Jeffery Deaver - A Maiden's Grave

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From Publishers Weekly
It's said that great minds think alike; apparently great thriller writers do too. Here's the second outstanding novel in as many months to see a busload of schoolchildren kidnapped by maniacs. The first was Mary Willis Walker's Under the Beetle's Cellar (Forecasts, June 12); Deaver's is equally gripping, with the added twist that these kids are deaf. In rural Kansas, an act of kindness launches a nightmare when Mrs. Harstrawn, along with hearing-impaired apprentice teacher Melanie Charrol, stops her busload of deaf schoolgirls at a car wreck, only to be taken hostage by Lou Handy and two other stone-cold killers who've just escaped from prison. Pursued by a state trooper, the captors race with their prey to an abandoned slaughterhouse. There, Arthur Potter, the FBI's foremost hostage negotiator, sets up a command post?but the nightmare intensifies when Handy releases one girl, then shoots her in the back just as she reaches the agent. After further brutalities, Melanie decides to rescue her students herself, tricking the killers with sign language games to convey her plan to her charges. Meanwhile, pressure mounts on Potter as the media get pushy, the local FBI stonewalls, Kansas State hostage rescue units try an end run to grab the glory and an assistant attorney general butts in. Deaver (Praying for Sleep) brilliantly conveys the tensions and deceit of hostage negotiations; he also proves a champion of the deaf, offering poetic insight into their world. Throughout, heartbreakingly real characters keep the wildly swerving plot from going off-track, even during the multiple-whammy twists that bring the novel, Deaver's best to date, to its spectacular finish. 200,000 first printing; $200,000 ad/promo; Literary Guild featured alternate; film rights to Interscope Communications; simultaneous Penguin Audiobook; author tour.
From Library Journal
A bus carrying eight deaf children and their teachers stops in the middle of the Kansas countryside, a car wreck directly ahead. Soon, three escaped killers rise out of the nearby cornfields and take children and teachers hostage. Pursued by the police, the convicts are forced to hole up in an abandoned slaughterhouse. There they threaten to shoot a child every hour until their demands are met. A 12-hour war of wits begins between FBI hostage expert Arthur Potter and the escapees' leader, Louis Jeremiah Handy. "I aim to get outta here…If it means I gotta shoot 'em dead as posts then that's the way it's gonna be," Handy boasts. Potter finds himself "in the middle of the week's media big bang," battling publicity-hungry politicians, trigger-happy cops, and the press as well as the unpredictable killers. This book by the best-selling author of Praying for Sleep (Viking, 1994) starts with a bang, and the tension never lets up. A topnotch thriller with an unexpected kicker at the end.

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"Joe, do you know the identity of that girl?"

"No, we don't, Ron. The authorities are being very slow in releasing any information."

"How many hostages are involved?"

"At this point it seems there are four students remaining inside and two teachers."

"So some have gotten out?"

"That's right. Three have been released so far, in exchange for demands by the kidnapers. We don't know what concessions the authorities have made."

"Joe, what can you tell us about those policemen off to the side there?"

"Ron, those are members of the elite Kansas State Police Hostage Rescue Unit. We've had no official word about an attempted rescue but I've covered a number of situations like this before and my impression is that they're preparing for an assault."

"What will happen, do you think, Joe? In terms of the assault? How will it proceed?"

"It's hard to say without knowing where the hostages are being kept, what the firepower of the men inside is, and so on."

"Could you speculate for us?"

"Sure, Ron," Silbert said. "I'd be happy to."

And he signaled to Biggins, using the hand gestures they'd developed between them. The sign meant "Zoom in."

They got down to the business at hand, for they didn't know how much time remained until the next deadline.

Captain Dan Tremain spoke on the scrambled radio to Bravo team and learned that they had found a breachable door near the dock in the back of the slaughterhouse but it was in full view of a skiff containing two armed troopers. The boat was anchored about twenty yards offshore.

"They'll see us if we get any closer."

"Any other access to the door?"

"Nosir."

Outrider Two, however, had some good news. Glancing into the plant, Trooper Joey Wilson had scanned the far wall – the southeast side – of the slaughterhouse and saw that, just opposite the fire door that Alpha team was going to breach, was a large piece of sloppily mounted plasterboard. He wondered if it covered a second fire door. The initial exterior surveillance hadn't revealed it. Tremain sent another trooper under the dock to the far side of the building. He made his way to the place Wilson mentioned and reported that it was in fact a door, invisible because it was overgrown with ivy.

Tremain ordered the trooper to drill through the door with a silenced Dremel tool fitted with a long, thin titanium sampling bit. Examining the core samples he found that the door was only an inch thick and had been weakened with wet rot and termite and carpenter ant tunneling. There was a two-inch gap and then he struck plasterboard, which proved to be only three-eighths inch thick. The whole assembly was far weaker than the door on the opposite side. Small cutting charges would rip it open easily.

Tremain was ecstatic. This was even better than going through the loading-dock door, because opposing door entry allowed for immediate dynamic crossfire. The takers wouldn't have a chance to respond. Tremain conferred with Carfallo and divided the men into two new teams. Bravo would make its way under the dock to the southeast side of the slaughterhouse. Alpha would position itself at the north door, further to the back but closer to the hostages.

Upon entry, Alpha would split in two groups, three men going for the hostages, three advancing on the takers, while the four-man Bravo team would enter through the south door and engage the HTs from behind.

Tremain considered the plan: Deep gullies to cover their approach, absolute surprise, stun then flash grenades, crossfire. It was a good scenario.

"Home base to all teams and outriders. On my mark it will be forty-five minutes to green-light order. Are you ready? Counting from my five… Five, four, three, two, one, mark."

The troopers acknowledged the synchronization. He would -

An urgent, staticky message: "Bravo leader to home base. We have movement here. From the loading dock. Somebody's rabbiting."

"Identify."

"Can't tell. They're slipping out from under the loading-dock door. I can't see clearly. It's just motion."

"An HT?"

"Unknown. The dock's shot to hell and there's crap all over it."

"Mount your suppressors."

"Yessir."

The men had suppressors on their H amp;Ks – big tubes of silencers. For at least a clip or two of ammunition the sound of the guns would be merely a whispering rattle and with this wind the troopers in the skiff would probably not hear a sound. "Acquire target. Semi-auto fire."

"Acquired."

"What's it look like, Bravo leader?"

"Real hard to make him out but he's wearing a red, white, and blue shirt. I can probably neutralize but can't make a positive ID. Whoever it is, he's staying real low to the ground. Advise."

"If you can make a positive ID on a taker you've got a green light to take him out."

"Yessir."

"Keep him acquired. And wait."

Tremain called Outrider Two, who risked a look through the window. The Trooper responded, "If anybody's bolting, it's Bonner. I can't see him. Only Handy and Wilcox."

Bonner. The rapist. Tremain would love the chance to bring God's revenge down upon him.

"Bravo leader. Status? He's going into the water?"

"Wait, yeah, there he goes. Just slipped in. Lost him. No, got him again. Should I tell the officers in the boat? He'll float right past them." Tremain debated.

"Home base, do you copy?"

If it was Bonner he might get away. But at least he wouldn't be inside for the assault. One less person to worry about. If – though it seemed impossible – it was a hostage there was a chance she might drown. The current was swift here and the channel deep. But to rescue her he'd have to give away his presence, which would mean calling off the operation and jeopardizing the other hostages. But no, he thought. It couldn't be a hostage. There was no way a little girl could escape from three armed men.

"Negative, Bravo team leader, do not advise the troopers in the boat. Repeat, do not advise of subject's presence."

"I copy, home base. By the way, I don't think we have to worry about him. He's going straight out to mid-river. Doubt we'll ever see him again."

III ACCEPTABLE CASUALTIES

7:46 P.M.

"What's that?"

Crow Ridge sheriff's deputy Arnold Shaw didn't know and he didn't care.

The lean thirty-year-old, a law enforcer all his young working life, had been in his share of boats. Dropping stinkers for catfish, trolling for bass and muskie. He'd even been water-skiing a couple of times down at Lake of the Ozarks. And he'd never once been as seasick as he was right now.

Oh, man. This is torture.

He and Buzzy Marboro were anchored twenty yards or so into the river, keeping their eyes "glued like epoxy" on the dock of the slaughterhouse, as their boss, Dean Stillwell, had commanded. The wind was bad, even for Kansas, and the shallow skiff bobbed and twisted like a Tilt-A-Whirl carnival ride.

"I'm not doing too well," Shaw muttered.

"There," Marboro said. "Look."

"I don't want to look."

But look he did, where Marboro was pointing. Ten yards downstream, something was floating away from them. The men were armed with battered Remington riot guns and Marboro drew a lazy target at the bobbing mass.

They'd heard a splash coming from the dock not long ago and had looked carefully but found no takers escaping through the water.

"If somebody did jump in -"

"We woulda seen him," Shaw muttered through the wind.

"- he'd be right about there by now. Just where that thing is. Whatever it is."

Shaw struggled to rid himself of memories of last night's dinner – his wife's tuna casserole. "I'm not feeling too well here, Buzz. What's your point, exactly?"

"I see a hand!" Marboro was standing up.

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