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Kathy Reichs: Deadly Descisions

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Kathy Reichs Deadly Descisions

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From Publishers Weekly Critics (and publicists) often compare Reichs to Patricia Cornwell, as both are women who write bestselling thrillers featuring a female forensic expert. There's a significant difference between them, though. Reichs brings to her grisly novels a scientific detail and authenticity that Cornwell rarely matchesAa virtue arising from Reich's background as a top forensic anthropologist for the governments of North Carolina and Quebec, a background mirrored by that of her heroine, Tempe Brennan. But CornwellAa journalist before she turned novelistAis a more accomplished writer than Reichs, and her more fluid prose and plotting support a heroine who exudes a vitality that Brennan doesn't. Reichs's strengths and weaknesses are apparent in this third novel (after Death du Jour) featuring narrator Brennan, which finds the crime fighter tangling with outlaw motorcycle gangs in Montreal. The novel opens as Brennan, "sorting badly mangled tissue" in an autopsy room, is interrupted by the arrival of another body: that of a girl, nine, caught by a bullet that one gang, the Heathens, had intended for a rival Viper. The mangled tissue belongs to two Heathens who'd been en route to bomb the Vipers' headquarters: war is raging among bikers in Montreal, and Brennan is soon caught in the battles, not least because her visiting nephew, Kit, is enamored with bikersAincluding some involved in the war. The narrative carries Brennan to assorted bikers' hangouts, and to much forensic digging, all of which Reichs handles with an admirable intensity and veracity. Still, the novel has a stiff, storyboarded feel, with a subplot involving Brennan's cop loverAhas he turned gang member?Aparticularly intrusive. The pacing is lopsided, laborious in front and action-stuffed at the back, and the narrative spreads its message about the malfeasance of outlaw bikers with a heavy hand. Overall, the novel works, but the gears show one time too many. Agent, Jennifer Rudolph Walsh at the Writer's Shop. Major ad/promo; 6-city author tour.

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"He did time?" I asked, unnerved.

"Six years, south of the border."

"Mexico?"

"Juãrez."

My heart came back to life and thumped inside my chest.

"Crease is a killer and Kit may be with him. I've got to do something."

Claudel's voice went cop cold.

"Don't even think about freelancing, Ms. Brennan. These bikers look like sharks smelling the water for blood, and it could get rough down here."

"And Kit could get sucked into the feeding frenzy!" I heard my voice catch, and stopped to steady myself.

"I'll send a patrol car to pick Crease up.

"Suppose he has funeral plans?"

"If he shows his face, we'll arrest him."

"And if a nineteen-year-old kid gets nailed along the way?" I was almost yelling.

"All I'm saying is don't come down here."

"Then find this bastard!"

I'd hardly disconnected when I heard my cell phone.

Kit!

I raced to the bedroom and pulled it from my purse. The voice was quavery, like a child after a long cry. "You need to know what they're doing."

At first I felt confusion, then recognition, then apprehension. "Who, Jocelyn?"

"Someone needs to know what these Heathen scum are doing." She inhaled sharply through her nose.

"Tell me."

"This town is turning into a slaughterhouse, and your kid is ambling right down the chute."

My stomach went tight with fear.

"What do you mean?"

"I know what's coming down."

"How does this involve my nephew?"

"I need money and I need cover." Her voice was stronger now.

"Tell me what you know."

"Not till we deal."

"I don't have that kind of authority"

"You know who does."

"I wiJl try to help you," I said. "But I need to know if my nephew is in danger."

Silence. Then, "Fuck, I'm dead anyway Meet me in the Guy metro in twenty minutes. Westbound platform."

Her voice was leaden with defeat.

"I'll wait ten minutes. If you're!ate, or bring a buddy, I'm gone, and the kid'll be a footnote when this whole thing is written up."

Dead air

I dialed Claudel's pager and left my number. Then I stared at the phone, ticking through options.

Claudel was unreaehable. I couldn't wait for a return call.

Quickwater.

Ditto.

Claudel hadn't told me to avoid the underground. I'd meet with Jocelyn, then ring him when I had information.

I punched in the number at Carcajou headquarters, but didn't hit send. Then I slid the phone into my purse, and boited for the door.

Jocelyn was seated at the end of the tunnel, a canvas duffel in her lap, another at her feet. She had chosen a corner bench, as if concrete backing conferred protection from whatever menace she feared. Her teeth worked a thumbnail as she scanned the commuters standing to either side of the tracks.

She spotted me and followed my approach. I stayed to the middle of the platform, my pulse louder in my ears than any competing noise. The air was warm and stale, as though breathed and rebreathed by legions of subterranean travelers. I felt an acrid taste and swallowed hard.

Jocelyn watched in silence as I sat on the bench. Her chalky skin looked violet in the artificial light, the whites of her eyes yellow.

I started to speak but she stopped me with a hand movement.

"I'm going to say this once, then I'm taking off. I talk. You listen."

I said nothing.

"I'm a junkie, we both know that. I'm also a whore and a liar." Her eyes roved the faces lining the tracks, her movements ragged and jerky.

"Here's the mind-fuck. I come from a Girl Scout-summer camp-tuna casserole background just like you. Only somewhere along the way I joined a freak show I can't escape.

Purple shadow turned her eyes cadaverous.

"Lately I've been doing some hard time with hate. I hate everyone and everything on the planet. But mostly I hate myself."

She backhanded a sheen of liquid from below her nostrils.

"You know it's closing time when you can't look in a pond or pass a mirror or storefront because you despise what you see looking back."

She turned to me, the lobotomy eyes burning with rage and guilt.

"Talking to you may get me killed, but I want out. And I want these guys to pay

"What are you offering?"

"Spider Marcotte and the little girl."

"I'm listening."

"It was George Dorsey He's dead now, so it don't matter." She looked away then focused again on my face.

"Marcotte was Heathen payback for the Vipers blowing up the

Vaillancourts. George and a full-patcher named Sylvain Lecomte took him out. The kid was a mistake."

She braced a booted foot against the duffel.

"George thought the hit was his ticket to stardom. But the Heathens burned George because they thought he was going to give up Lecomte." She snorted and tipped her chin. "George was actually waiting for me near the Cherokee hit scene. When he got busted by the Carcajou and then set up a meet with you, the Heathen brothers decided to do George before he could finger Lecomte. Big man, Lecomte. Wasted a little girl. Big turd," she spat.

"Anything else?" She shrugged.

"The St-Basile burials. I've been on the scene nine years. I've got plenty to trade."

"Are you talking about witness protection?"

"Money and out."

"Rehab?"

She shrugged.

"What about Cherokee?"

"He brought the girl's bones up North, but I've put his story on paper. I give it up when my ass is safe and a long way from here."

She sounded like the thought was coilapsing even as she voiced it. "Why now?"

"They wasted Dorsey He did their work, and they wasted him." She shook her head and turned back to her surveillance.

"And I've become them." Her voice dripped with self-loathing. "I set that reporter up.

"What reporter?"

"Lyle Crease. I figured something was up when you asked about him, so I tuned into the news that night. Sure enough, he was the one I saw at Cherokee's place. I dropped his name to the Vipers for a bag of flake."

"Jesus Christ."

"I'm a goddam junkie, all right?" It was almost a shriek. "When you're coming down and the world is closing in, you'll dime your mother for a score. Besides, I had other reasons.

Her hands began to tremble, and she pressed her fingertips to her temples.

"Later, I phoned Crease to set up a meet at the cemetery" Again the self-deprecating laugh. "Back on big rock candy mountain.

"Did they ask you to arrange a meeting?"

"Yeah. They plan to take Crease out, and some Heathens, too.

"What does this have to do with my nephew?" My mouth was so dry I could hardly speak.

"Crease said not to try anything funny because he would have the kid with him."

I heard the rumble of a train far up the tunnel.

Again, the head shake. Her face looked hard in profile.

"This funeral's going to be one big snuff film, and your nephew could have a starring role."

I felt a change in air pressure as the train grew louder. Passengers on the far side moved toward the platform's edge.

Jocelyn's gaze froze on something across the tracks. The hooded eyes grew puzzled a moment, then widened in recognition. Her mouth opened.

"Lecom-!" she screamed, and her hand shot to the duffel's zipper.

The train thundered in.

Jocelyn's head flew backward, and a dark cumulus spread around it on the wall. I threw myself to the concrete, and covered my head with both hands.

Brakes shrilled, whooshed.

I tried to scramble behind the bench, under it, anywhere. It was bolted to the wall! There was nowhere to go!

Doors opened. Commuters both boarded and left the train.

On our side, screams. Faces turning. Bewilderment. Horror

The train barreled off.

Then the sounds changed. Panicked retreat. People running.

After a full minute with no more shots, I cautiously rose to my feet, bone and brain matter on my jacket. My stomach lurched and I tasted bile.

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