Jeffery Deaver - A Maiden's Grave

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From Publishers Weekly
It's said that great minds think alike; apparently great thriller writers do too. Here's the second outstanding novel in as many months to see a busload of schoolchildren kidnapped by maniacs. The first was Mary Willis Walker's Under the Beetle's Cellar (Forecasts, June 12); Deaver's is equally gripping, with the added twist that these kids are deaf. In rural Kansas, an act of kindness launches a nightmare when Mrs. Harstrawn, along with hearing-impaired apprentice teacher Melanie Charrol, stops her busload of deaf schoolgirls at a car wreck, only to be taken hostage by Lou Handy and two other stone-cold killers who've just escaped from prison. Pursued by a state trooper, the captors race with their prey to an abandoned slaughterhouse. There, Arthur Potter, the FBI's foremost hostage negotiator, sets up a command post?but the nightmare intensifies when Handy releases one girl, then shoots her in the back just as she reaches the agent. After further brutalities, Melanie decides to rescue her students herself, tricking the killers with sign language games to convey her plan to her charges. Meanwhile, pressure mounts on Potter as the media get pushy, the local FBI stonewalls, Kansas State hostage rescue units try an end run to grab the glory and an assistant attorney general butts in. Deaver (Praying for Sleep) brilliantly conveys the tensions and deceit of hostage negotiations; he also proves a champion of the deaf, offering poetic insight into their world. Throughout, heartbreakingly real characters keep the wildly swerving plot from going off-track, even during the multiple-whammy twists that bring the novel, Deaver's best to date, to its spectacular finish. 200,000 first printing; $200,000 ad/promo; Literary Guild featured alternate; film rights to Interscope Communications; simultaneous Penguin Audiobook; author tour.
From Library Journal
A bus carrying eight deaf children and their teachers stops in the middle of the Kansas countryside, a car wreck directly ahead. Soon, three escaped killers rise out of the nearby cornfields and take children and teachers hostage. Pursued by the police, the convicts are forced to hole up in an abandoned slaughterhouse. There they threaten to shoot a child every hour until their demands are met. A 12-hour war of wits begins between FBI hostage expert Arthur Potter and the escapees' leader, Louis Jeremiah Handy. "I aim to get outta here…If it means I gotta shoot 'em dead as posts then that's the way it's gonna be," Handy boasts. Potter finds himself "in the middle of the week's media big bang," battling publicity-hungry politicians, trigger-happy cops, and the press as well as the unpredictable killers. This book by the best-selling author of Praying for Sleep (Viking, 1994) starts with a bang, and the tension never lets up. A topnotch thriller with an unexpected kicker at the end.

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He gulped down coffee he had absolutely no taste for. "Yes, I am. And as a matter of fact I've been meaning to talk to you. I think you're an interesting person and what you're doing to help us is real valuable. And I'd have to be a blind man not to see how pretty you are -"

"Thank you, Charlie."

"But I'm not even unfaithful in my mind – like that president was, Jimmy Carter? Or somebody, I don't remember." This was all rehearsed and he wished he didn't have to swallow so often. "Meg and I've had our problems, that's for sure. But who hasn't? Problems're part of a relationship and you get through them just like you get through the good times, and you keep going." He stopped abruptly, forgetting completely the end of his speech, which he improvised as "So there. I just wanted to say that."

Angie stepped closer and touched his arm. She leaned up and kissed his cheek. "I'm very glad you told me that, Charlie. I think fidelity is the most important trait in a relationship. Loyalty. And you don't see much of it nowadays."

He hesitated. "No, I guess you don't."

"I'm going down to the motel and visit the girls and their parents. Would you like to come with me?" She smiled. "As a friend and fellow threat management team member?"

"I'd be delighted." And to Budd's unbounded relief she didn't slip her arm through his as they walked to the van to tell Potter where they would be and then proceeded to the squad car for the short drive to the Days Inn.

They sat in the killing room, the entrance to hell, tears on all their faces.

What was happening now – only a few feet in front of them – was worse than they'd ever imagined. Let it be over soon, Melanie thought, her fingers twitching this mute plea. For the love of God.

"Don't look," she finally signed to the girls. But they all did look – no one could turn away from this terrible spectacle.

Bear lay atop poor Mrs. Harstrawn, her blouse open, her skirt up to her waist. Numb, Melanie watched the man's naked ass bob up and down. She watched his hands grip one of Mrs. Harstrawn's breasts, as white as his own bloated skin. She watched him kiss her and stick his wet tongue into her unresponsive mouth.

He paused for a moment and looked back into the main room. There, Brutus and Stoat sat before the TV, drinking beer. Laughing. Like Melanie's father and brother would sit around the TV on Sunday, as if the small black box were something magic that allowed them to talk to one another. Then Bear reared up, hooked his arms beneath Mrs. Harstrawn's knees and lifted her legs into the air. He began his ungainly motion once again.

Melanie grew calm as death.

It's time, she decided. They couldn't wait any longer. Never looking away from Bear's closed eyes, she wrote a note on the pad of paper that Brutus had torn from her hands earlier. She folded it tightly and slipped it into Anna's pocket. The girl looked up. Her twin did too. "Go into corner," Melanie signed. "By gas can." They didn't want to. They were terrified of Bear, terrified of the horrible thing he was doing. But so emphatic was Melanie's signing, so cold were her eyes that they moved steadily into the corner of the room. Once again Melanie told them to take Mrs. Harstrawn's sweater. "Tie it around gas can. Go -"

Suddenly Bear leapt up off the teacher and faced Melanie. His bloody organ was upright and glistened red and purple. The overwhelming scent of musk and sweat and woman's fluid made her gag. He paused, his groin only a foot from her face. He reached down and touched her hair. "Stop that fucking spooky shit. Stop… with your hands… that bullshit." He mimicked signing.

Melanie understood his reaction. It was common. People have always been frightened by signing. It was why there was such a strong desire to force the deaf to speak and not use sign language – which was a code, a secret language, the hallmark of a mysterious society.

She nodded slowly and lowered her eyes once more to the glistening, erect penis.

Bear strode back to Mrs. Harstrawn, squeezed her breasts, knocked her legs apart, and plunged into her once again. She lifted a hand in a pathetic protest. He slapped it away. Don't sign

How could she talk to the girls? Tell the twins what they had to do? Then she happened to recall her own argot. The language that she had created at age sixteen, when she'd risked getting her knuckles slapped by the teachers – most of them Others – for using ASL or SEE at the Laurent Clerc School. It was a simple language, one that had occurred to her while watching Georg Solti conduct a silent orchestra. In music the meter and rhythm were as much a part of the piece as the melody; she'd kept her hands close to her chin and spoke to her classmates through the shape and rhythm of her fingers, combined with facial expressions. She'd shown all her students the basics of the language – when she compared different types of signing – but she didn't know if the twins recalled enough to understand her.

Yet she had no choice. She lifted her hands and moved her fingers in rhythmic patterns.

Anna didn't understand at first and began to respond in ASL.

"No," Melanie instructed, frowning for emphasis. "No signing."

It was vital that she convey her message, for she believed she could save the twins at least, and maybe one more – poor gasping Beverly, or Emily, whose thin white legs Bear had been staring at for long moments before he pulled Donna Harstrawn toward him and spread her legs like a hungry man opening up a package of food.

"Take gas can," Melanie communicated. Somehow. "Tie sweater around it."

After a moment the girls understood. They eased forward. Their tiny hands went to work enwrapping the can with the colorful sweater.

The can was now enwrapped by the sweater.

"Go out back door. One on left."

The doorway swept clean of dust by the breeze from the river.

"Afraid."

Melanie nodded but persisted. "Have to."

A faint, heartbreaking nod. Then another. Emily stirred beside Melanie. The girl was terrified. Melanie took her hand, behind their backs, out of Bear's view. She fingerspelled in English. "Y-o-u w-i-l-l b-e n-e-x-t. D-o n-o-t w-o-r-r-y."

Emily nodded. To the twins Melanie said, "Follow smell of river." She flared her nostrils. "River. Smell."

A nod from both girls.

"Hold on to sweater and jump into water."

Two no shakes. Emphatic.

Melanie's eyes flared. "Yes!"

Then Melanie looked at the teacher and back to the girls, explaining silently what could happen to them. And the twins understood. Anna started to whimper.

Melanie would not allow this. "Stop!" she insisted. "Now. Go."

The twins were behind Bear. He'd have to stand up and turn to see them.

Afraid to use her hands, Anna timidly lowered her face and wiped it on her sleeve. They shook their heads no. In heartbreaking unison.

Melanie's hand rose and she risked fast fingerspellings and hand signs. Bear's eyes were closed; he missed the gestures. "Abbé de l'Epée is out there. Waiting for you."

Their eyes went wide.

De l'Epée?

The savior of the Deaf. A legend. He was Lancelot, he was King Arthur. For heaven's sake, he was Tom Cruise ! He couldn't be outside. Yet Melanie's face was so serious, she was so insistent that they offered faint nods of acquiescence.

"You must find him. Give him note in your pocket."

"Where is he?" Anna signed.

"He's older man, heavy. Gray hair. Glasses and blue sports coat." They nodded enthusiastically (though this was hardly how they pictured the legendary abbé). "Find him and give him note."

Bear looked up and Melanie continued to lift her hand innocently to wipe her red, but dry, eyes as if she'd been crying. He looked down again and continued. Melanie was grateful she couldn't hear the piggish grunts she knew issued from his fat mouth.

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