Lawrence Block - Hope to Die

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Hope to Die: краткое содержание, описание и аннотация

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Unlicensed PI Matthew Scudder returns after a three-year absence to investigate the murder of a wealthy couple savagely slain in their Manhattan townhouse. Matt's now 62, and his age shows in this relatively sedate outing. There's less violence than in many cases past, and the urban melancholy that pervaded his earlier tales has dissipated, replaced by a mature reckoning with the unending cycle of life and death. The mystery elements are strong. To the cops, the case is open-and-shut: the perps have been found dead, murder/suicide, in Brooklyn, with loot from the townhouse in their possession. Matt enters the scene when his assistant, TJ, introduces him to the cousin of the dead couple's daughter; the cousin suspects the daughter of having engineered the killings for the inheritance. At loose ends, Matt digs in, quickly rejecting the daughter as a suspect but uncovering evidence pointing to a mastermind behind the murders. Block sounds numerous obligatory notes from Scudder tales past the AA meetings, the tithing of Matt's income, cameo appearances by Matt's love interest, Elaine, and his friend, Irish mobster Mick Ballou and he adds texture with some familial drama involving Matt's sons and ex-wife. His prose is as smooth as aged whiskey, as always, and the story flows across its pages. It lacks the visceral edge and heightened emotion of many previous Scudders, however, and the ending seems patly aimed at a sequel. This is a solid mystery, a fine Block, but less than exceptional. (Nov.)Forecast: All Blocks sell and Scudder's return will do particularly well, especially with the attendant major ad/promo, including a 17-city author tour.

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"I'm already in love." She didn't say anything, not out loud, anyway, and I said, "No, I'm not going to fall in love with her. She's decent and bright and pretty, and she's forty years younger than I am, and she couldn't be less interested. And, to tell you the truth, neither could I."

"That's interesting," she said. "But let me ask you another question, and you can take all the time you need answering it." She tilted her head, licked her lip, lowered her voice. "Is there anything you could be interested in? Anything you can think of?"

I thought of something.

Later she rolled over and propped herself up on an elbow.

"Thirty-nine," she said.

"On a scale of one to what?"

"Silly man. That wasn't a rating, it was a correction. You're thirty-nine years older than she is, not forty."

"Well, I have tell you," I said. "I feel younger already."

SIXTEEN

He is five feet eleven inches tall, and his weight has remained between 165 and 170 pounds for the last fifteen of his thirty-seven years. That makes him the same height and weight as the late Jason Paul Bierman, but that is less of a coincidence than it might at first appear. It might have been coincidental if circumstances had thrown him and Bierman together first, if their roles in the human drama had preceded his awareness of their superficial resemblance. But no, it was the other way around. He had picked Bierman out of the great sea of humanity, noting his height and weight, his build. Why, he'd thought, they could wear each other's clothes.

(Bierman, appearing in court, charged with trying to sneak under a subway turnstile. Charges dismissed, Bierman leaving the courtroom, looking vague, uncertain. He catches him as he hits the street, takes him by the arm. Bierman cringes, no doubt assuming he's being arrested again. "Mr. Bierman? Jason? Relax, my friend. I think perhaps I can help you." Bierman trying the couch, choosing the chair. Closing his eyes, sharing his hopes and fears. Learning the gospel. "Jason, what do you get?" "You get what you get, Doc.")

And so he'd selected Bierman. Good luck for him. Bad luck for Bierman.

Or was it bad luck? Bierman had been one of life's losers, a man who asked little of life and got less. You never got more than you asked for, he liked to tell people, and there was nothing wrong with asking for all you wanted. You may go to the ocean with a teaspoon or a bucket, he liked to say; the ocean does not care.

Bierman took a teaspoon, and held it out to the ocean- upside-down.

So his life had never amounted to anything, and in death, in addition to serving as a part of a Grand Design (which, to be fair, would have meant precious little to Bierman, even if he'd been aware of it, which he manifestly was not), in addition to that, why, Bierman had achieved in death what he had never achieved in life.

The sad bastard was famous.

He is at his computer now, scanning a newsgroup he has taken to visiting lately, alt.crime.serialkillers. There's been a spirited exchange of posts recently between someone who has an unwholesome amount of information to share about the Green River killer and someone else, similarly well informed, who claims to be the Green River killer. The likelihood that there's any truth in the claim strikes him as somewhere on the low side of infinitesimal, but that doesn't make the posts any less interesting to scan.

And yes, there are some new additions to the string of posts about Bierman. Technically, of course, Bierman is a far cry from a serial killer. Three corpses, all of them slain in a single night and in connection with a single crime, do not a serial killer make. You'd have to knock off unrelated individuals over a span of time, though just how many it takes is a matter of some dispute, and indeed is perennially disputed on alt.crime.serialkillers.

If Bierman's anything, he's a mass murderer, like the disgruntled postal employees who bring an automatic weapon to work and lose it big time. Three, though, is on the thin side. You might need a little more in the way of mass in order to make it as a genuine mass murderer.

(As a matter of fact, Bierman is no killer at all, and probably lived out his brief span without so much as giving anyone a bloody nose, but none of these people know that. They all assume Bierman killed the three victims credited to him, and some of them, mirabile dictu, are willing to add other victims to his string.)

He reads the post, nodding, smiling, shaking his head. The minds of the various members of the newsgroup, revealed in their posts, never fail to fascinate him. Some write with evident admiration of the notorious murderers of our time, comparing the tallies and techniques of Bundy, of Kemper, of Henry Lee Lucas. Others take a strong moral stand, draping it over a fierce desire to punish; they're death penalty enthusiasts, and rejoice whenever it's applied to one of the subjects of newsgroup gossip. And, of course, there are those in both camps who are deliberately striking a pose, playing a part, feigning contempt or admiration for reasons one can only guess.

He never posts. He's tempted sometimes, when he's inspired with just the words to tweak these clowns. But what, really, is the point? He doesn't post, he lurks. To post is human, to lurk divine.

Bierman, he thinks, I've made you immortal. Living, you were a walking dead man. Dead, you live!

His wristwatch, set to beep not on the hour but a precise ten minutes before it, tells him it's 12:50. He reads the last of the Bierman posts, clicks Mark All Read, and signs off. His screensaver comes on, showing a city skyline at night, forever changing as lights go on and off, on and off.

He sits back, stretches. His shirt is unbuttoned at the throat, his tie loose. He reaches under his collar and produces a mottled pink disc an inch and a quarter in diameter, perhaps an eighth of an inch thick, holed in the center. It's stone, rhodochrosite, and cool to the touch, and it hangs around his neck on a thin gold chain. He rubs the smooth stone between his thumb and forefinger, savoring the feel of it.

He tucks it inside his shirt, buttons the top button of his shirt, tightens his tie. He checks the knot in the mirror and it's fine, perfect.

And he can feel the pink stone disc, smooth and cool against his chest…

Time to go to work.

SEVENTEEN

"So we got us a client," T J said. "Damn! We on the clock, Doc."

"Well, it's barely ticking," I said. "I think the main reason I took her money was to keep her from giving it to somebody else."

"You clever, though, way you work things out. Girl wants to hire us, thinks her cousin did this bad thing. You put her mind at rest, pat her on the head and send her on her way. Then you turn around and get the rich cousin to hire us. We gonna work for one of the cousins, might as well be the one with the money."

"That's right, I almost forgot. Our client started out as the designated suspect."

"You happen to tell her that?"

"It slipped my mind."

We were at the Morning Star. I'd slept later than usual, and Elaine had left for the gym by the time I'd shaved and showered. There was coffee left, and I poured a cup and called T J. "If you haven't had breakfast," I said, "why don't you meet me downstairs in ten minutes." He'd been up since six, he said, when a couple down the hall had a louder-than-usual drunken argument, and he'd gone out and eaten, then went home and booted up his computer and got on-line. But he'd gladly keep me company.

I was working on an omelet, and he was keeping me company with a side of home fries and a toasted bagel and a large orange juice. He dabbed his lips with a napkin and said, "Slipped your mind. Probably a good thing. There any case left, now that we on it?"

"It's hard to know where to go with it. I wish there was someone with a motive. It's a lot of trouble to go through for no reason."

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