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Kathy Reichs: Deadly Descisions

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Kathy Reichs Deadly Descisions

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From Publishers Weekly Critics (and publicists) often compare Reichs to Patricia Cornwell, as both are women who write bestselling thrillers featuring a female forensic expert. There's a significant difference between them, though. Reichs brings to her grisly novels a scientific detail and authenticity that Cornwell rarely matchesAa virtue arising from Reich's background as a top forensic anthropologist for the governments of North Carolina and Quebec, a background mirrored by that of her heroine, Tempe Brennan. But CornwellAa journalist before she turned novelistAis a more accomplished writer than Reichs, and her more fluid prose and plotting support a heroine who exudes a vitality that Brennan doesn't. Reichs's strengths and weaknesses are apparent in this third novel (after Death du Jour) featuring narrator Brennan, which finds the crime fighter tangling with outlaw motorcycle gangs in Montreal. The novel opens as Brennan, "sorting badly mangled tissue" in an autopsy room, is interrupted by the arrival of another body: that of a girl, nine, caught by a bullet that one gang, the Heathens, had intended for a rival Viper. The mangled tissue belongs to two Heathens who'd been en route to bomb the Vipers' headquarters: war is raging among bikers in Montreal, and Brennan is soon caught in the battles, not least because her visiting nephew, Kit, is enamored with bikersAincluding some involved in the war. The narrative carries Brennan to assorted bikers' hangouts, and to much forensic digging, all of which Reichs handles with an admirable intensity and veracity. Still, the novel has a stiff, storyboarded feel, with a subplot involving Brennan's cop loverAhas he turned gang member?Aparticularly intrusive. The pacing is lopsided, laborious in front and action-stuffed at the back, and the narrative spreads its message about the malfeasance of outlaw bikers with a heavy hand. Overall, the novel works, but the gears show one time too many. Agent, Jennifer Rudolph Walsh at the Writer's Shop. Major ad/promo; 6-city author tour.

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"Michel Charbonneau told me of your conversation." More breathing. "I think it's time to net this Mr. Crease."

When we disconnected I phoned for air reservations. Willing or not, Kit was on his way to Texas. Until then, I wasn't going to let him out of my sight. I arrived home to find Kit in the shower.

"Have you eaten?" I shouted through the door when I heard the sound of the water stop.

"Not much."

O.K, podna. I, too, can cook pasta.

I made a run to Le Faubourg for scallops and greens. Back home I sautéed the seafood with onions and mushrooms, then mixed and added a yogurt-mustard-lemon-dill sauce. I ladled the mollusk concoction over angel-hair pasta, and served it with a baguette and tossed salad.

Even Kit was impressed.

We talked as we ate, but said little.

"How was your day?" I asked.

"Pretty good."

"What did you do?"

"Not much."

"Did you stay here?"

"I rode the subway to some island and cruised around the parks."

"Ile-Ste-Hélene."

"Yeah. There's a beach out there and lots of trails. It's pretty slick."

That explained the skateboard in the entrance hall.

"How 'bout your day?" he asked, picking a crouton from the salad remains.

"Pretty good."

A cokehead security risk in our own lab accused me of indifference to bikers, and I discovered one of your Easy Rider playmates may be a killer.

"Cool," he said. I took a deep breath.

"I made airline reservations today."

"Off on another trip?" "The flight is for you."

"Uh-oh. The bum's rush." He kept his eyes on the salad bowl.

"Kit, you know I love you, and I love having you here, but I think it's time you went home."

"What is it they say about houseguests and old fish? Or is it relatives?"

"You know that isn't it. But you have been here almost two weeks. Aren't you bored? Don't you want to see your friends and check on the boat?"

He shrugged. "They're not going anywhere." "I'm sure Harry and your father both miss you. "Oh, yeah. They've been burning up the phone wires.

"Your mother's in Mexico. It's not eas- "She arrived in Houston yesterday." "What?~'

"I didn't want to tell you." "Oh?"

"I knew you'd hustle me off when she got back."

"Why would you think that?"

His hand dropped, fingers curling over the bowl's edge. Outside, a siren wailed, soft, loud, soft. When he answered he didn't look at me.

"When I was a little kid, you always stayed just out of reach, afraid Harry might feel jealous. Or angry. Or resentful. Or madequate. Or, or- He picked a crouton, threw it back. Drops of oil jumped onto the table.

"Kit!"

"And, you know what? She ought to feel inadequate. The only thing I should thank Harry for is not burying me in a goddam shoe box when I was born." He got to his feet. "I'll pack my stuff."

I stood and grabbed his arm. When I looked up his face was tight with anger.

"Harry has nothing to do with this. I'm sending you home because I'm frightened for you. I'm frightened over the people you've been seeing and what they may be doing, and I'm afraid you're involved with things that could place you in jeopardy."

"That's bullshit. I'm not a baby anymore. I make my own decisions."

I flashed on Frog Rinaldi, his shadow rippling across a grave. Gately and Martineau had made a decision. A deadly decision. So had Savannah Osprey. And George Dorsey. I would not permit Kit to do the same.

"If something happened to you I'd never forgive myself."

"I'm not going to get hurt."

"I can't take that chance. I think you've been putting yourself in dangerous circumstances."

"I'm not six years old, Aunt Tempe. You can kick me out of here, but you can't tell me what to do anymore." His jaw muscles bunched, then his Adam's apple rose and dropped.

We both fell silent, realizing our proximity to words that, once spoken, would wound. I released my grip, and Kit disappeared down the hall, bare feet swishing softly on the carpet.

I slept fitfully, then woke and lay in the dark, thinking about my nephew. The window shade changed from black to charcoal. I gave up on sleep, brewed tea, and took it to the patio.

Bundled in Gran's quilt, I watched stars fade overhead, and remembered evenings in Charlotte. When Katy and Kit were small we would identify constellations and christen patterns of our own. Katy would see a mouse, a puppy, a pair of skates. Kit would see a mother and child.

I tucked my feet and sipped the hot liquid.

How could I make Kit understand my reasons for sending him away? He was young, and vulnerable, and desperate for recognition and approval.

But recognition and approval from whom? Why does he want to stay with me? Do I provide a base from which he can pursue activities he won't disclose to me?

From the day of Kit's arrival his apathy had puzzled me. While Katy would have craved constant peer contact, my nephew seemed satisfied with limited sight-seeing, video games, and the company of an aging aunt and her aging cat. The current Kit was jarringly at odds with the youngster I remembered. Skinned knees. Stitches. Broken bones. Kit's perpetual motion had kept Harry on a first-name basis with her local paramedics for the duration of his childhood.

Had Kit been staying in, or had he been out and about with Lyle Crease? Or the Preacher? Or the hyena? Was he lethargic around me because he was tired?

More tea. Tepid now

I pictured two men behind biood-spattered plastic, and even the tea couldn't warm my chill.

Was I making a mistake? If Kit was going through a rough patch could I have some positive influence? If he was involved in something precarious would it be safer to keep him with me?

No. The overall situation made it too risky. I would stick to my plan. My nephew would be in Texas before George Dorsey's body was underground.

As dawn crawled up from the horizon, a gentle wash spread across my yard, tinting trees, hedges, and the old brownstones across the street. Edges softened, until the city resembled a Winslow Homer landscape. A gentle watercolor, a perfect backdrop for a gangland funeral.

I poured the last of my tea onto the lawn, and went to wake my nephew

His room was empty.

Chapter 37

A note was stuck to the refrigerator. I read it in place, afraid to trust my unsteady hands.

Thanks for everything. Don't worry. I'm with friends.

Friends?

My heart felt dead in my chest.

I looked at the clock. The Dorsey funeral would start in a little more than an hour.

I dialed Claudel's pager, then made coffee, dressed, and made the bed.

Seven-fifteen.

I sipped and picked at a cuticle.

The earth rotated. Tectonic plates shifted. Twelve acres of rain forest disappeared from the globe forever.

I went to the bathroom, combed my hair, dabbed on makeup, added blush, returned to the kitchen for a second cup.

Seven-thirty. Where the hell was Claude!?

Back to the bathroom, where I wet and recombed my hair I was reaching for dental floss when the phone rang.

"I wouldn't have thought you an early riser." Claudel.

"Kit's gone.

"Cibole!"

I could hear traffic in the background.

"Where are you?"

"Outside the church."

"How does it look?"

"Like a theme park of deadly sins. Sloth and gluttony are well represented."

"I don't suppose you've seen him."

"No, but I might not spot Fidel Castro in this crowd. Looks like every biker on the continent is here."

"Crease?"

"No sign."

I heard a hitch in his breathing.

"What?"

"Charbonneau and I did some more checking. From '83 to '89 Lyle Crease was playing foreign correspondent, not secret agent. But the only reports he was filing were with the guard on his cell block."

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