Jeffery Deaver - The Cold Moon

Dellray shook his head. "An' what about yo' perp? Mr. Clockmaker?"

"It's 'Watchmaker,'" the criminalist grumbled. "And that's a different story." He explained that Charlotte's daughter, Pam, had heard that he had a place in Brooklyn but she didn't know where it was. "No other leads."

Dellray bent down. "Where in Brooklyn? Need to know. And now."

Charlotte replied defiantly, "You're pathetic! All of you! You're just lackeys for the bureaucracy in Washington. You're selling out the heart of our country and-"

Dellray leaned forward, right into her face. He clicked his tongue. "Uhuh. No politics, no phi lo sophy…All we want're answers to the questions. We all together on that?"

"Fuck you" was Charlotte's response.

Dellray blew air through his cheeks like a trumpet player. He moaned, "I am no match for this intellect."

Rhyme wished Kathryn Dance was here to interrogate the woman, though he guessed it would take a long time to pry information from her. He eased forward in the wheelchair and said in a whisper, so Pam couldn't hear, "If you help us out I can make sure you see your daughter from time to time when you're in prison. If you don't cooperate, I will guarantee that you never see her again as long as you live."

Charlotte glanced into the hallway, where Pam sat on a chair, defiantly clutching her Harry Potter. The dark-haired girl was pretty, with fragile features, but very slim. She wore faded jeans and a dark blue sweatshirt. The skin around her eyes was dark. She clicked her fingernails together compulsively. The girl seemed needy in a hundred different ways.

Charlotte turned back to Rhyme. "Then I'll never see her again," she said calmly.

Dellray blinked at this, his usually unrevealing face tightening in revulsion.

Rhyme himself could think of nothing more to say to the woman.

It was then that Ron Pulaski came running into the room. He paused to catch his breath.

"What?" Rhyme asked.

It took a moment for him to be able to answer. Finally, he said, "The phones…The Watchmaker…"

"Out with it, Ron."

"Sorry…" A deep breath. "We couldn't trace his mobile but a hotel clerk saw her, Charlotte, making calls around midnight every night over the past four or five days. I called the phone company. I got the number she called. They traced it. It's to a pay phone in Brooklyn. At this intersection." He handed the slip of paper to Sellitto, who relayed it to Bo Haumann and ESU.

"Good job," Sellitto said to Pulaski. He called the deputy inspector of the precinct where the phone was located. Officers would start a canvass of the neighborhood as soon as Mel Cooper emailed pictures of the composite to the DI.

Rhyme supposed that the Watchmaker might not live near the phone-it wouldn't have surprised the criminalist-but a mere thirty minutes later they had a positive identification from a patrol officer, who found several neighbors who recognized the man.

Sellitto took the number and alerted Bo Haumann.

Sachs announced, "I'll call in from the scene."

"Hold on," Rhyme said, glancing at her. "Why don't you sit this one out. Let Bo handle it."

"What?"

"They'll have a full tactical force."

Rhyme was thinking of the superstition that cops on short time were more likely to get killed or injured than others. Rhyme didn't believe in superstitions. That didn't matter. He didn't want her to go.

Amelia Sachs would be thinking the same thing, perhaps; she was debating, it seemed. Then he saw her looking into the hallway at Pam Willoughby. She turned back to the criminalist. Their eyes met. He gave a faint smile and nodded.

She grabbed her leather jacket and headed for the door.

In a quiet neighborhood in Brooklyn a dozen tactical officers moved slowly along the sidewalk, another six creeping through an alley behind a shabby detached house.

This was a neighborhood of modest houses in small yards, presently filled with Christmas decorations. The minuscule size of the lots had no effect on the owners' ability to populate the land with as many Santas, reindeer and elves as possible.

Sachs was walking down the sidewalk slowly at the head of the takedown team. She was on the radio with Rhyme. "We're here," she said softly.

"What's the story?"

"We've cleared the houses on either side and behind. There's nobody opposite." A community vegetable garden was across the street. A ragged scarecrow sat in the middle of the tiny lot. Across his chest was a swirl of graffiti.

"Pretty good site for a takedown. We're-hold on, Rhyme." A light had gone on in one of the front rooms. The cops around her stopped and crouched. She whispered, "He's still here… I'm signing off."

"Go get him, Sachs." She heard an unusual determination in his voice. She knew he was upset that the man had escaped. Saving the people at the HUD building and capturing Charlotte were fine. But Rhyme wasn't happy unless all the perps ended up in cuffs.

But he wasn't as determined as Amelia Sachs. She wanted to give Rhyme the Watchmaker-as a present to mark their last case together.

She changed radio frequencies and said into her stalk mike, "Detective Five Eight Eight Five to ESU One."

Bo Haumann, at a staging area a block away, came on the radio. "Go ahead, K."

"He's here. Just saw a light go on in the front room."

"Roger, B Team, you copy?"

These were the officers behind the bungalow. "B Team leader to ESU One. Roger that. We're-hold on. Okay, he's upstairs now. Just saw the light go on up there. Looks like the back bedroom."

"Don't assume he's alone," Sachs said. "There could be somebody else from Charlotte's outfit with him. Or he might've picked up another partner."

"Roger that, Detective," Haumann said in his gravelly voice. "S and S, what can you tell us?"

The Search and Surveillance teams were just getting into position on the roof of the apartment building behind and in the garden across the street from the Watchmaker's safe house, on which they were training their instruments.

"S and S One to ESU One. All the shades're drawn. Can't get a look at all. We've got heat in the back of the house. But he's not walking around. There's a light on in the attic but we can't see in-no windows, just louvers, K."

"Same here-S and S Two. No visual. Heat upstairs, nothing on the ground floor. Heard a click or two a second ago, K."

"Weapon?"

"Could be. Or maybe just appliances or the furnace, K."

The ESU officer next to Sachs deployed his officers with hand signals. He, Sachs and two others clustered at the front door, another team of four right behind them. One held the battering ram. The other three covered the windows on the ground and the second floors.

"B Team to One. We're in position. Got a ladder next to the lit room in the back, K."

"A Team, in position," another ESU officer radioed in a whisper.

"We're no-knock," Haumann told the teams. "On my count of three, flashbangs into the rooms that have the lights on. Throw 'em hard to get through the shades. On one, simultaneous dynamic entry front and back. B Team, split up, cover the ground floor and basement. A Team, go straight upstairs. Remember, this guy knows how to make IEDs. Look for devices."

"B Team, copy."

"A, copy."

Despite the freezing air Sachs's palms were sweating inside the tight Nomex gloves. She pulled the right one away and blew into it. Did the same with the left. Then she cinched up the body armor and unsnapped the cover of her spare ammo clip carrier. The other officers had machine guns but Sachs never went for that. She preferred the elegance of a single well-placed round to a spray of lead.

Sachs and the three officers on the primary entry team nodded at one another.

Haumann's raspy voice began the count. "Six…five…four…three…"