James Burke - Sunset Limited

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Amazon.com Review
Imagine Philip Marlowe sans the cigarettes and in AA. Put him in Louisiana and jump forward 50 years or so and you've got David Robicheaux, a tough-talking detective with the same soft spot as his prototype for troublesome women and for delving into places into which he probably has no business. New Iberia, Louisiana, perfectly rivals Marlowe's L.A. for its grit and corruption and dames who'll turn a good guy bad.
James Lee Burke's 11th Robicheaux book, Sunset Limited, is a twisted mystery that at times becomes almost byzantine in its attempt to keep disparate characters and narratives wound in a cohesive story line. But Burke's writing is so stunning that all is forgiven as you become immersed in the tale, which meshes past and present to uncover the secret of a decades-old murder.
Forty years ago, a local labor leader was crucified in a crime that remains unsolved. Now, his daughter-Pulitzer Prize-winning photographer Megan Flynn-returns to New Iberia. With a seemingly insignificant remark to Robicheaux, she begins a chain of events that lead right back to her father's death. New Iberia, in some sense, is frozen in time as the age-old problems of race and class weave their way into the mystery, complicating Robicheaux's discovery of not only the original crime, but the wealth of murders that spring up along the way. Add in the Chinese mob, corrupt policemen, and a Hollywood film shoot, and the stage is set.
Burke's forte is his ability to create characters so evil they're liable to get you up in the night to check in your closet and under your bed. The players-both good and bad-are characterized more by their flaws than their attributes, giving everyone a wicked sheen. The book isn't overly gory (although short descriptions can be rather graphic), but everyone has a dark side, emphasizing the noir-ish tones of the novel. His writing is powerful, mixing tender landscapes ("[W]e dropped through clouds that were pooled with fire in the sunrise and came in over biscuit-colored hills dotted with juniper and pine and pinyon trees…") with dead-on, cutting descriptions ("His face was tentacled with a huge purple-and-strawberry birthmark, so that his eyes looked squeezed inside a mask") and the camp dialogue of Chandler ("Evil doesn't have a zip code"). Oddly, these sundry elements blend seamlessly, allowing you to overlook tenuous connections and occasionally confusing turns.

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Then the two boys, dressed in jeans and Clorox-stained print shirts with the sleeves cut off at the armpits, realized something was wrong. They turned and stared stupidly at their companions, who had stepped backward up the levee and were now holding pistols in their hands.

The boys tried to argue, holding their palms outward, as though they were pushing back an invisible adversary. Their arms were olive with suntan, scrolled with reformatory tattoos, their hair spiked in points with butch wax. The man in uniform raised his gun and shouted an unintelligible order at them, motioning at the ground. When the boys did not respond, the second armed man, who wore a Panama hat, turned them toward the water with his hand, almost gently, inserted his shoe against the calf of one, then the other, pushing them to their knees, as though he were arranging manikins in a show window. Then he rejoined the man in uniform up the bank. One of the boys kept looking back fearfully over his shoulder. The other was weeping uncontrollably, his chin tilted upward, his arms stiff at his sides, his eyes tightly shut.

The men with guns were silhouetted against a molten red sun that had sunk across the top of the levee. Just as a flock of ducks flapped across the sun, the gunmen clasped their weapons with both hands and started shooting. But because of the fading light, or perhaps the nature of their deed, their aim was bad.

Both victims tried to rise from their knees, their bodies convulsing simultaneously from the impact of the rounds.

The witness said, "Their guns just kept popping. It looked like somebody was blowing chunks out of a watermelon."

After it was over, smoke drifted out over the water and the shooter in the Panama hat took close-up flash pictures with a Polaroid camera.

"THE WITNESS USED A pair of binoculars. He says the guy in the green uniform had our department patch on his sleeve," the sheriff said.

"White rogue cops avenging the rape of a black girl?"

"Look, get that FBI agent out of here, will you?"

He looked at the question in my face.

"She's got a broom up her ass." He rubbed his fingers across his mouth. "Did I say that? I'm going to go back to the laundry business. A bad day used to be washing somebody's golf socks," he said.

I LOOKED THROUGH MY office window at the FBI agent named Adrien Glazier. She sat with her legs crossed, her back to me, in a powder-blue suit and white blouse, writing on a legal pad. Her handwriting was filled with severe slants and slashes, with points in the letters that reminded me of incisor teeth.

When I opened the door she looked at me with ice-blue eyes that could have been taken out of a Viking's face.

"I visited William Broussard last night. He seems to think you're going to get him out of the parish prison," she said.

"Cool Breeze? He knows better than that."

"Does he?"

I waited. Her hair was ash-blond, wispy and broken on the ends, her face big-boned and adversarial. She was one of those you instinctively know have a carefully nursed reservoir of anger they draw upon as needed, in the same way others make use of daily prayer. My stare broke.

"Sorry. Is that a question?" I said.

"You don't have any business indicating to this man you can make deals for him," she said.

I sat down behind my desk and glanced out the window, wishing I could escape back into the coolness of the morning, the streets that were sprinkled with rain, the palm fronds lifting and clattering in the wind.

I picked up a stray paper clip and dropped it in my desk drawer and closed the drawer. Her eyes never left my face or relented in their accusation.

"What if the prosecutor's office does cut him loose? What's it to you?" I said.

"You're interfering in a federal investigation. Evidently you have a reputation for it."

"I think the truth is you want his cojones in a vise. You'll arrange some slack for him after he rats out some guys you can't make a case against."

She uncrossed her legs and leaned forward. She cocked her elbow on my desk and let one finger droop forward at my face.

"Megan Flynn is an opportunistic bitch. What she didn't get on her back, she got through posing as the Joan of Arc of oppressed people. You let her and her brother jerk your pud, then you're dumber than the people in my office say you are," she said.

"This has to be a put-on."

She pulled a manila folder out from under her legal pad and dropped it on my desk blotter.

"Those photos are of a guy named Swede Boxleiter. They were taken in the yard at the Colorado state pen in Canon City. What they don't show is the murder he committed in broad daylight with a camera following him around the yard. That's how good he is," she said.

His head and face were like those of a misshaped Marxist intellectual, the yellow hair close-cropped on the scalp, the forehead and brainpan too large, the cheeks tapering away to a mouth that was so small it looked obscene. He wore granny glasses on a chiseled nose, and a rotted and torn weight lifter's shirt on a torso that rippled with cartilage.

The shots had been taken from an upper story or guard tower with a zoom lens. They showed him moving through the clusters of convicts in the yard, faces turning toward him the way bait fish reflect light when a barracuda swims toward their perimeter. A fat man was leaning against the far wall, one hand squeezed on his scrotum, while he told a story to a half circle of his fellow inmates. His lips were twisted with a word he was forming, purple from a lollypop he had been eating. The man named Swede Boxleiter passed an inmate who held a tape-wrapped ribbon of silver behind his back. After Swede Boxleiter had walked by, the man whose palm seemed to have caught the sun like a heliograph now had his hands stuffed in his pockets.

The second-to-last photo showed a crowd at the wall like early men gathered on the rim of a pit to witness the death throes and communal roasting of an impaled mammoth.

Then the yard was empty, except for the fat man, the gash across his windpipe bubbling with saliva and blood, the tape-wrapped shank discarded in the red soup on his chest.

"Boxleiter is buddies with Cisco Flynn. They were in the same state home in Denver. Maybe you'll get to meet him. He got out three days ago," she said.

"Ms. Glazier, I'd like to-"

"It's Special Agent Glazier."

"Right. I'd like to talk with you, but… Look, why not let us take care of our own problems?"

"What a laugh." She stood up and gazed down at me. "Here it is. Hong Kong is going to become the property of Mainland China soon. There're some people we want to put out of business before we have to deal with Beijing to get at them. Got the big picture?"

"Not really. You know how it is out here in the provinces, swatting mosquitoes, arresting people for stealing hog manure, that sort of thing."

She laughed to herself and dropped her card on my desk, then walked out of my office and left the door open as though she would not touch anything in our department unless it was absolutely necessary.

AT NOON I DROVE down the dirt road by the bayou toward my dock and bait shop. Through the oak trees that lined the shoulder I could see the wide gallery and purple-streaked tin roof of my house up the slope. It had rained again during the morning, and the cypress planks in the walls were stained the color of dark tea, the hanging baskets of impatiens blowing strings of water in the wind. My adopted daughter Alafair, whom I had pulled from a submerged plane wreck out on the salt when she was a little girl, sat in her pirogue on the far side of the bayou, fly-casting a popping bug into the shallows.

I walked down on the dock and leaned against the railing. I could smell the salty odor of humus and schooled-up fish and trapped water out in the swamp. Alafair's skin was bladed with the shadows of a willow tree, her hair tied up on her head with a blue bandanna, her hair so black it seemed to fill with lights when she brushed it. She had been born in a primitive village in El Salvador, her family the target of death squads because they had sold a case of Pepsi-Cola to the rebels. Now she was almost sixteen, her Spanish and early childhood all but forgotten. But sometimes at night she cried out in her sleep and would have to be shaken from dreams filled with the marching boots of soldiers, peasants with their thumbs wired together behind them, the dry ratcheting sound of a bolt being pulled back on an automatic weapon.

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