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James Burke: Sunset Limited

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James Burke Sunset Limited

Sunset Limited: краткое содержание, описание и аннотация

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Amazon.com Review Imagine Philip Marlowe sans the cigarettes and in AA. Put him in Louisiana and jump forward 50 years or so and you've got David Robicheaux, a tough-talking detective with the same soft spot as his prototype for troublesome women and for delving into places into which he probably has no business. New Iberia, Louisiana, perfectly rivals Marlowe's L.A. for its grit and corruption and dames who'll turn a good guy bad. James Lee Burke's 11th Robicheaux book, Sunset Limited, is a twisted mystery that at times becomes almost byzantine in its attempt to keep disparate characters and narratives wound in a cohesive story line. But Burke's writing is so stunning that all is forgiven as you become immersed in the tale, which meshes past and present to uncover the secret of a decades-old murder. Forty years ago, a local labor leader was crucified in a crime that remains unsolved. Now, his daughter-Pulitzer Prize-winning photographer Megan Flynn-returns to New Iberia. With a seemingly insignificant remark to Robicheaux, she begins a chain of events that lead right back to her father's death. New Iberia, in some sense, is frozen in time as the age-old problems of race and class weave their way into the mystery, complicating Robicheaux's discovery of not only the original crime, but the wealth of murders that spring up along the way. Add in the Chinese mob, corrupt policemen, and a Hollywood film shoot, and the stage is set. Burke's forte is his ability to create characters so evil they're liable to get you up in the night to check in your closet and under your bed. The players-both good and bad-are characterized more by their flaws than their attributes, giving everyone a wicked sheen. The book isn't overly gory (although short descriptions can be rather graphic), but everyone has a dark side, emphasizing the noir-ish tones of the novel. His writing is powerful, mixing tender landscapes ("[W]e dropped through clouds that were pooled with fire in the sunrise and came in over biscuit-colored hills dotted with juniper and pine and pinyon trees…") with dead-on, cutting descriptions ("His face was tentacled with a huge purple-and-strawberry birthmark, so that his eyes looked squeezed inside a mask") and the camp dialogue of Chandler ("Evil doesn't have a zip code"). Oddly, these sundry elements blend seamlessly, allowing you to overlook tenuous connections and occasionally confusing turns.

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She went inside the bait shop, but did not come back out right away. I heard the cash register drawer open and knew the subterfuge that was at work, one that she used to mask her charity, as though somehow it were a vice. She would pay for the fried pie she took from the counter, then cradle Tripod in one arm and hand-feed it to him whether he wanted it or not, while his thick, ringed tail flipped in the air like a spring.

I tried to concentrate on repairing the rail on the dock and not see the thoughts that were as bright and jagged as shards of glass in the center of my mind. I kept touching my brow and temple with my arm, as though I were wiping off sweat, but that wasn't my trouble. I could feel a band of pressure tightening across the side of my head, just as I had felt it on night trails in Vietnam or when Bedcheck Charlie was cutting through our wire.

What was it that bothered me? The presence of men like Archer Terrebonne in our midst? But why should I worry about his kind? They had always been with us, scheming, buying our leaders, deceiving the masses. No, it was Megan, and Megan, and Megan, and her betrayal of everything I thought she represented: Joe Hill, the Wobblies, the strikers murdered at Ludlow, Colorado, Woody Guthrie, Dorothy Day, all those faceless working people whom historians and academics and liberals alike treat with indifference.

I ran the electric saw through a two-by-four and ground the blade across a nail. The board seemed to explode, the saw leaping from my hand, splinters embedding in my skin like needles. I stepped backward from the saw, which continued to spin by my foot, then ripped the cord loose from the socket in the bait-shop wall.

"You all right, Dave?" Alafair said through the screen.

"Yeah, I'm fine," I said, holding the back of my right hand.

Through the trees next to the bayou I saw a mud-splattered stake truck loaded with boxes of chrysanthemums coming down the road. The truck pulled at an angle across the boat ramp, and Mout' Broussard got out on the passenger's side and a tiny Hmong woman in a conical straw hat with a face like a withered apple got down from the other. Mout' put a long stick across his shoulders, and the woman loaded wire-bailed baskets of flowers on each end of it, then picked up a basket herself and followed him down the dock.

"You sell these for us, we gonna give you half, you," Mout' said.

"I don't seem to have much business today, Mout'," I said.

"Season's almost over. I'm fixing to give them away," he said.

"Put them under the eave. We'll give it a try," I said.

He and the woman lay the flowers in yellow and brown and purple clumps against the bait-shop wall.

Mout' wore a suit coat with his overalls and was sweating inside his clothes. He wiped his face with a red handkerchief.

"You doing all right?" he said to me.

"Sure," I said.

"That's real good. Way it should be," he said. He replaced the long stick across his shoulders and extended his arms on it and walked with the Hmong woman toward the truck, their bodies lit by the glow of the sun through the trees.

Why look for the fires that burn in western skies? I thought. The excoriated symbol of difference was always within our ken. You didn't have to see far to find it-an elderly black man who took pride in the fact he shined Huey Long's and Harry James's shoes or a misplaced and wizened Hmong woman who had fought the Communists in Laos for the French and the CIA and now grew flowers for Cajuns in Louisiana. The story was ongoing, the players changing only in name. I believe Jack Flynn understood that and probably forgave his children when they didn't.

I sat on a bench by the water faucet and tried to pick the wood splinters out of the backs of my hands. The wind came up and the robins filled the air with a sound that was almost deafening, their wings fluttering above my head, their breasts the color of dried blood.

"Are we still going to the show tonight?" Alafair said.

"You better believe it, you," I said, and winked.

She flipped Tripod up on her shoulder like a sack of meal, and the three of us went up the slope to find Bootsie.

***
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