Kathy Reichs - Deadly Descisions

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From Publishers Weekly
Critics (and publicists) often compare Reichs to Patricia Cornwell, as both are women who write bestselling thrillers featuring a female forensic expert. There's a significant difference between them, though. Reichs brings to her grisly novels a scientific detail and authenticity that Cornwell rarely matchesAa virtue arising from Reich's background as a top forensic anthropologist for the governments of North Carolina and Quebec, a background mirrored by that of her heroine, Tempe Brennan. But CornwellAa journalist before she turned novelistAis a more accomplished writer than Reichs, and her more fluid prose and plotting support a heroine who exudes a vitality that Brennan doesn't. Reichs's strengths and weaknesses are apparent in this third novel (after Death du Jour) featuring narrator Brennan, which finds the crime fighter tangling with outlaw motorcycle gangs in Montreal. The novel opens as Brennan, "sorting badly mangled tissue" in an autopsy room, is interrupted by the arrival of another body: that of a girl, nine, caught by a bullet that one gang, the Heathens, had intended for a rival Viper. The mangled tissue belongs to two Heathens who'd been en route to bomb the Vipers' headquarters: war is raging among bikers in Montreal, and Brennan is soon caught in the battles, not least because her visiting nephew, Kit, is enamored with bikersAincluding some involved in the war. The narrative carries Brennan to assorted bikers' hangouts, and to much forensic digging, all of which Reichs handles with an admirable intensity and veracity. Still, the novel has a stiff, storyboarded feel, with a subplot involving Brennan's cop loverAhas he turned gang member?Aparticularly intrusive. The pacing is lopsided, laborious in front and action-stuffed at the back, and the narrative spreads its message about the malfeasance of outlaw bikers with a heavy hand. Overall, the novel works, but the gears show one time too many. Agent, Jennifer Rudolph Walsh at the Writer's Shop. Major ad/promo; 6-city author tour.

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A detachment of eight slowly gathered at the hearse, all in denim and shades. At a sign from the director, an assistant offered gloves, which a behemoth in a do-rag batted aside. Barehanded, the pallbearers slid the casket free and carried it toward the canopy struggling under the weight of the deceased and his packaging.

The branches above me lifted and fell, and I caught the scent of flowers and freshly turned earth. The bikes had gone still. A sob drifted from under the canopy slipping free on the breeze to ride over the graves of the surrounding dead.

"Sacré bleu!"

When I turned, Claudel was staring at the gate. I followed his gaze, and fear shot through me.

Crease and Kit were making their way through those lingering at the entrance, moving past the semicircle of mourners, and stepping into the shadow of a life-sized bronze angel, its arms perpendicularly outstretched, as if treading water.

I started to speak but Claudel silenced me with a hand. Lifting his radio, he looked down at his partner. Quickwater made a subtle gesture, first to his right, then straight ahead.

I looked where Quickwater had indicated. Beyond the mourners, partially hidden among the tombstones and trees, were men whose attention was not on the service. Like Claudel and Quickwater their eyes never rested, and they carried handsets. Unlike the Carcajou investigators, these men were tattooed and booted.

I looked a question at Claudel.

"Rock Machine security"

Under the canopy the priest stood and opened his prayer book. Hands rose and fell, crossing chests. Missal pages fluttered as the old priest began the rites for the dead, and he extended a gnarled finger to hold them still. The breeze played with his words, stealing some, sharing others.

"-~who art in heaven, hallow-"

Beside me, Claudel tensed.

A man had appeared among a cluster of cement crypts sixty feet to the west. Head down, he walked toward the canopy

"Thy kingdom- thy will-"

I looked down at Quickwaten His eyes were fixed on the Rock Machine sentries. One spoke into his walkie-talkie. Across the grounds, another listened. Quickwater stared at them, then raised his radio.

Claudel keyed his partner, eyes glued to the man closing in on the grave site.

"-forgive- who trespass against us-"

"Troubie?" I asked when the transmission ended.

"He's not Rock Machine. He could be Bandidos, but the lookouts aren't sure."

"How-?"

"He reads lips."

"Do you recognize the guy?"

"He's not a cop.

My nerves prickled. As with many in the crowd, a bandanna covered the lower face of the approaching figure, and a cap shadowed his eyes. But this man looked wrong. His jacket was too heavy for the day his arms held too tightly to his sides,

Suddenly a Jeep roared up Remembrance and veered toward the fence. At the same moment a motor flared and a Harley shot through the gate.

The next events seemed to continue forever, each unfolding in slow motion. They told me later that the entire episode lasted two minutes.

In the horseshoe of bikers a man spun sideways and flew into a canopy support pole. Screams. Gunfire. The tent collapsed. The crowd froze momentarily, then scattered.

"Down!"

Claudel pushed hard on my back, slamming me to the ground.

A bearded man crawled from the heap of canvas and ran toward a stone Jesus with outstretched arms. Halfway there his back arched, and he fell forward. He was dragging himself across the ground, when his body jerked again and collapsed.

I spit dirt from my mouth and tried to see. A bullet whacked into the chestnut behind me.

When I looked again the jacketed man with the bandannacovered face was behind a vault, bending toward the base of the crypt. He stood, and sun glinted off steel as he pulled back the slide on a semiautomatic. Then he dropped his hand straight to his side and walked toward the swimming angel.

Fear shot through me.

Without thinking, I began to crawl toward the path.

"Get back here, Brennan," Claudel shouted.

Ignoring him, I pushed to my feet and scrabbled down the hill, keeping to the far side to avoid gunfire. Crouching low and darting from monument to monument, I worked my way toward the statue sheltering my nephew.

Pistols and semiautomatics barked around me. The Angels were reaping their vengeance, and the Machine were returning fire. Bullets sparked off tombs and headstones. A granite splinter struck my cheek, and something warm trickled down my face.

As I rounded the statue on one side, the jacketed man appeared on the other Crease and Kit stood directly between us. The gunman raised his arm and aimed.

Crease swung Kit around to shield himself.

"Get down!" I screamed. Sweat trickled from my hairline, and the wind felt cold on my face.

It took Kit a moment to realize his situation. Then he spun and brought his knee up hard between the reporter's legs. Crease's hand flew up and his mouth opened in a perfect 0, but one hand held tight to Kit's shirt.

Kit twisted to his right, but Crease yanked hard just as the shooter squeezed the trigger. A deafening sound reverberated off the bronze torso and wings above us. My nephew fell to the ground and lay still.

"No!" My scream was drowned by the sound of engines and gunfire.

Another thunderous roan I saw a hole open in Crease's chest, and a liquid river of red streamed down his front. He went rigid for a moment, then dropped next to Kit.

I sensed a figure moving around the monument, and threw myself forward to cover Kit. His hand moved feebly and a burgundy stain was spreading across his back.

The figure loomed larger and filled the gap between the angel and the neighboring tomb, feet spread, pistol extended in a twohanded grip toward the gunman above us. The muzzle flashed. Another deafening crack. The gunman's eye exploded, blood bubbled from his mouth, and he crumpled to the ground beside me.

My eyes met eyes bluer than a butane flame. Then Ryan whirled and was gone.

At that instant Quickwater flung himself under the angel and dragged and shoved Kit and me toward the base. Crouching in front of the supine bodies of Crease and his assassin, he swept his gun in wide ares, using the monument for cover

I tried to swallow, but my mouth was a desert. Bullets strafed the earth beside me, and again I was conscious of the smell of dirt and flowers. Outside our tiny cave I could see figures running in all directions.

Quickwater's eyes scanned, his body coiled and ready to spring. In the distance I heard sirens and engines, then the sound of an explosion.

Adrenaline pumping, I pressed a hand to the hole in my nephew's badk, and tried to stuff a hankie into the one in his chest. Time lost all meaning.

Then it was silent. Nothing appeared to move.

Beyond Quickwater I saw people crawl from under the canopy disheveled and sobbing. Bikers emerged from hiding and coalesced into groups, faces furious, fists pistoning as if they were angry hiphop artists. Others lay motionless on the ground. Ryan was nowhere to be seen.

Far down the mountain sirens wailed. I glanced at Quickwater, and our eyes locked. My lips trembled, but no words came.

Quickwater reached down and wiped blood from my cheek, then gently brushed the hair from my face. His eyes went deep into mine, acknowledging what we had just seen, the secret we shared. My chest heaved and tears burned my lids. I turned away not wanting a witness to my frailty

My gaze fell on a tiny portrait, encased in plastic and secured to the angel's pedestal. A solemn face stared out, separated by death and faded by years of rain and sun.

No, God. Please, no. Not Kit,

I looked down at the blood oozing through my fingers. Openly weeping, I applied more pressure, then closed my eyes and prayed.

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