Nora Roberts - Tribute

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Tribute: краткое содержание, описание и аннотация

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Virginia 's Shenandoah Valley is a long way from Hollywood. And that's exactly how Cilla McGowan wants it. Cilla, a former child star who has found more satisfying work as a restorer of old houses, has come to her grandmother's farmhouse, tools at her side, to rescue it from ruin. Sadly, no one was able to save her grandmother, the legendary Janet Hardy. An actress with a tumultuous life, Janet entertained glamorous guests and engaged in decadent affairs – but died of an overdose in this very house more than thirty years earlier. To this day, Janet haunts Cilla's dreams. And during waking hours, Cilla is haunted by her melodramatic, five-times-married mother, who carried on in the public spotlight and never gave her a chance at a normal childhood. By coming east, rolling up her sleeves, and rehabbing this wreck of a house, Cilla intends to find some kind of normalcy for herself.
Plunging into the project with gusto, she's almost too busy to notice her neighbor, graphic novelist Ford Sawyer – but his lanky form, green eyes, and easy, unflappable humor (not to mention his delightfully ugly dog, Spock) are hard to ignore. Determined not to perpetuate the family tradition of ill-fated romances, Cilla steels herself against Ford's quirky charm, but she can't help indulging in a little fantasy.
But love and a peaceful life may not be in the cards for Cilla. In the attic, she has found a cache of unsigned letters suggesting that Janet Hardy was pregnant when she died – and that the father was a local married man. Cilla can't help but wonder what really happened all those years ago. The mystery only deepens with a series of intimidating acts and a frightening, violent assault. And if Cilla and Ford are unable to sort out who is targeting her and why, she may – like her world-famous grandmother – be cut down in the prime of her life.

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WHEN FORD OPENED THE DOOR, Cilla held out the traveling bottle of cabernet. He took it, held it up and estimated there was nearly half a bottle left.

“You lush.”

“I know. It’s a problem. So how about a drink before we go scout out this gym?”

“Sure.”

She’d left her hair down, he noted, so that it spilled, ruler straight, inches past her shoulders. Her scent brought a quick, vivid sensory memory of the night-blooming jasmine that rioted outside his grandmother’s house in Georgia.

“You look good.”

“I feel good. I bought three toilets today.”

“Well, that certainly deserves a drink.”

“I picked out bathroom tile,” she continued as she followed him back to the kitchen, “cabinet knobs, light fixtures and a tub. A really wonderful classic slipper-style claw-foot tub. This is a big day. And I’m thinking of going Deco in the master bath.”

“Deco?”

“I saw this fabulous sink today, and I thought, yeah, that’s it. I could do a lot of chrome and pale blue glass in there. Black-and-white tiles- or maybe black and silver. A little metallic punch. Jazzy, retro. Indulgent. You’d be tempted to wear a silk robe with marabou feathers.”

“I always am. As I’ve always wondered what is a marabou, and why does it have feathers?”

“I don’t know, but I may buy that robe just to hang in there and finish it off. It’s going to rock.”

“All this from a sink?” He handed her a glass of wine.

“That’s how it usually works for me. I’ll see a piece, and it gives a tug, so I can see how the rest of the room might work around it. Anyway.” She lifted her glass in toast. “I had a good day. How about you?”

She sparkled, he thought. A trip to Home Depot, or wherever she’d been, and she sparkled like sunlight. “Well, I didn’t buy any toilets, but I can’t complain. I’ve got a good handle on the book, the story line, and managed to put a lot of it on paper.” He studied her as he sipped. “I guess I understand your sink, after all. I saw you, you gave a tug. And the rest works around you.”

“Can I read it?”

“Sure. Once I get it smoothed out some.”

“That’s awfully normal and untemperamental. Most of the writers I’ve known fall into two camps. The ones who plead for you to read every word as it’s written, and the ones who’d put out your eyes with a shrimp fork if you glimpsed a page of unpolished work.”

“I bet most of the writers you’ve known are in Hollywood.”

She considered a moment. “Your point,” she conceded. “When I was acting, script pages could come flying at you while you were shooting the scene. I actually liked it that way. More spontaneous, keeps the energy up. But I used to think, how hard can it be? You just put the idea down in words on paper. I found out how hard it can be when I started to write a screenplay.”

“You wrote a screenplay?”

“Started to write. About a woman who grows up in the business-an insider’s view-the rise and the fall, the scrambling, the triumphs and humiliations. Write what you know, I thought, and boy, did I know. I only got about ten pages in.”

“Why did you stop?”

“I failed to factor in one little element. I can’t write.” She laughed, shook back her hair. “Reading a million scripts doesn’t mean you can write one. Even a bad one. And since of that million scripts I’ve read, I’ve read about nine hundred thousand bad ones, I knew a stinker. With acting, I had to believe-not make believe, but believe. Janet Hardy’s Number One Rule. It struck me it’s the same with writing. And I couldn’t write so I could believe. You do.”

“How do you know?”

“I could see it when you started telling me about this new idea, about this new character. And it shows in your work, the words and the art.”

He pointed at her. “You read the book.”

“I did. I confess I intended to flip through it, get the gist so I wouldn’t fail the quiz if and when you asked me about it. But I got caught up. Your Seeker is flawed and dark and human. Even when he’s in superhero mode, his humanity, his wounds show through. I guess that’s the point.”

“You’d guess right. You just earned yourself another drink.”

“Better not.” She put a hand over her glass when he reached for the wine. “Maybe later, over dinner. After you show me the gym. You said it was close.”

“Yeah, it is. Come take a look at this.”

He gestured, then opened a flat-panel cherry door she’d admired. Lower level, she assumed and, since touring houses always appealed, started down with him.

“Nice stairs again,” she commented. “Whoever built this place really… Oh. Man.”

Struck with admiration and not a little envy, she stopped at the base. The slope of the hill opened the lower level to the rear of the house through wide glass doors and windows, and a small and pretty slate patio beyond, where the dog currently sprawled on his back, feet straight up, sleeping.

But inside, on safety mats over the wide-planked oak floor, stood the machines. In silence, she wandered, studying the elliptical trainer, the weight bench, the rack of weights, the recumbent bike, rowing machine.

Serious stuff, she mused.

An enormous flat-panel TV covered one wall. She noted the components tucked into a built-in, and the glass-front bar fridge holding bottles of water. And in the corner where the wood merged with slate rested a whirlpool tub in glossy black.

“Matt’s work?”

“Yeah. Mostly.”

“I’m more and more pleased with my instinct to hire him. You never have to leave here.”

“That was sort of the idea. I like to hole up for long stretches. It was designed as a family room, but since my family doesn’t live here, I figured why haul myself to a gym when I can bring the gym to me? And, hey, no membership fee. Of course, it cuts out being able to ogle toned and sweaty female bodies, but you’ve got to make some sacrifices.”

“I have a basement,” Cilla mused. “An actual underground basement, but it’s big. I gave some thought to finishing it off eventually, but more for storage and utility. But with the right lighting…”

“Until then, you’re welcome to use this.”

Frowning, she turned to look at him. “Why?”

“Why not?”

“Don’t evade. Why?”

“That wasn’t an evasion.” And wasn’t she an odd combination of caution and openness, he thought. “But if you need more specifics, I only use it a few hours a week. So you’re welcome to use it a few hours a week, too. Call it Southern hospitality.”

“When do you generally work out?”

“No set time, really. More when the mood strikes. I try to make sure the mood strikes five or six days a week anyway, otherwise I can start to resemble Skeletor.”

“Who?”

“You know, Skeletor. Masters of the Universe? Archenemy of He-Man. And, no, you don’t know. I’ll get you a book. It doesn’t fit anyway, because despite the name, Skeletor’s ripped. Anyway, you can use those doors there, when your mood strikes. I won’t even know you’re here. And I might get lucky, have my mood match yours-then I’d be able to ogle a toned, sweaty female after all.”

She narrowed her eyes. “Pull up your shirt.”

“I thought you’d never ask.”

“Keep your pants on. Just the shirt, Ford. I want to check out the abs.”

“You’re a strange woman, Cilla.” But he pulled up his shirt.

She poked a finger into his stomach. “Okay. I just wanted to be sure you actually use this equipment, and the mood striking is a side benefit rather than a purpose.”

“I’ve got a purpose when it comes to you.”

“Which I get, and which is fine. But I’d really like to take you up on your offer and do that without strings or expectations. I appreciate the hospitality, Ford. I really do. Plus you have Matt’s seal of approval, and I like him.”

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