Nora Roberts: High Noon

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Nora Roberts High Noon
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    High Noon
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High Noon: краткое содержание, описание и аннотация

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Police Lieutenant Phoebe MacNamara found her calling at an early age when an unstable man broke into her family's home, trapping and terrorizing them for hours. Now she's Savannah 's top hostage negotiator, defusing powderkeg situations with a talent for knowing when to give in-and when to jump in and take action. It's satisfying work-and sometimes those skills come in handy at home dealing with her agoraphobic mother, still traumatized by the break-in after all these years, and her precocious seven-year-old, Carly. It's exactly that heady combination of steely courage and sensitivity that first attracts Duncan Swift to Phoebe. After observing her coax one of his employees down from a roof ledge, he is committed to keeping this intriguing, take-charge woman in his life. She's used to working solo, but Phoebe's discovering that no amount of negotiation can keep Duncan at arm's length. And when she's grabbed by a man who throws a hood over her head and brutally assaults her-in her own precinct house-Phoebe can't help but be deeply shaken. Then threatening messages show up on her doorstep, and she's not just alarmed but frustrated. How do you go face-to-face with an opponent who refuses to look you in the eye? Now, with Duncan backing her up every step of the way, she must establish contact with the faceless tormentor who is determined to make her a hostage to fear… before she becomes the final showdown.

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Nora Roberts

High Noon

Do not forsake me, oh, my darlin'.


Chapter 1

Jumping to your death was a crappy way to spend St. Patrick's Day. Being called in on your day off to talk someone out of jumping to his death on St. Patrick's Day wasn't exactly green beer and bagpipes. Phoebe weaved and dodged her way through the crowds of Savannahians and tourists thronging streets and sidewalks in celebration.

Captain David McVee thought ahead, she noted. Even with a badge, it would've taken precious time and miserable effort to get through the barricades and mobs of people in her car. But a couple blocks east of Jones, the revelry thinned, and the booming music was only a throb and echo.

The uniformed officer waited as ordered. His gaze skimmed over her face, down to the badge she'd hooked on the pocket of her khakis. Cropped pants, sandals, shamrock-green T-shirt under a linen jacket, Phoebe thought. Not the professional look she worked to foster on the job.

But what could you do? She was supposed to be standing on the terrace of MacNamara House, with her family, drinking lemonade and watching the parade.

"Lieutenant MacNamara?"

"That's right. Let's move." She slid in, flipping out her phone with one hand, dragging the seat belt on with the other. "Captain, I'm en route. Fill me in."

The siren screamed as the driver punched the gas. Phoebe yanked out her notebook, taking cursory notes.

Joseph (Joe) Ryder, suicidal. Jumper with gun. Twenty-seven, white, married! separated. Bartender fired. No known religious affiliation. No family on scene. WHY? Wife left, fired from job (sports bar), gambling debts.

No criminal, no previous suicide attempt on record. Subject alternately weepy/belligerent. No shots fired.

"Okay." Phoebe let out a breath. She'd get to know Joe much better very soon. "Who's talking to him?"

"He's got his cell phone on him. The first on scene wasn't able to engage. Guy just kept clicking off. We've got his employer here-former employer, who's also his landlord. The subject's been talking to him off and on, but there's no progress."


"I'd barely gotten here when I pulled you in. I didn't want to throw too many people at him."

"All right. My ETA's five minutes." She glanced at the driver, got a nod of affirmation. "Keep him alive for me."

Inside Joe Ryder's fourth-floor apartment, sweat rolled down Duncan Swift's back. A guy he knew, a guy he'd had beers with, joked with, had pissed with, for God's sake, in adjoining urinals, was sitting on the ledge of the roof overhead with a gun in his hand.

Because I fired him, Duncan thought. Because I gave him thirty days to get out of the apartment. Because I didn't pay attention. Now, it was a very strong possibility that Joe was going to put a bullet in his own ear or take a header off the roof. Maybe both.

Not exactly the kind of entertainment the crowds expected on St. Patrick's Day. Not that it was keeping them away. The cops had barri caded the block, but from the window Duncan could see people pressed against the barriers, faces turned up.

He wondered if Joe was wearing green.

"Come on, Joe, we'll work it out." How many times, Duncan asked himself, would he have to repeat that same phrase the cop kept circling in his notebook. "Just put the gun down and come inside."

"You fucking fired me!"

"Yeah, yeah, I know. I'm sorry, Joe, I was pissed off." You stole from me, you stupid dick, Duncan thought. You screwed up, stole from me. You took a damn swing at me. "I didn't realize how upset you were, or what was going on. You come inside and we'll work it out."

"You know Lori left me."

" I…" No, not I, Duncan remembered. His head was pulsing with the mother of all headaches, but he struggled to remember the instructions Captain McVee had given him. "You must've been feeling upset."

Joe's answer was to start sobbing again. "Just keep him talking," Dave murmured.

Duncan listened to Joe's sobbing complaints, tried to repeat key phrases as he'd been directed.

The redhead shot into the room like a sleek bullet. She shrugged out of a light jacket while she talked to the captain, then shrugged into a bulletproof vest. All her movements lightning quick.

Duncan couldn't hear what they were saying. And he couldn't take his eyes off her.

Purpose was the first term that came to his mind. Then energy.

Then sexy, though the third was mixed into the first two in equal portions. She shook her head, looked toward Duncan -long, cool stare with cat-green eyes.

"It's got to be face-to-face, Captain. You knew that when you pulled me in."

"You can try to bring him in via the phone first."

"Been tried." She studied the man currently making soothing noises over the subject's weeping. Former employer and landlord, she deduced. Young for it, she mused. Very cute guy who looked as if he was trying hard not to panic.

"He needs a face. He needs personal contact. Is that the employer?"

"Duncan Swift, owns the bar street level of the building. He called the nine-one-one after the subject contacted him and said he was going off the roof. He's-Swift's-been on scene since."

"All right. You're the commander on this one, but I'm the negotiator. I need to go up. Let's see how the subject feels about that."

She walked over to Duncan, gestured for him to pass her the phone. "Joe? This is Phoebe. I'm with the police department. How you doing out there, Joe?"


"I want to make sure you're okay. You hot out there, Joe? Sun's pretty strong today. I'm going to ask Duncan to get us a couple bottles of cold water. I'd like to bring them up, talk to you up there."

"I've got a gun!"

"I hear that. If I come up with a cold drink for you, are you going to shoot me, Joe?"

"No," he said after a long moment. "No, shit. Why would I do that? I don't even know you."

"I'll bring you out a bottle of water. Just me, Joe. I want you to promise you won't jump or fire that gun now. Will you promise to let me come on out, bring you a bottle of water?"

"Rather have a beer."

The wistful tone in his voice gave her a little edge. "What kind of beer would you like?"

"Got Harp in the bottle in the fridge."

"One cold beer coming up." She walked to the refrigerator, found there was little else but beer. Even as she took one out, Duncan moved beside her to open it. She nodded, pulled out the single Coke, popped the top. "I'm coming on up with the beer, all right?"

"Yeah, a beer'd be good."

"Joe?" Her voice was as cool as the bottles in her hand as one of the cops fitted her with a wire, removed her weapon. "Are you going to commit suicide?"

"That's the plan."

"Well now, if that's your plan, I don't know as it's a good one."

She followed one of the uniforms out of the apartment, then up the stairs to the roof.

"Got nothing better to do."

"Nothing better? You sound like you're feeling pretty low. I'm at the roof door now, Joe. Is it all right if I come on out?"

"Yeah, yeah, I said so, didn't I?"

She'd been right about the sun. It was strong enough to bounce off the roof like a hot red ball. She looked to her immediate left, and saw him.

He was wearing nothing but what looked like black boxers. Sandyhaired guy with fair skin-and that skin had already turned a painfully bright pink. He squinted at her out of eyes swollen from crying. "I guess I should've brought out some sunscreen along with the beer." She held the bottle up so he could see it. "You're getting toasted out here, Joe."

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