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Dean Koontz: Forever Odd

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Dean Koontz Forever Odd

Forever Odd: краткое содержание, описание и аннотация

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Every so often a character so captures the hearts and imaginations of readers that he seems to take on a life of his own long after the final page is turned. For such a character, one book is not enough-readers must know what happens next. Now Dean Koontz returns with the novel his fans have been demanding. With the emotional power and sheer storytelling artistry that are his trademarks, Koontz takes up once more the story of a unique young hero and an eccentric little town in a tale that is equal parts suspense and terror, adventure and mystery-and altogether irresistibly odd. We're all a little odd beneath the surface. He's the most unlikely hero you'll ever meet-an ordinary guy with a modest job you might never look at twice. But there's so much more to any of us than meets the eye-and that goes triple for Odd Thomas. For Odd lives always between two worlds in the small desert town of Pico Mundo, where the heroic and the harrowing are everyday events. Odd never asked to communicate with the dead-it's something that just happened. But as the unofficial goodwill ambassador between our world and theirs, he's got a duty to do the right thing. That's the way Odd sees it and that's why he's won hearts on both sides of the divide between life and death. A childhood friend of Odd's has disappeared. The worst is feared. But as Odd applies his unique talents to the task of finding the missing person, he discovers something worse than a dead body, encounters an enemy of exceptional cunning, and spirals into a vortex of terror. Once again Odd will stand against our worst fears. Around him will gather new allies and old, some living and some not. For in the battle to come, there can be no innocent bystanders, and every sacrifice can tip the balance between despair and hope. Whether you're meeting Odd Thomas for the first time or he's already an old friend, you'll be led on an unforgettable journey through a world of terror, wonder and delight-to a revelation that can change your life. And you can have no better guide than Odd Thomas.

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Fortunately, the inch and foot lines that measured the depth were not merely indicated with black paint on the white background, but were also notched into the wood. These features served as grip points, toe-holds, shallow but better than nothing.

I clamped the post with my knees and pushed myself with my thigh muscles even as I clawed upward, hand over hand. I slipped back, dug my toes in, clamped my knees, tried again, moved up an inch, another inch, two more, desperate for every one of them.

When Andre collided with the post, I felt the impact and glanced down. His features were as broad and blunt as a club. His eyes were edge weapons, sharp with homicidal fury.

With one hand, he reached for me. He had long arms. His fingers brushed the bottom of my right shoe.

I pulled my legs up. Afraid of slipping back and into his hands, measuring progress by the numbered notches, I inchwormed until my head bumped the ceiling.

When I glanced down again, I saw that even with my legs drawn up as far as they would go, so that I clamped the post fiercely with my thighs, I was only about ten inches beyond his reach.

He hooked his thick blunt fingers into the notched marks with some difficulty. He struggled to pull himself out of the water.

The top of the depth marker had a finial, like that on a newel post at the head of a staircase. With my left hand, I gripped that knob and held on as poor King Kong had held on to the dirigible-mooring mast at the top of the Empire State Building.

The analogy didn't quite work because Kong was below me on the post. Maybe that made me Fay Wray. The big ape did seem to have an unnatural passion for me.

My legs had slipped. I felt Andre paw at my shoe. Furiously, I kicked his hand, kicked, and drew my legs up again.

Remembering Datura's pistol under my belt, at the small of my back, I reached for it with my right hand. I had lost it along the way.

While I fumbled for the missing handgun, the brute surged up the post and seized my left ankle.

I kicked and thrashed, but he held tight. In fact, he took a risk, let go of the post, and gripped my ankle with both hands.

His great weight dragged on me so pitilessly that my hip should have dislocated. I heard a shout of pain and rage, then again, but did not realize until the second time that the shout came from me.

The finial at the top of the depth marker had not been carved from the end of the post. The ornament had been made separately and applied.

It broke loose in my hand.

Together, Andre and I fell into the flood tide.

FIFTY-NINE

AS WE FELL, I SLIPPED OUT OF HIS GRASP.

I hit the water with sufficient force to go under, touch bottom. The powerful current rolled me, spun me, and I burst to the surface, coughing and sputtering.

Cheval Andre, the bull, the stallion, floated directly ahead of me, fifteen feet away, facing me. Pitted against the punishing surge, he was not able to swim to the rendezvous with death that he clearly desired.

His burning fury, his seething hatred, his lust for violence were so consuming that he would exhaust himself beyond recovery to have vengeance, and did not care that he would drown, too, after drowning me.

Aside from Datura's cheap physical appeal, I could not account for any quality in her that should elicit the absolute commitment of body, mind, and heart from any man, let alone from one who seemed to have no slightest capacity for sentimentality. Could this hard brute love beauty so much that he would die for it, even when it truly was skin deep and corrupted, even when she who possessed it had been mad, narcissistic, and manipulative?

We were pawns of the flood, which spun us, lifted us, dropped us, dunked us, and bore us along at maybe thirty miles an hour, maybe faster. Sometimes we closed to within six feet of each other. Never were we farther apart than twenty.

We passed the place at which I had entered these tunnels earlier in the day, and raced onward.

I began to worry that we would sweep out of the lighted length of the tunnel, into darkness, and I feared plunging blindly into the subterranean lake less than I feared not being able to keep Andre in sight. If I was destined to drown, let the flood itself claim me. I didn't want to die at his hands.

Ahead, flush to the circumference of the great tunnel, a pair of steel gates together formed a circle. They resembled a portcullis in that they featured both horizontal and vertical bars.

Between the crossed members of this grating, the openings were four inches square. The gate served as a final filter of the flood-borne debris.

A marked quickening of the water suggested that a falls lay not far ahead, and the lake no doubt waited below those cascades. Beyond the gates, impenetrable blackness promised an abyss.

The river brought Andre to the gate first, and I slammed against it a couple of seconds later, six feet to his right.

Upon impact, he clawed over the clog of trash at the base of the gate, and pulled himself onto it.

Stunned, I wanted only to cling there, rest, but because I knew that he would come for me, I clambered over the trash, too, and onto the gate. We hung motionless for but a moment, like a spider and its prey upon a web.

He crabbed sideways along the steel grid. He didn't appear to be breathing half as hard as I was.

I would have preferred to retreat, but I could move only two or three feet away from him before I encountered the wall.

Both feet on a vertical bar, gripping the gate with one hand, I extracted the fishing knife from my jeans. On the third try, when he had drawn within arm's length of me, I flicked the blade out of the handle.

The grievous hour had come round at last. It was him or me. Fish or cut bait.

Fearless of the knife, he crabbed closer and reached for me.

I slashed his hand.

Instead of crying out or flinching, he clutched the blade in his bleeding fist.

At some cost to him, I ripped the knife away from him.

With his wounded hand, he seized a fistful of my hair and tried to yank me off the gate.

As dirty as it was, and intimate, as terrible as it was, and necessary, I drove the knife deep into his gut and without hesitation slashed down.

Relinquishing the twist of my hair, he seized the wrist of the hand that held the knife. He let go of the gate, fell into the flood, and pulled me with him.

We rolled across the gate-held trash and plunged underwater, broke the surface, face to face, my hand in his, the knife contested, thrashing, his free hand a club battering my shoulder, battering the side of my head, then pulling me down with him, submerged, blind in the murky water, blind and suffocating, then up and into the air once more, coughing, spitting, vision blurred, and somehow he had gotten possession of the knife, the point of which felt not sharp but hot in a diagonal slash across my chest.

I have no memory from that slash until a short but inestimable time later, when I realized that I was lying across the accumulation of debris at the base of the gate, holding to a horizontal bar with both hands, afraid that I was going to slip down into the water and not be able to get my head above the surface again.

Exhausted, all power drained, strength consumed, I realized that I had lost consciousness, that I would pass out again, momentarily. I managed, barely, to pull myself up farther on the gate, to hook both arms around verticals, so if my hands relaxed and slipped loose, the crooks of my elbows might still hold me above the flood.

At my left side, he floated, snagged on the trash, faceup, dead. His eyes were rolled back in his head, as smooth and white as eggs, as white and blind as bone, as blind and terrible as Nature in her indifference.

I went away.

SIXTY

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