Sue Grafton - N Is For Noose

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Amazon.com Review
"Suppose we could peer through a tiny peephole in time and chance upon a flash of what was coming up in the years ahead?" The questioner is Kinsey Millhone, middle-aged, two-time divorcee detective and junk food junkie star of Sue Grafton's popular "alphabet" mysteries; the book is 'N' Is for Noose. If Kinsey had had just a smidgen of foresight, she would never have taken her current case, handed down to her from her on-again, off-again flame and comrade in arms, Robert Dietz. We encounter the two this time out after Deitz's knee surgery, as Kinsey drives his "snazzy little red Porsche" back to Carson City, where she checks out his digs for the first time. To her surprise, he lives in a palatial penthouse, which-under the unspoken bylaws of investigative etiquette-she qualmlessly snoops through. They sit around for a fortnight playing gin rummy and eating peanut butter and pickle sandwiches together, but perennially single Kinsey grows wary: "It was time to hit the road before our togetherness began to chafe."
She heads off to meet Dietz's former client, Mrs. Selma Newquist, a devastated widow whose makeup tips seem to come from Tammy Faye Baker. Her husband Tom Newquist, a detective himself, had been working on a mysterious case when he abruptly died of a heart attack. Selma suspects foul play, but bless her, she isn't the brightest star in the sky and can't figure out what Tom was working on even though he's left behind enough paper to fill a recycling truck. Kinsey digs right in and roams the sleepy, one-horse town of Nota Lake for clues, interviewing a colorful cast of in-laws and locals. Beneath the quaint, quiet, country veneer, she unearths a bubbling hotbed of internal strife and familial double-dealing. Was Tom covering up for his partner? Is Selma protecting someone? Grafton's knack for gritty details and realistic characters ("[Selma's] skin tones suggested dark coloring, but her hair was a confection of white-blond curls, like a cloud of cotton candy"), coupled with the fast-paced, believable story line, makes for another delightful, entertaining read.

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I drove into downtown Santa Teresa and left my car in a nearby public parking garage. Umbrella tilted against the rain, I walked one block over and one block down. The Gramercy Hotel was a chunky three-story structure on lower State Street, a residential establishment favored by the homeless when their monthly checks came in. The stucco building was painted the sweet green of a creme de menthe frappe and featured a covered entrance large enough to accommodate six huddled smokers seeking shelter from the rain. A marquee across the front spelled out the hotel rates.

SGL RMS $9.95. DBL RMS $13.95

DAILY*WEEKLY*MONTLHY

RATES ALSO AVAILABLE ON REQUEST.

A fellow using a plastic garbage bag as a rain cloak greeted me rheumy-eyed as he moved his feet to allow me passage into the lobby. I lowered my umbrella, trying not to stab any of those assembled for their morning libations. It seemed early for package liquor, but maybe that was fruit juice being passed in the brown paper bag.

The hotel must have been considered elegant once upon a time. The floor was green marble with a crooked path of newspapers laid end to end to soak up all the rainy footsteps that criss-crossed the lobby. In places, where the soggy papers had been picked up, I could see that the newsprint had left reverse images of the headlines and text. Six ornate pilasters divided the gloomy space into sections, each of which sported a blocky green plastic couch. To all appearances, the clientele was discouraged from spending time lounging about on the furniture as a hand-printed sign offered the following admonishments:

NO SMOKING

NO SPITTING

NO LOITERING

NO SOLICITING

NO DRINKING ON THE PREMISES

NO FIGHTING

NO PEEING IN THE PLANTERS

Which just about summed up my personal code. I approached the long front desk, located beneath an archway decorated with white plaster scrolls and ornamental vegation. The fellow behind the marble counter was leaning forward on his elbows, clearly interested in my intentions. This felt like one more fool's errand, but it was truly the only thing I could think to do at this point.

"I'd like to talk to the manager. Is he here?"

"I guess that's me. I'm Dave Estes. And your name?"

"Kinsey Millhone." I took out my business card and passed it across to him.

He read it with serious attention to each word. He was in his thirties, a cheerful-looking fellow with an open countenance, glasses, a crooked smile, slight overbite, and a hairline that had receded to reveal a long sloping forehead like an expanse of empty seashore when the tide is out. What hair he had was a medium brown and cropped close to his head. He wore a brown jumpsuit with many zippered pockets, like an auto mechanic's. The sleeves were rolled up to reveal muscular forearms.

"What can I help you with?"

I placed the photograph of Tom Newquist on the counter in front of him. "I'm wondering if you happen to have seen this man. He's an investigator for the Nota County Sheriff's Department. His name is Tom-"

"Hold on, hold on," he cut in. He held a hand up to silence me, motioning me to wait a moment, during which time he made the kind of face that precedes a sneeze. He closed his eyes, screwed up his nose, and opened his mouth, panting. His expression cleared and he pointed at me. "Newquist. Tom Newquist." I was astonished. "That's right. You know him?" "Well, no, I don't know him, but he was in here." "When was this?"

"Oh, I'd say June of last year. Probably the first week. I'd say the Fifth if forced to guess."

I was so unprepared for the verification, I couldn't think what to ask next.

Estes was looking at me. "Did something happen to him?"

"He died of a heart attack a few weeks back."

"Hey, too bad. Sorry to hear that. He didn't seem that old."

"He wasn't, but I don't think he took very good care of himself. Can you tell me what brought him in here?"

"Oh, sure. He was looking for some guy who'd just been released from jail. We seem to get a lot of fellows here in that situation. Don't ask me why. Classy place like this. Word must go out that we got good rates, clean rooms, and won't tolerate a lot of nonsense."

"Do you remember the name of the man he was looking for?"

"That's an easy one to remember for other reasons, but I like to test myself anyway. Hang on." He went through the same procedure, face screwed up to show how hard he was working. He paused in his efforts. "You're probably wondering how I do this. I took a course in mnemonics, the art of improving the memory. I spend a lot of time by myself, especially at night when I'm on desk duty. Trick is you come up with these devices, you know-aids and associations-that help fix an item in the mind."

"That's great. I'm impressed."

"Reason I remember the time frame for your Newquist's visit is I started my study just about the time he came in. He was my first practice case. So the name Newquist? No problem. New because the fellow was new to me, right? Quist as in question or query. New fellow came in with a question, hence Newquist."

"That's good," I said. "What about his first name?"

Estes smiled. "You told me that. I'd forgotten it myself."

"And the other guy? The one he was inquiring about?"

"What did I come up with for that? Let's see. It had something to do with dentists. Oh, yes. His last name was Toth? That's tooth with an O missing. That was a good one because the fellow had a tooth missing so it all tied together. His first name was Alfie. Dentists connect to doctors. And like at the doctor's, you say 'Ahh' when they stick in that tongue depressor in your mouth? First name began with A. So mentally, I go through all the A names I can think of. Allen, Arnold, Avery, Alfie. And there you have it."

"So Tom Newquist was here on business."

"That's correct. Trouble is, he missed him. Toth'd been here two weeks, but he moved out June One, shortly before this detective of yours came in."

"Do you have any idea why he was looking for Toth?"

"Said he was developing a lead on a case he was working. I remember that because it was just like the movies. You know, Clint Eastwood comes in, flashing a badge and real serious. All I know is Newquist never had the chance to talk to him because Toth was gone by then."

"Did he leave a forwarding address?"

"Well, no, but I have his ex-wife's address, under 'nearest relative not living with you.' That's so we got someone to call if a guy trashes the room or drops dead. It's a hassle trying to figure out what to do with a dead body."

"I can imagine," I said. "Is there any way I could get the ex-wife's name and address?"

"Sure. No problem. This's not confidential information as far as I'm concerned. People check in, I tell 'em the hotel files are open to the authorities. Cops come in asking to see records. I don't insist on a subpoena. That'd be obstruction of justice, in my opinion."

"I'm sure the police appreciate your attitude, but don't the hotel guests object?"

Dave Estes shrugged. "I guess the day I get sued, we'll change the policy. You know, another fellow came in, too. Plainclothes detective. This was earlier, maybe June One. I wasn't working that day or I'd have filed it away in the old noggin," he said with a tap to his temple. "I told Peck he better take the same course I did, but so far I haven't managed to talk him into it."

"Too bad," I said. "So who was this other detective who came in?"

"Can't help you there and that's my point. If Peck took this course, he could recall in detail. Since he didn't; no dice. The slate's blank. End of episode."

"Could I talk to Peck myself?"

"You could, but I can tell you exactly what he's going to say. He remembers this investigator came in-had a warrant and all, but Toth wasn't on the premises. In fact, he checked out later that day so maybe he was worried about the law catching up with him. Detective called back the next morning and Peck gave him the address and telephone number of Toth's ex-wife, same as I would."

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