Lawrence Block - Hope to Die

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Hope to Die: краткое содержание, описание и аннотация

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Unlicensed PI Matthew Scudder returns after a three-year absence to investigate the murder of a wealthy couple savagely slain in their Manhattan townhouse. Matt's now 62, and his age shows in this relatively sedate outing. There's less violence than in many cases past, and the urban melancholy that pervaded his earlier tales has dissipated, replaced by a mature reckoning with the unending cycle of life and death. The mystery elements are strong. To the cops, the case is open-and-shut: the perps have been found dead, murder/suicide, in Brooklyn, with loot from the townhouse in their possession. Matt enters the scene when his assistant, TJ, introduces him to the cousin of the dead couple's daughter; the cousin suspects the daughter of having engineered the killings for the inheritance. At loose ends, Matt digs in, quickly rejecting the daughter as a suspect but uncovering evidence pointing to a mastermind behind the murders. Block sounds numerous obligatory notes from Scudder tales past the AA meetings, the tithing of Matt's income, cameo appearances by Matt's love interest, Elaine, and his friend, Irish mobster Mick Ballou and he adds texture with some familial drama involving Matt's sons and ex-wife. His prose is as smooth as aged whiskey, as always, and the story flows across its pages. It lacks the visceral edge and heightened emotion of many previous Scudders, however, and the ending seems patly aimed at a sequel. This is a solid mystery, a fine Block, but less than exceptional. (Nov.)Forecast: All Blocks sell and Scudder's return will do particularly well, especially with the attendant major ad/promo, including a 17-city author tour.

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"I didn't ask."

"Not like you. She at least mention the street?"

I searched my memory. "No," I said, "I'm pretty sure she didn't. She'd have to know the street, and probably the house number as well. She was thinking about moving there."

"Boyfriend's name's Peter Meredith?"

"Yes, and he's the original Mr. Five-by-Five and wouldn't kill a cockroach. Where are you going?"

"Don't go nowhere," he said. "Be right back."

He was gone long enough for me to drink another cup of coffee and call for the check, and I was waiting for change when he came back. "I had half of a half a bagel left," he said. "You eat it?"

"The waiter took it."

"Damn," he said. "How I look?"

He'd been wearing knee-length camo shorts and an oversize sweatshirt with the sleeves cut off, and he'd changed into the pants from a black pinstripe suit and a white shirt with short sleeves and a button-down collar. No tie. His black shoes were polished. There were four pens in his shirt pocket, and he was carrying a clipboard.

"You look like a city employee," I said.

"Buildings Department."

"They're usually older," I said. "And thicker through the middle."

"And lighter-complected."

"For the most part. The ones I ran into over the years all looked as though their feet hurt them some."

"I 'spect mine will," he said, "by the time these shoes take me to 168 Meserole Street."

"What did you do, call Brooklyn Information?"

"Takes too long. They got to answer the phone, and then all they'll tell you is the number. You still got to look it up in a reverse directory or else call it and trick the address out of whoever answers. Who's got time for all that shit?"

"Your time is valuable," I said.

"I got on the Net," he said. "Typed in 'Peter Meredith, Brooklyn,' and got the address, the phone, the zip code. Took two seconds an' I didn't have to talk to nobody."

"Except the address is wrong."

"Say what?"

"Meserole's in Greenpoint, not Williamsburg. The two neighborhoods run into each other, but Meserole's in a part of Greenpoint that got gentrified a while ago. That's not a place to find a low-priced fixer-upper."

"That's Meserole Avenue. They on Meserole Street."

"There's two Meseroles?"

"You'd think one'd be enough," he said. "Look hard, you can probably find some cities don't have any." From the back of the clipboard he produced a sheet of paper showing a map of a few square miles of North Brooklyn. "Printed it out just now," he said, anticipating my question. "See? Here's Meserole Avenue, up in Greenpoint, an' this here's Meserole Street, runnin' over towards Bushwick Terminal."

I looked at the map. Both Meseroles, street and avenue, crossed Manhattan Avenue, the two intersections a mile and a half apart. It was the sort of thing that drove UPS drivers crazy.

Ray Galindez, a police artist I know, had bought a house in Williamsburg a couple of years ago, and I'd taken the L train out to visit him. The same train would get you close to Meserole Street, but you'd have to stay on an extra three stops. I didn't know the neighborhood- I hadn't even known the street existed- but I could guess why Kristin Hollander thought she'd rather stay in Manhattan.

"I didn't know you could do this," I said. "Print out a street map of Brooklyn."

"Man, you could just as easy print out a street map of Samarkand. You gotta get on-line. You missin' out."

We'd had this conversation before. "I'm too old for it," I told him, not for the first time, and he told me about a man he'd exchanged e-mails with, eighty-eight years old, living in Point Barrow, Alaska, and surfing the Net for hours every day.

"Why would anyone that age live in Point Barrow, Alaska?" I wondered. "And how do you know he's telling the truth? It's probably some nineteen-year-old lesbian posing as an old man."

He rolled his eyes.

"I'm sure I'd have a wonderful time surfing the Net," I said, "and I'd be a better person for it, too. But I don't need to because I've got you to do it for me."

"And to chase out to Brooklyn for you." He looked down at himself, shook his head. "Good thing it out in the middle of nowhere. Don't want nobody I know seein' me lookin' like this."

"Not to worry," I said. "They'd never recognize you."

EIGHTEEN

I should know better, but I tend to form mental images of people I haven't met. I'll hear a voice over the phone and think I know what the person's going to look like.

With Seymour Nadler I'd had his voice- low in pitch, professionally calm- to go by, along with his name and address and profession. I found myself preparing to meet a big bear of a man, balding on top, with a mane of dark hair flowing down over the collar of his open-necked corduroy shirt. His beard, as black as his hair, would need trimming.

Nadler turned out to be about my height, trimly built, clean-shaven, and wearing a gray glen plaid suit and a striped tie. His hair was brown and neatly barbered, and he still had all of it. His eyes, behind horn-rimmed glasses with bifocal lenses, were a washed-out blue. He had a small, thin-lipped mouth, and the hand he offered me felt small in mine.

His office was on the tenth floor, agreeably furnished with older pieces. There was a couch, of course, but there were also several comfortable chairs. The carpet was Oriental, the paintings American primitives. Next to his desk, a computer perched on a black metal stand, the room's only contemporary note. The windows looked out on Central Park.

"I can give you twenty minutes," he said. "My next appointment's at two, and I need ten minutes to prepare."

I told him that would be ample.

"Perhaps you could tell me exactly why you're here," he said. "My claim for losses incurred in the burglary has long since been settled. It took you people long enough, and I can't say I was happy with the amount, but it didn't seem worth going to court over." He smiled. "Although I considered it."

He evidently thought I was working for his insurance company. I hadn't quite said that, but I'd certainly done what I could to create that impression.

"Well," I said, "it's in connection with the gun."

"The gun!"

"Twenty-two-caliber Italian pistol," I said. "Stolen from a desk in your office, if my information's correct."

"I never even reported the loss of the gun."

I paged through my notebook, trying to look puzzled. "You didn't report it to the police? The law requires- "

"To the police, yes, of course, but I'd already submitted my claim to you people before I missed the gun. It wasn't that expensive, and I'd never listed it on my inventory, so I didn't bother to amend my claim. If I'd known you people were going to nickel-and-dime me on the value of my wife's jewelry, you can be sure I would have put the gun on the list."

I held up a hand. "Not my department," I said. "Believe me, I know where you're coming from. Don't quote me on this, but our claims adjusters pull that crap all the time."

"Well," he said, and gave me a sudden smile. We were on the same side now, and I felt pleased with myself for having successfully used psychology on a psychiatrist. "Well, then. What about the gun?"

"It was used recently in a home invasion."

"Yes," he said, frowning. "Yes, I actually did hear about that. A genuinely horrible incident, and it happened not far from here, I believe."

"On West Seventy-fourth Street."

"Yes, not far at all. Two people killed."

"And two more in Brooklyn."

"The perpetrators, yes. Murder and suicide, wasn't it? Interesting. That seems to happen sometimes, you know, with people who run amok and kill people. They conclude the drama by killing themselves." He put the tips of his small fingers together, pursed his lips. "I'm not certain of the mechanism. The conventional wisdom is that they're suddenly struck by the enormity of their actions and commit suicide to punish themselves. But I wonder if it isn't simply that they've run out of people to shoot and still feel the need to go on. So they turn the gun on the only person available, their own self."

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