Nora Roberts - High Noon

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High Noon: краткое содержание, описание и аннотация

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Police Lieutenant Phoebe MacNamara found her calling at an early age when an unstable man broke into her family's home, trapping and terrorizing them for hours. Now she's Savannah 's top hostage negotiator, defusing powderkeg situations with a talent for knowing when to give in-and when to jump in and take action. It's satisfying work-and sometimes those skills come in handy at home dealing with her agoraphobic mother, still traumatized by the break-in after all these years, and her precocious seven-year-old, Carly.
It's exactly that heady combination of steely courage and sensitivity that first attracts Duncan Swift to Phoebe. After observing her coax one of his employees down from a roof ledge, he is committed to keeping this intriguing, take-charge woman in his life. She's used to working solo, but Phoebe's discovering that no amount of negotiation can keep Duncan at arm's length.
And when she's grabbed by a man who throws a hood over her head and brutally assaults her-in her own precinct house-Phoebe can't help but be deeply shaken. Then threatening messages show up on her doorstep, and she's not just alarmed but frustrated. How do you go face-to-face with an opponent who refuses to look you in the eye?
Now, with Duncan backing her up every step of the way, she must establish contact with the faceless tormentor who is determined to make her a hostage to fear… before she becomes the final showdown.

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"Tell him I'm nearly there." As they roared around a turn, she I braced a hand against the dash. "Make sure if anyone is listening, they can hear I'm nearly there." She looked at her watch. "I know it's nearly deadline, but we'll make it. Make sure they know I'm coming in. Ten minutes, Captain."

"I'm turning in now. I'll hold things until you get here." She clicked off, looked at Duncan.

"You'll make it." His eyes stayed on the road as he took the car down the little two-lane road at a hundred and ten. "Have you ever dealt with something like this before?"

"No. Not like this." She spotted the lights up ahead, got Dave back on the phone. "I see the radio cars. Let them know we're not stopping at the gate. Have one lead us in."

The Porsche fishtailed on the turn, grabbed road and lunged forward again. It was a blur of moss-draped trees, ornate statuary that gleamed under the moon. Heat put a shimmer on the air, on the thin spit of ground fog. Then there were lights up ahead, through dripping arches of trees. The Porsche slammed to a halt behind the radio car, and Phoebe jumped out.

"You have to stay back," she shouted at Duncan as she dashed through gravestones and winged angels.

Dave moved toward her quickly, gripped her arm. "The bomb squad's marked off the minimum safe distance. Nobody goes beyond it. Not negotiable."

"All right, okay. Situation changes?"

"I just got here two minutes ago."

"Let me get started."

She went forward slowly now. Even with the lights there were pockets of dark. Someone handed her a vest, and she shrugged it on as she studied the weeping man sitting on the grave.

An angel looked out over him, her face serene, her wings spread wide. There was a lute clutched against her breasts.

Below, the man hunched with his face pressed to his updrawn knees, the sound of his weeping raw and harsh against the insect buzz. Pink roses-fresh to her eye-were scattered around him. "I'm Phoebe MacNamara," she began, and his head jerked up.

She froze, stopped in her tracks well before reaching the tape strung out by the bomb detail. Everything in her turned to ice, then thawed again in a sudden gush of hot panic.

"Roy."

"Jesus." Beside her Dave clamped a hand on her wrist. "I didn't see his face. I didn't recognize him." Wasn't entirely sure he would have. "Phoebe, you can't approach," Dave said over Roy's wild shouts. "You cannot approach."

"Understood. Understood." But panic sweat sprang onto her skin.

"Roy, be quiet now. You have to calm down. Take a breath and calm down. I'm here now." While she spoke, she wrote quickly on her pad. Check on myfamily! Cop on the door. Carly here. She dashed down Phin's address. "We're going to be all right."

"He's going to kill me. He's going to kill me."

"Who?"

"I don't know. Oh God, I don't know. Why is this happening?"

"Can he hear us, Roy?"

"He says he can hear. Yes, he can hear. You… you fucking bitch. I have to say what he tells me or he'll blow it up."

"It's all right. If he can hear me, can he tell you what he wants?"

"I… I want you to shove some of this C-4 up your twat, you useless cunt."

"Do we know each other?"

"You cost me," Roy said with tears running down his cheeks. "Now I cost you."

"What did I cost you?"

"You're going to remember. Phoebe, help me, for God's sake, help me."

"All right, Roy. All right. Let me keep talking to him. You must be angry with me. Will you tell me why?"

"Not… not time yet."

"You called me out here, and I came. There must be something you want from me, something you want to tell me. If you'll explain to me why-"

"Fuck you," Roy said on a hitching sob.

"I feel as though you don't want to talk to me yet. Is it all right if I talk to Roy? Can I ask Roy questions?"

"He's laughing. He's laughing. He… Go ahead, have a nice chat. I need a beer."

"Roy, how did you get here?"

"He… drove." Eyes swollen from weeping and blows darted around the graveyard. "I think. In my car."

"What kind of car do you have?"

"M-Mercedes. E55.1 just got it a few weeks ago. I just…"

"All right." She scribbled down the make of the car. Find, she wrote. "He drove your car from Hilton Head?"

"I was in the trunk of my car. I couldn't see. Blindfold, gag. Coming home, driving into the garage. In the garage. Gun to the back of my head." He pressed his battered face to his knees again. "Came up behind me. Then, I don't remember. I don't know until I woke up and I couldn't see or talk. Hard to breathe. In the trunk, tape over my mouth. Couldn't find air."

She took one relieved breath when Dave stepped back and wrote All safe. Cop on doors. "How long ago?"

"I don't know. "

"Okay, it's okay. How did you get here, where you are now?"

"Heard the trunk open." He lifted his head again, shivering. Phoebe could see the insects feasting on him. "Something over my face-got dizzy, tried to fight. Hit me, hit me in the face. I woke up, and I was here, like this. He was talking in my head. In my head. I screamed and I shouted, but nobody came. He talked in my head, told me what to do. My phone, he left me my phone, told me to call nine-one-one, what to say. Only that one call, he said, only say what he told me to say, or he'd push the button."

"You never saw him," Phoebe said as she scribbled down Roy's full name, address, telephone number, and wrote How long missing? under it, circled it twice before passing it to Dave.

"Roy…"

But he was sobbing now. "I didn't do anything. Why is this happening?"

"That's not helping, Roy. Roy!" She sharpened her voice enough to get through. "You need to try to stay calm. The important thing is for us to work together so we can resolve this. I'd like to talk to him again, if he's ready. I wonder if he could give me a name-it doesn't have to be his name, just any name he's comfortable with. So I'd have a way to address him."

"I feel sick. I feel… No! No! Don't! Please, don't!" Roy's eyes wheeled as he strained against the shackles. "Please, God… Okay… Okay. I… I'm-I'm tired of listening to you whine, you worthless piece of shit. Keep it up and-and I'll blow you to hell and be done with it."

"If you do that, I won't know why you wanted me out here tonight. Why you're angry. Will you give me a name to call you?"

"He-" Roy's teeth chattered. "S-sure, Phoebe. You can call me Cooper."

Though her throat tightened, she wrote the name clearly on the pad, followed it up with. "All right, Cooper. Since I can't talk to you directly, I can't hear how you feel. Can you tell me how you feel?"

"Powerful. In fucking charge."

"Is being in charge important to you?"

"Damn right."

"Wouldn't it be more direct, more in charge, if you and I talked face-to-face?"

"Not time."

She stared into Roy's flooded eyes, listened to Roy's tortured voice, and fought to get inside the head of a man she couldn't see, couldn't hear.

"Can you tell me how we know each other, Cooper? Where we know each other from?"

"You tell me something."

"All right. What do you want me to tell you?"

"Do you care about this… worthless son of a bitch?"

Tricky, she thought. Care too much or care too little, either could incite. "Do you mean Roy?"

"You know I mean fucking Roy asshole Squire."

"He's my ex-husband. I don't want to see him or anyone else hurt. You haven't really hurt anyone yet, Cooper. We can resolve this without-"

"Tell that to Charles Johnson. You see-you see- God, okay- Did you see how surprised he looked when those bullets hit him?"

"Are you telling me you're responsible for the death of Charles Johnson?"

"Can't you fucking understand fucking English, bitch? I put him in the ground. Not the first time you helped somebody into the ground, is it? Is it? Won't be the last, and that's a promise. Please," Roy wheezed. "Please, please, please." And he shuddered under the spreading wings of the angel.

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