close to the barricade."

Potter lowered his head to the screen. "I don't know these towns, other than Crow Ridge, and there's no listing of any calls from there to you, Commander. Charlie, take a look. Tell us what's nearby."

"Hysford's about seventeen miles. Billings, nowhere near."

"That's the missus," volunteered Commander Franklin.

"How 'bout this? A three-minute call from Towsend to your office at nine twenty-six. Was that about how long you talked to the trooper, Commander Franklin?"

"About, yessir."

"Where's Towsend?"

"Borders Crow Ridge," Budd said. "Good-sized town."

"Can you get us an address?" Budd asked Tobe.

The downloaded files from the phone company didn't include addresses but a single call to Midwestern Bell's computer center pinpointed a pay phone.

"Route 236 and Roosevelt Highway."

"It's the main intersection," Stillwell said, discouraged. "Restaurants, hotels, gas stations. And that highway's a feeder for two interstates. Could've been anybody and he could've been on his way to anywhere." Potter's eyes were on the five red plants. His head rose suddenly and he reached for the telephone. But it was a curious gesture – he stopped suddenly and seemed momentarily flustered, as if he'd committed some grievous social faux pas at a formal dinner party. His hand slipped off the receiver.

"Henry, Tobe, come with me. You too, Charlie. Dean, will you stay here and man the fort?"

"You bet, sir."

"Where are we going?" Charlie asked.

"To talk to somebody who knows Handy better than we do."

2:00 A.M.

He wondered how they'd announce their presence.

There was a button on the jamb of the front door, just like any other. Potter looked at Budd, who shrugged and pushed it.

"I thought I heard something inside. A doorbell. Why's that?"

Potter had heard something too. But he'd also noticed a red light flash inside, through a lace curtain.

There was no response.

Where was she?

Potter found himself about to call, "Melanie?" And when he realized that would be futile, he lifted his fist to knock. He shook his head at that gesture too and lowered his hand. Seeing the lights inside a lifeless house, he felt a stab of uneasiness and he pulled his jacket away from his hip, where the Glock sat. LeBow noticed the gesture but said nothing.

"Wait here," Potter told the three men.

He walked slowly along the dark porch of the Victorian house, looking in the windows of the place. Suddenly he stopped, seeing shoeless feet, legs sprawled on a couch, motionless.

Alarmed now, in a panic, he hurriedly completed his circuit of the porch. But he couldn't get any view of her – only her unmoving legs. He rapped loudly on the glass, shouted her name.

Nothing.

She should be able to feel the vibration, he thought. And there was the red flashing light – the "doorbell" – above the entryway, flashing in her clear view.

"Melanie!"

He drew his pistol. Tried the window. It was locked.

Do it.

His elbow crashed into the glass and sent a shower of shards onto the parquet floor. He reached in, unlocked the window, and started through. He froze when he saw the figure – Melanie herself, sitting up, terrified, staring at the intruder coming through her window. She blinked away the sleep and gasped.

Potter held up his hands to her, as if surrendering, an expression of horror on his own face at the thought of how he must have frightened her. Still, he was more perplexed than anything else: Why on earth, he wondered, would she be wearing stereo headphones?

Melanie Charrol opened the door and motioned her visitors inside.

The first thing that Arthur Potter saw was a large watercolor of a violin, surrounded by surreal quarter- and half-notes in rainbow colors.

"Sorry about the window," he said slowly. "You can deduct it from your taxes."

She smiled.

"Evening, ma'am," Charlie Budd said. And Potter introduced her to Tobe Geller and Henry LeBow. She looked out the door at the car parked two doors down, the two people standing behind a hedge, looking at the house.

He saw her face. He said to her, "They're ours."

Melanie frowned. He explained, "Two troopers. I sent them here earlier tonight to keep an eye on you."

She shook her head, asking, Why?

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