Sue Grafton - N Is For Noose

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Amazon.com Review
"Suppose we could peer through a tiny peephole in time and chance upon a flash of what was coming up in the years ahead?" The questioner is Kinsey Millhone, middle-aged, two-time divorcee detective and junk food junkie star of Sue Grafton's popular "alphabet" mysteries; the book is 'N' Is for Noose. If Kinsey had had just a smidgen of foresight, she would never have taken her current case, handed down to her from her on-again, off-again flame and comrade in arms, Robert Dietz. We encounter the two this time out after Deitz's knee surgery, as Kinsey drives his "snazzy little red Porsche" back to Carson City, where she checks out his digs for the first time. To her surprise, he lives in a palatial penthouse, which-under the unspoken bylaws of investigative etiquette-she qualmlessly snoops through. They sit around for a fortnight playing gin rummy and eating peanut butter and pickle sandwiches together, but perennially single Kinsey grows wary: "It was time to hit the road before our togetherness began to chafe."
She heads off to meet Dietz's former client, Mrs. Selma Newquist, a devastated widow whose makeup tips seem to come from Tammy Faye Baker. Her husband Tom Newquist, a detective himself, had been working on a mysterious case when he abruptly died of a heart attack. Selma suspects foul play, but bless her, she isn't the brightest star in the sky and can't figure out what Tom was working on even though he's left behind enough paper to fill a recycling truck. Kinsey digs right in and roams the sleepy, one-horse town of Nota Lake for clues, interviewing a colorful cast of in-laws and locals. Beneath the quaint, quiet, country veneer, she unearths a bubbling hotbed of internal strife and familial double-dealing. Was Tom covering up for his partner? Is Selma protecting someone? Grafton's knack for gritty details and realistic characters ("[Selma's] skin tones suggested dark coloring, but her hair was a confection of white-blond curls, like a cloud of cotton candy"), coupled with the fast-paced, believable story line, makes for another delightful, entertaining read.

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"Not that I'm aware of. He'd just finished serving time on a conviction for petty theft."

"The desk clerk at the Gramercy says a plainclothes detective came in with a warrant for his arrest."

"Wasn't one of ours."

"You don't show any outstanding warrants?"

"No ma'am, I don't."

"But there must have been some connection or Tom Newquist wouldn't have bothered to drive all the way down here."

"I'll tell you what. If this is just a question of satisfying Mrs. Newquist's curiosity, I can't see any reason to share information. Why don't you talk to Nota Lake and see what they have to say. That'd be your best bet."

"Are you telling me you have information?"

"I'm telling you I'm not going to reveal the substance of an ongoing investigation to any yahoo who asks. You have knowledge of the facts-something new to contribute-we'd be happy to have you come in."

"Has there been a resolution to the case?"

"Not so far."

"The newspapers indicated that this was being investigated as a homicide."

"That's correct."

"Do you have a suspect?"

"Not at this time. I wouldn't say that, no."

"Any leads?"

"None that I'm willing to tell you about," he said.

"You want to make a trip out here, I could maybe have you talk to the watch commander, but as far as giving out information by phone, it ain't gonna fly. I don't mean to cast aspersions, but you could be anyone… a journalist."

"God forbid," I said. "Surely you don't think I'm anyone that low."

I could hear him smile. At least he was enjoying himself. He seemed to think about it briefly and them he said, "Let's try this. Why don't you give me your number and if anything comes up I'm at liberty to pass along, I'll be in touch."

"You're entirely too kind."

Detective Boyd laughed. "Have a good day."

FOURTEEN

Olga Toth opened the door to her Perdido condominium wearing a bright yellow outfit that consisted of form-fitting tights and a stretchy cotton tunic, ciched at the waist with a wide white bejewled plastic belt. The fabric clung to her body like a bandage that couldn't quite conceal the damage time had inflicted on her sixty-year-old flesh. Her knee-high boots looked to be size elevens, white vinyl alligator with a fancy pattern of stichwork across the instep. She'd had some work done on her face, probably collagen injections given the plumpiness of her lips and the slightly lumpy appearance of her cheeks. Her hair was a dry-looking platinum blond, her brown eyes heavily lined, with a startling set of eyebrows drawn in above. I could smell the vermouth on her breath before she said a word.

I'd driven the thirty miles to Perdido in the midst of a drizzling rain, that sort of fine spray that required the constant flip-flop of windsheild wipers and the fiercest of concentration. The roadway was slick, the blacktop glistening with a deceptive sheen of water that made driving hazardous. Under ordinary circumstances, I might have delayed the trip for another hour or two, but I was worried the cops would somehow manage to warn Alfie's ex-wife of my interest, urging her to keep her mouth shut if I knocked on her door.

The address I'd been given was just off the beach, a ten-unit complex of two-story frame townhouses within view of the Pacific. Olga's was on the second floor with an exterior stairway and a small sheltered entrance lined with potted plants. The woman who answered the door bell was older than I'd expected and her smile revealed a dazzling array of caps.

"Mrs. Toth?"

She said, "Yes?" Her tone conveyed a natural optimism, as though, having sent in all the forms, having held on to the matching numbers that established her eligibility, she might open the door to someone bearing the keys to her new car or, better yet, that oversized check for several million bucks.

I showed her my card. "Could I talk to you about your ex-husband?"

"Which one?"

"Alfie Toth."

Her smile faded with disappointment, as though there were better ex-husbands to inquire about among her many. "Honey, I'm sorry to be the one to tell you, but he's deceased so if you're here about his unpaid bills, the line forms at the rear."

"This is something else. May I come in?"

"You're not here to serve process," she asked, cautiously.

"Not at all. Honest."

"Because I'm warning you, I put a notice in the paper the day we separated saying I'm not responsible for debts other than my own."

"Your record's clean as far as I'm concerned."

She studied me, considering, and then stepped back. "No funny business," she warned.

"I'm never funny," I said.

I followed her through the small foyer, watching as she retrieved a martini glass from a small console table. "I was just having a drink in case you're interested."

"I'm fine for now, but thanks."

We entered a living room done entirely in white; trampled-looking, white nylon cut-pile carpeting, white nylon sheers, white leatherette couches, and a white vinyl chair. There was only one lamp turned on and the light coming through the curtains had been subdued by the rain. The room felt damp to me. The glass-and-chrome coffee table bore a large arrangement of white lilies, a pitcher of martini's, several issues of Architectural Digest, and a recent issue of Modern Maturity. Her eye fell on the latter about the same time mine did. She leaned forward impatiently. "That belongs to a friend. I really hate those things. The minute you turn fifty, the HARP starts hounding you for membership. Not that I'm anywhere close to retirement age," she assured me. She poured herself another drink, adding olives she plucked from a small bowl nearby. She licked her fingertips with enthusiasm. "Olives are the best part," she remarked. Her nails, I noticed, were very long and pink, thick enough to suggest acrylics or poorly done silk overlays.

"What sort of work do you do?" I asked.

She motioned me into a seat at one end of the couch while she settled at the other end, her arm stretched out along the back. "I'm a cosmetologist and if you don't mind my saying so-"

I held up a hand. "Don't give me beauty tips. I can't handle 'em."

She laughed, an earthy guttural sound that set her breasts ajiggle. "Never hurts to try. You ever get interested in a makeover, you can give me a buzz. I could do wonders with that mop of yours. Now what's this about Alfie? I thought all his problems were over and done with, the poor guy."

I filled her in on the nature of the job I'd been hired to do, thinking that as a widow, she might appreciate Selma Newquist's concern about her husband's mental state in the weeks before he died.

"I remember the name Newquist. He was the one called me a couple weeks after Alfie took off. Said it was important, but it really wasn't urgent, as far as I could tell. I told him Alfie was still around some place and I'd be happy to go looking for him if he'd give me a day or two."

"How long was Alfie here?"

"Two days, maybe three. I don't let any ex of mine stay longer than that. Otherwise, you have fellows camping on your doorstep every time you turn around. They all want the same thing." She lifted her right hand, ticking off the items as she mentioned them. "They want sex, want their laundry done, and a few bucks in their pocket before you send 'em on their way."

"What made Alfie leave the Gramercy?"

"I got the impression he was nervous. I noticed he was jumpy, but he never said why. Alfie was always restless, but I'd say he was looking for a place to hole up. I think he was hoping for the chance to set up permanent residence here, but I wasn't having any. I tried to discourage any long-range plans of his. He was a sweet man, the sweetest. He was twenty years younger than me though you never would have guessed. We were married for eight years. Of course, he was in and out of jail for most of it which is why we lasted as long as we did."

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