Nora Roberts - High Noon

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High Noon: краткое содержание, описание и аннотация

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Police Lieutenant Phoebe MacNamara found her calling at an early age when an unstable man broke into her family's home, trapping and terrorizing them for hours. Now she's Savannah 's top hostage negotiator, defusing powderkeg situations with a talent for knowing when to give in-and when to jump in and take action. It's satisfying work-and sometimes those skills come in handy at home dealing with her agoraphobic mother, still traumatized by the break-in after all these years, and her precocious seven-year-old, Carly.
It's exactly that heady combination of steely courage and sensitivity that first attracts Duncan Swift to Phoebe. After observing her coax one of his employees down from a roof ledge, he is committed to keeping this intriguing, take-charge woman in his life. She's used to working solo, but Phoebe's discovering that no amount of negotiation can keep Duncan at arm's length.
And when she's grabbed by a man who throws a hood over her head and brutally assaults her-in her own precinct house-Phoebe can't help but be deeply shaken. Then threatening messages show up on her doorstep, and she's not just alarmed but frustrated. How do you go face-to-face with an opponent who refuses to look you in the eye?
Now, with Duncan backing her up every step of the way, she must establish contact with the faceless tormentor who is determined to make her a hostage to fear… before she becomes the final showdown.

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But there was a.45 semiautomatic, with the first round already racked, under the cap on the seat. And Razz wasn't shaking now. He was going to put that round right between the eyes of the one who shot his brother. Anybody got in his way, well, he'd put a bullet in them, too. What they called collateral damage.

He was going in, in the daylight, and he was going in wearing his colors. And if he didn't come back out again, well, that's the way it was. He was sixteen.

He pulled up across from the liquor store. He knew Clip used its back room for his "office." He hung out there, did some deals, talked his trash, got bj's from bitches trying to get raped into the gang.

He'd go 'round the back, that's what he'd do. Take out any guards if there were guards to take. Then through the door. Bullet between the bastard's eyeballs.

T-Bone was going to be proud. T-Bone was going to have the will to live when he heard he'd been avenged.

He put on his cap, proudly tipping it to the right. Under the long tail of his blue jersey he hitched the.45 in the waistband of his pants. It weighed like a cannon as he climbed out of the stolen car.

His high-tops were blue with yellow stripes. The bandanna hanging out of his back pocket was bright, bold yellow. The colors announced him as west side, as Posse, and such was his rage, his grief, his righteousness, he strutted in them across Hitch.

He was ready. He was so goddamn ready to do some damage. To do some death.

Maybe it showed on his face. He tried to make it show. His lips peeled back in a snarling grin, a surge of power, as he saw a group of women on a stoop glance his way, then rush inside.

Yeah, bitches. Better run. Better hide.

As he swaggered down the short alleyway around the liquor store, he drew the gun from his waistband. And he told himself the tremor in his hand was thrill, not fear. He put T-Bone's face, the way it had looked in the hospital, in his mind.

Already dead even if the machine was breathing for him. And their mama, sitting by the bed, holding her Bible and crying. Not saying nothing, not moving, just sitting with tears running down.

Those images pushed him around the corner, ripped a cry out of his throat as his finger quivered on the trigger.

But the back door was unguarded.

His heart thumped in his ears. It was all he could hear as he crossed the heat-softened tar and scrabbling weeds. He wiped the back of his hand over his mouth where sweat had beaded. For T-Bone, he thought, then kicked viciously at the door until it fell open.

The gun went off like a live thing jumping in his hand. He didn't feel his finger make the pull. It just seemed to explode on its own, blasting a hole in the wall a foot above the dented metal desk. There was no one behind it, no one to take that bullet between the eyes.

His arm shook as he lowered the gun, as he stared at the empty space, the empty room. They'd call him a fool now, and laugh. That would make T-Bone a fool, and that couldn't be.

He had to do something. Something big.

When the inner door opened and the man stepped up, he knew what it was he had to do.

"HT's name is Charles Johnson, street name Razz." Detective Ricks from the Gang Unit filled Phoebe in. "Shots were fired, no reported injuries. He's got four people in there."

"What does he want?"

"Blood. There was a gun battle last night-west side Posse-the HT's gang, and east side Lords. HT's older brother took three bullets. He's critical. This Razz wants us to find the guy he claims did it. One Jerome Clip Sagget. We send Sagget in, he'll send the hostages out."

"How old is he?"

"Sixteen. No violent knocks on his record. Petty shit up till now. Older brother's a different matter. Serious badass."

"Okay." Phoebe studied the board, the log. At the table of the diner set up for communications, she opened her kit. "He's been talking to you?"

"Playing the same tune, but yeah. He's in the first stage. Give me what I want or there'll be hell to pay. He set a deadline, it's coming up in twenty."

"All right." She picked up the phone. He answered on the first ring. "You got that motherfucker?"

"Razz, this is Phoebe MacNamara. I'm a negotiator with the police."

"Fuck you, bitch."

There was fury in the voice, but there was fear under it. "You sound angry. I understand that. I have a brother, too."

"You think I give rat shit about your brother? You best be bringing in the motherfucker shot him, or I'm doing one of these assholes in here."

"We're trying to work on that, Razz. For right now, can you tell me, is everyone all right in there? Does anyone need medical attention?"

"Gonna need it. Gonna need a goddamn body bag, is what." His voice pitched up and down with terror and rage.

"You haven't hurt anyone yet, Razz, is that right? So far we're trying to find a way to make this right for everyone."

"Not gonna be right until I put a bullet in that Clip's brain. When that's done, it's all done."

"I hear that you want to punish the person you believe hurt your brother."

"I know what he did. My family told me. You think my family's liars?"

"Are you saying your family saw what happened to T-Bone?"

"Fucking right. Two more of 'em shot up, but T-Bone, he's next to dead. And the fucker did it to him's gonna face me. You bring him here, you hear what I'm saying? You bring him here or somebody dies." Family =Gang, she wrote on her pad. Pride amp; revenge. "You want us to find this man and bring him to you, so you can punish him yourself."

"How many times I got to say it?"

"I don't want to misunderstand you, Razz. I'm trying to understand what those people in there have to do with your brother being hurt. Do you think they were involved?"

"Don't mean a thing."

"They don't mean anything?"

"Collateral damage. I'll put a bullet in one right now, you don't think I mean what I say."

"I know you mean what you say, Razz. I need you to understand, Razz, that if you hurt anyone in there, we're not going to be able to work this out, not going to be able to try to get you what you want. I'm trying to contact the hospital, too. To contact the doctors who're taking care of your brother. I thought you might want to know how he's doing. Have you seen him today?"

She guided him into talking about his brother, through the first deadline. Hero worship. Absolute loyalty. When he spoke of his mother crying by his brother's bed, she nudged more out of him. No other sibs, no father in the picture.

Find the mother now! she scribbled on a piece of paper, and pushed it into Ricks's hand.

"Y'all getting hungry in there, Razz? I can send in some sandwiches."

"I got plenty of beer and chips. You think I'm stupid? You think I don't watch TV? Nobody comes in here, nobody but Clip."

"No one's coming in unless you okay it."

"Maybe I won't kill these assholes. Maybe I will. But they gonna be lying facedown in their own piss before long. I'm tired of talking to you. You got something else to say, you call back and tell me you've got that motherfucker."

When he broke the connection, Phoebe eased back. "Any progress locating this Clip?"

"He's gone under. We've got people on it."

"If we can tell the HT that Sagget's in custody, that he's being held, that may open a door. I want to know the minute he's found."

She glanced at the white-faced clock on the wall. Four forty-five. Odds were she was going to be late for dinner.

Duncan was pretty pleased with himself when he rang the bell on Jones Street. He was even more pleased when Essie answered it and the big smile broke across her face.

"Oh my goodness! Who's back there?"

He spoke from behind an enormous basket of red poppies. "Three guesses. Any place special you want these?"

"Just set them down right here until we figure that out. Aren't they beautiful! Come right into the parlor. You're right on time. Wine, too?"

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