James Burke - Sunset Limited

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Amazon.com Review
Imagine Philip Marlowe sans the cigarettes and in AA. Put him in Louisiana and jump forward 50 years or so and you've got David Robicheaux, a tough-talking detective with the same soft spot as his prototype for troublesome women and for delving into places into which he probably has no business. New Iberia, Louisiana, perfectly rivals Marlowe's L.A. for its grit and corruption and dames who'll turn a good guy bad.
James Lee Burke's 11th Robicheaux book, Sunset Limited, is a twisted mystery that at times becomes almost byzantine in its attempt to keep disparate characters and narratives wound in a cohesive story line. But Burke's writing is so stunning that all is forgiven as you become immersed in the tale, which meshes past and present to uncover the secret of a decades-old murder.
Forty years ago, a local labor leader was crucified in a crime that remains unsolved. Now, his daughter-Pulitzer Prize-winning photographer Megan Flynn-returns to New Iberia. With a seemingly insignificant remark to Robicheaux, she begins a chain of events that lead right back to her father's death. New Iberia, in some sense, is frozen in time as the age-old problems of race and class weave their way into the mystery, complicating Robicheaux's discovery of not only the original crime, but the wealth of murders that spring up along the way. Add in the Chinese mob, corrupt policemen, and a Hollywood film shoot, and the stage is set.
Burke's forte is his ability to create characters so evil they're liable to get you up in the night to check in your closet and under your bed. The players-both good and bad-are characterized more by their flaws than their attributes, giving everyone a wicked sheen. The book isn't overly gory (although short descriptions can be rather graphic), but everyone has a dark side, emphasizing the noir-ish tones of the novel. His writing is powerful, mixing tender landscapes ("[W]e dropped through clouds that were pooled with fire in the sunrise and came in over biscuit-colored hills dotted with juniper and pine and pinyon trees…") with dead-on, cutting descriptions ("His face was tentacled with a huge purple-and-strawberry birthmark, so that his eyes looked squeezed inside a mask") and the camp dialogue of Chandler ("Evil doesn't have a zip code"). Oddly, these sundry elements blend seamlessly, allowing you to overlook tenuous connections and occasionally confusing turns.

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THE MAN WITH BULLDOG jowls was named Harpo Delahoussey, and he ran a ramshackle nightclub for redbones (people who are part French, black, and Indian) by a rendering plant on an oxbow off the Atchafalaya River. When the incinerators were fired up at the plant, the smoke from the stacks filled the nearby woods and dirt roads with a stench like hair and chicken entrails burned in a skillet. The clapboard nightclub didn't lock its doors from Friday afternoon until late Sunday night; the parking lot (layered with thousands of flattened beer cans) became a maze of gas-guzzlers and pickup trucks; and the club's windows rattled and shook with the reverberations of rub board and thimbles, accordion, drums, dancing feet, and electric guitars whose feedback screeched like fingernails on slate.

At the back, in a small kitchen, Ida Broussard sliced potatoes for french fries while caldrons of red beans and rice and robin gumbo boiled on the stove, a bandanna knotted across her forehead to keep the sweat out of her eyes.

But Cool Breeze secretly knew, even though he tried to deny it to himself, that Harpo Delahoussey had not blackmailed him simply to acquire a cook, or even to reinforce that old lesson that every coin pressed into your palm for shining shoes, cutting cane, chopping cotton, scouring ovens, dipping out grease traps, scrubbing commodes, cleaning dead rats from under a house, was dispensed by the hand of a white person in the same way that oxygen could be arbitrarily measured out to a dying hospital patient.

One night she wouldn't speak when he picked her up, sitting against the far door of the pickup truck, her shoulders rounded, her face dull with a fatigue that sleep never took away.

"He ain't touched you, huh?" Cool Breeze said.

"Why you care? You brung me to the club, ain't you?"

"He said the rendering plant gonna shut down soon. That mean he won't be needing no more cook. What you gonna do if I'm in Angola?"

"I tole you not to bring that whiskey in the store. Not to listen to that white man from Miss'sippi sold it to you. Tole you, Willie."

Then she looked out the window so he could not see her face. She wore a rayon blouse that had green and orange lights in it, and her back was shaking under the cloth, and he could hear her breath seizing in her throat, like hiccups she couldn't control.

HE TRIED TO GET permission from his parole officer to move back to New Orleans.

Permission denied.

He caught Ida inhaling cocaine off a broken mirror behind the house. She drank fortified wine in the morning, out of a green bottle with a screw cap that made her eyes lustrous and frightening. She refused to help out at the store. In bed she was unresponding, dry when he entered her, and finally not available at all. She tied a perforated dime on a string around her ankle, then one around her belly so that it hung just below her navel.

"Gris-gris is old people's superstition," Cool Breeze said.

"I had a dream. A white snake, thick as your wrist, it bit a hole in a melon and crawled inside and ate all the meat out."

"We gonna run away."

"Mr. Harpo gonna be there. Your PO gonna be there. State of Lou'sana gonna be there."

He put his hand under the dime that rested on her lower stomach and ripped it loose. Her mouth parted soundlessly when the string razored burns along her skin.

The next week he walked in on her when she was naked in front of the mirror. A thin gold chain was fastened around her hips.

"Where you get that?" he asked.

She brushed her hair and didn't answer. Her breasts looked as swollen and full as eggplants.

"You ain't got to cook at the club no more. What they gonna do? Hurt us more than they already have?" he said.

She took a new dress off a hanger and worked it over her head. It was red and sewn with colored glass beads like an Indian woman might wear.

"Where you got money for that?" he asked.

"Mine to know, yours to find out," she replied. She fastened a hoop earring to her lobe with both hands, smiling at him while she did it.

He began shaking her by the shoulders, her head whipping like a doll's on her neck, her eyelids closed, her lipsticked mouth open in a way that made his phallus thicken in his jeans. He flung her against the bedroom wall, so hard he heard her bones knock into the wood, then ran from the house and down the dirt road, through a tunnel of darkened trees, his brogans exploding through the shell of ice on the chuckholes.

IN THE MORNING HE tried to make it up to her. He warmed boudin and fixed cush-cush and coffee and hot milk, and set it all out on the table and called her into the kitchen. The dishes she didn't smash on the wall she threw into the back yard.

He drove his pickup truck through the bright coldness of the morning, the dust from his tires drifting out onto the dead hyacinths and the cattails that had winter-killed in the bayou, and found Harpo Delahoussey at the filling station he owned in town, playing dominoes with three other white men at a table by a gas stove that hissed with blue flame. Delahoussey wore a fedora, and a gold badge on the pocket of his white shirt. None of the men at the table looked up from their game. The stove filled the room with a drowsy, controlled warmth and the smell of shaving cream and aftershave lotion and testosterone.

"My wife ain't gonna be working at the club no more," Cool Breeze said.

"Okay," Delahoussey said, his eyes concentrated on the row of dominoes in front of him.

The room seemed to scream with silence.

"Mr. Harpo, maybe you ain't understood me," Cool Breeze said.

"He heard you, boy. Now go on about your business," one of the other men said.

A moment later, by the door of his truck, Cool Breeze looked back through the window. Even though he was outside, an oak tree swelling with wind above his head, and the four domino players were in a small room beyond a glass, he felt it was he who was somehow on display, in a cage, naked, small, an object of ridicule and contempt.

Then it hit him: He's old. An old man like that, one piece of black jelly roll just the same as another. So who give her the dress and wrap the gold chain around her stomach ?

He wiped his forehead on the sleeve of his canvas coat. His ears roared with sound and his heart thundered in his chest.

HE WOKE IN THE middle of the night and put on an overcoat and sat under a bare lightbulb in the kitchen, poking at the ashes in the wood stove, wadding up paper and feeding sticks into the flame that wouldn't catch, the cold climbing off the linoleum through his socks and into his ankles, his confused thoughts wrapped around his face like a net.

What was it that tormented him? Why was it he couldn't give it words, deal with it in the light of day, push it out in front of him, even kill it if he had to?

His breath fogged the air. Static electricity crackled in the sleeves of his overcoat and leaped off his fingertips when he touched the stove.

He wanted to blame Harpo Delahoussey. He remembered the story his daddy, Mout', had told him of the black man from Abbeville who broke off a butcher knife in the chest of a white overseer he caught doing it with his wife against a tree, then had spit in the face of his executioner before he was gagged and hooded with a black cloth and electrocuted.

He wondered if he could ever possess the courage of a man like that.

But he knew Delahoussey was not the true source of the anger and discontent that made his face break a sweat and his palms ring as though they had been beaten with boards.

He had accepted his role as cuckold, had even transported his wife to the site of her violation by a white man (and later, from Ida's mother, he would discover the exact nature of what Harpo Delahoussey did to her), because his victimization had justified a lifetime of resentment toward those who had forced his father to live gratefully on tips while their cigar ashes spilled down on his shoulders.

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