Thomas Harris - Hannibal Rising

While his fire was burning down to useful coals, Hannibal took Dortlich's apple to Cesar. He took all the harness off the horse so he could not get tangled in the brush and walked him down the trail toward the castle. He hugged the horse's neck and then slapped him on the rump.

"Go home. Cesar, go home." Cesar knew the way.

GROUND FOG SETTLED in the bare ripped path of the power line and SergeantSvenka told his driver to slow the truck for fear of hitting a stump. He looked at his map and checked the number on a pylon holding up the heavy transmission line.

"Here."

The tracks of Dortlich's car continued into the distance, but here it had sat and dripped oil on the ground.

The dogs and policemen came off the back of the truck, two big black Alsatians excited about going into the woods, and a serious hound.

Sergeant Svenka gave them Dortlich's flannel pajama top to sniff and they were off. Under the overcast sky the trees looked grey with soft-edged shadows and mist hung in the glades.

The dogs were milling about the hunting lodge, the hound casting around the perimeter, dashing into the woods and back, when a trooper called out from back in the trees. When the others did not hear him at once, he blew his whistle.

Dortlich's head stood on a stump and on his head stood a raven. As the troopers approached, the raven flew, taking with it what it could carry.

Sergeant Svenka took a deep breath and set an example for the men, walking up toDortlich's head. Dortlich's cheeks were missing, excised cleanly, and his teeth were visible at the sides. His mouth was held open by his dog tag, wedged between his teeth.

They found the fire and the spit. Sergeant Svenka felt the ashes to the bottom of the little fire pit. Cold.

"A brochette, cheeks and morels," he said.

INSPECTOR POPIL WALKED from police headquarters on the Quai des Orfevres to the Place de Vosges, carrying a slender portfolio. When he stopped at a bar on the way for a fast espresso, he smelled a calvados on the service bar and wished it were already evening.

Popil walked back and forth on the gravel, looking up at Lady Murasaki's windows. Sheer draperies were closed. Now and then the thin cloth moved in a draft.

The daytime concierge, an older Greek woman, recognized him.

"Madame is expecting me," Popil said. "Has the young man been by?"

The concierge felt a tremor in her concierge antennae and she said the safe thing. "I haven't seen him, sir, but I've had days off." She buzzed Popil in.

Lady Murasaki reclined in her fragrant bath. She had four gardenias floating in the water, and several oranges. Her mother's favorite kimono was embroidered with gardenias. It was cinders now. Remembering, she made a wavelet that rearranged the blossoms. It was her mother who understood when she married Robert Lecter. Her father's occasional letters from Japan still carried a chill. Instead of a pressed flower or fragrant herb, his most recent note contained a blackened twig from Hiroshima.

Was that the doorbell? She smiled, thinking " Hannibal," and reached for her kimono. But he always called or sent a note before he came, and rang before he used his key No key in the lock now, just the bell again.

She left the bath and wrapped herself hurriedly in the cotton robe. Her eye at the peephole. Popil. Popil in the peephole.

Lady Murasaki had enjoyed occasional lunches with Popil. The first one, at Le Pre Catalan in the Bois de Boulogne, was rather stiff, but the others were at Chez Paul near his work and they were easier and more relaxed. He sent dinner invitations as well, always by note, one accompanied by a haiku with excessive seasonal references. She had declined the dinners, also in writing.

She unbolted the door. Her hair was gathered up and she was gloriously barefoot.

"Inspector."

"Forgive me for coming unannounced, I tried to call."

"I heard the telephone."

"From your bath, I think."

"Come in."

Following his eyes, she saw him account at once for the weapons in place before the armor: the tanto dagger, the short sword, the long sword, the war axe.

" Hannibal?"

"He is not here."

Being attractive, Lady Murasaki was a still hunter. She stood with her back to the mantle, her hands in her sleeves, and let the game come to her. Popil's instinct was to move, to flush game.

He stood behind a divan, touched the cloth. "I have to find him. When did you last see him?"

"How many days is it? Five. What is wrong?"

Popil stood near the armor. He rubbed the lacquered surface of a chest.

"Do you know where he is?"

"No."

"Did he indicate where he might be going?"

Indicate. Lady Murasaki watched Popil. Now the tips of his ears were flushed. He was moving and asking and touching things. He liked alternate textures, touching something smooth, then something with a nap. She'd seen it at the table too. Rough then smooth. Like the top and bottom of the tongue. She knew she could electrify him with that image and divert blood from his brain.

Popil went around a potted plant. When he peered at her through the foliage, she smiled at him and disrupted his rhythm.

"He is at an outing, I am not sure where."

"Yes, an outing," Popil said. "An outing hunting war criminals, I think."

He looked into her face. "I'm sorry, but I have to show you this." Popil put on the tea table a fuzzy picture, still damp and curling from the Thermo-Fax at the Soviet embassy. It showed Dortlich's head on the stump and police standing around it with two Alsatians and a hound. Another photo of Dortlich was from a Soviet police ID card. "He was found in the forest Hannibal 's family owned before the war. I know Hannibal was nearby-he crossed the Polish border the day before."

"Why must it be Hannibal? This man must have many enemies, you said he was a war criminal."

Popil pushed forward the ID photo. "This is how he looked in life."

Popil took a sketch from his portfolio, the first of a series. "This is how Hannibal drew him and put the drawing on the wall of his room." Half the face in the sketch was dissected, the other half clearly Dortlich.

"You were not in his room by invitation."

Popil was suddenly angry. "Your pet snake has killed a man. Probably not the first, as you would know better than I. Here are others," he said, putting down sketches. "This was in his room, and this and this and this. That face is from the Nuremberg Trials, I remember it. They are fugitives and now they will kill him if they can."

"And the Soviet police?"

"They are inquiring quietly in France. A Nazi like Dortlich on the People's Police is an embarrassment to the Soviets. They have his file now from Stasi in the GDR."

"If they catch Hannibal- "

"If they catch him in the East, they'll just shoot him. If he gets out, they might let the case wither and die if he keeps his mouth shut."

"Would you let it wither and die?"

"If he strikes in France he'll go to prison. He could lose his head."

Popil stopped moving. His shoulders slumped.

Popil put his hands in his pockets.

Lady Murasaki took her hands out of her sleeves.

"You would be deported," he said. "I would be unhappy. I like to see you."

"Do you live by your eyes alone, Inspector?"

"Does Hannibal? You would do anything for him, wouldn't you?"

She started to say something, some qualifier to protect herself, and then she just said "Yes," and waited.

"Help him. Help me. Pascal." She had never said his first name before.

"Send him to me."

THE RIVER ESSONNE, smooth and dark, slid past the warehouse and beneath the black houseboat moored to a quay near Vert le Petit. Its low cabins were curtained. Telephone and power lines ran to the boat. The leaves of the container garden were wet and shiny.