Jeffery Deaver - The Cold Moon

Ron Pulaski shouted, "Look, the window's open." Nodding toward the bedroom window. "Guy's getting away."

He started forward.

Sachs grabbed him by the flak jacket.

"What?" he asked.

"It's not secure yet," she snapped. She nodded to the living room. "Check the fire escape from there. See if he's outside. And be careful. He might be targeting the window."

The rookie ran to the front of the room and looked out fast. He called, "Nope. Might've gotten away." He radioed ESU outside to check the alley behind the hotel.

Sachs debated. But she couldn't wait any longer. She had to save the girl. She started forward.

But then stopped fast. Despite the horrifying suffocation, Charlotte's daughter was sending her a message. She was shaking her head no, which Sachs took to mean that this was an ambush. The daughter looked to her right, indicating where Allerton, or somebody, was hiding, probably waiting to shoot.

Sachs dropped into a crouch. "Whoever's in the bedroom, drop your weapon! Lie down, face forward in the middle of the room! Now."

Silence.

The poor girl thrashed, eyes bulging.

"Drop the weapon now!"

Nothing.

Several ESU officers had come up. One hefted a flashbang grenade, designed to disorient attackers. But people can still shoot if they're deafened and blinded. Sachs was worried that he'd hit the girl if he started pumping bullets indiscriminately. She shook her head to the ESU officer and aimed into the bedroom through the door. She had to get him and now; the child had no time left.

But the girl was shaking her head again. She struggled to control the convulsions and looked to Sachs's right, then down.

Even though she was dying, she was directing Sachs's fire.

Sachs adjusted her aim-it was much farther to the right than she would have guessed. If she'd fired at the place she'd been inclined to, a shooter would've known her position and possibly hit her with return fire.

The girl nodded.

Still, Sachs hesitated. Was the girl really sending her this message? The child was revealing discipline that few adults could muster, and Sachs didn't dare misinterpret it; the risk of hurting an innocent was too great.

But then she recalled the look in the girl's eyes the first time she'd seen her, in the car near the alley by Cedar Street. There, she'd seen hope. Here, she saw courage.

Sachs gripped her pistol firmly and fired six rounds in a circular pattern where the girl was indicating. Without waiting to see what she'd hit she leapt into the room, ESU officers behind her.

"Get the girl!" she shouted, sweeping the area to her right-the bathroom and closet-with her Glock. One ESU trooper covered the room with his MP-5 machine gun as the other officers pulled the girl to safety on the floor and ripped the tape off her face. Sachs heard the rasp of her desperate inhalation, then sobbing.

Sachs flung open the closet door and stepped aside as the man's corpse-hit four times-tumbled out. She kicked aside his weapon and cleared the closet and the bathroom, then-not taking any chances-the shower stall, the space under the bed and the fire escape too.

A minute later the entire suite was clear. Charlotte, red-faced with fury and sobbing, was sitting handcuffed on the couch and the girl was in the hallway being given oxygen by medics; she'd suffered no serious injuries, they reported.

Charlotte would say nothing about the Watchmaker, and a preliminary search of the rooms gave no indication where he might be. Sachs found an envelope containing $250,000 cash, which suggested that he'd be coming here to collect a fee. She radioed Sellitto downstairs and had him clear the street of all emergency vehicles and set up hidden takedown teams.

Rhyme was on his way in his van and Sachs called to tell him to take the back entrance. She then went into the hallway to check on the girl.

"How you doing?"

"Okay, I guess. My face hurts."

"They took the tape off pretty fast, I'll bet."

"Yeah, kinda."

"Thanks for what you did. You saved lives. You saved my life." The girl gazed at Sachs with a curious look then glanced down. The detective handed her the Harry Potter book she'd found in the bedroom and Sachs asked if the girl knew anything about the man calling himself Gerald Duncan.

"He was creepy. Like, way weird. He'd just look at you like you were a rock or a car or a table. Not a person."

"You have any idea where he is?"

She shook her head. "All I know is I heard Mom say he was renting a place in Brooklyn somewhere. I don't know where. He wouldn't say. But he's coming by later to pick up some money."

Sachs pulled Pulaski aside and asked him to check all the calls to and from Charlotte's and Bud's mobile phones, as well as the calls from the hotel room phone.

"How 'bout the lobby phone too? The pay phone, I mean. And the ones on the street nearby."

She lifted an eyebrow. "Good idea."

The rookie headed off on his mission. Sachs got a soda and gave it to the girl. She opened the can and drank down half of it fast. She was looking at Sachs in a strange way. Then she gave a laugh.

Sachs asked, "What?"

"You really don't remember me, do you? I met you before."

"Near the alley on Tuesday. Sure."

"No, no. Like, a long time before that."

Sachs squinted. She recalled that she had felt some sense of familiarity when she'd seen the girl in the car at the first crime scene in the alley. And she felt it even more strongly now. But she couldn't place where she might've seen the girl prior to Tuesday. "I'm afraid I don't remember."

"You saved my life. I was a little girl."

"A long time…" Then Amelia Sachs squinted, turned toward the mother and studied Charlotte more closely. "Oh, my God," she gasped.

Inside the shabby hotel room, Lincoln Rhyme shook his head in disbelief as Sachs told him what she'd just learned: that they had known Charlotte some years ago when she'd come to New York using the pseudonym Carol Ganz. She and her daughter, whose name was Pammy, had been victims in the first case Sachs and Rhyme had worked together-the very one he'd been thinking of earlier, the kidnapper obsessed with human bones, a perp as clever and ruthless as the Watchmaker.

To pursue him, Rhyme had recruited Sachs to be his eyes and ears and legs at the crime scenes and together they'd managed to rescue both the woman and her daughter-only to learn that Carol was really Charlotte Willoughby. She was part of a right-wing militia movement, which abhorred the federal government and its involvement in world affairs. After their rescue and reunion, the woman managed to slip a bomb into the United Nations headquarters in Manhattan. The explosion killed six people.

Rhyme and Sachs had taken up the case but Charlotte and the girl disappeared into the movement's underground, probably in the Midwest or West, and eventually the trail went cold.

From time to time they would check out FBI, VICAP and local police reports with a militia or right-wing political angle but no leads to Charlotte or Pammy panned out. Sachs's concern for the little girl never diminished, though, and sometimes, lying in bed with Rhyme at night, she'd wonder out loud how the girl was doing, if it was too late to save her. Sachs, who'd always wanted children, was horrified at the kind of life her mother was presumably forcing the girl to live-hiding out, having few friends her age, never going to a regular school-all in the name of some hateful cause.

And now Charlotte-with her new husband, Bud Allerton-had returned to the city on yet another mission of terrorism, and Rhyme and Sachs had become entwined in their lives once again.