Nora Roberts - High Noon

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High Noon: краткое содержание, описание и аннотация

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Police Lieutenant Phoebe MacNamara found her calling at an early age when an unstable man broke into her family's home, trapping and terrorizing them for hours. Now she's Savannah 's top hostage negotiator, defusing powderkeg situations with a talent for knowing when to give in-and when to jump in and take action. It's satisfying work-and sometimes those skills come in handy at home dealing with her agoraphobic mother, still traumatized by the break-in after all these years, and her precocious seven-year-old, Carly.
It's exactly that heady combination of steely courage and sensitivity that first attracts Duncan Swift to Phoebe. After observing her coax one of his employees down from a roof ledge, he is committed to keeping this intriguing, take-charge woman in his life. She's used to working solo, but Phoebe's discovering that no amount of negotiation can keep Duncan at arm's length.
And when she's grabbed by a man who throws a hood over her head and brutally assaults her-in her own precinct house-Phoebe can't help but be deeply shaken. Then threatening messages show up on her doorstep, and she's not just alarmed but frustrated. How do you go face-to-face with an opponent who refuses to look you in the eye?
Now, with Duncan backing her up every step of the way, she must establish contact with the faceless tormentor who is determined to make her a hostage to fear… before she becomes the final showdown.

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"Well, yes, b u't… "

"See, we'd have rooms set up. Just like a home. Bedrooms, dining room, parlors. So we'd display your work that way. For sale, sure, but also part of the ambience, you know? Baby stuff in the nursery, scarves, sweaters in the wardrobes. You could keep doing your own Internet sales if you want. But we could take care of that for you, expand it."

"My head is actually spinning." She laid her hand on one side of it as if to keep it centered. "Why do you think I could do all that?"

"You are doing it. You'd just keep doing it-except for the boxing and shipping, depending on how you want to handle it. Here, come with me a minute." He grabbed her hand as he pushed back from the table, pulled her into the dining room.

"What do you call that?"

She frowned at the long runner she'd designed in soft pastels for the dining room table. "A runner."

"A runner. Got it. So, if you were to make one just like that and sell it, what would you charge?"

"Oh, well." She had to calculate. She'd made one very similar for a client once, and several shorter ones for others over the years. She gauged the price as best she could without a calculator.

Duncan nodded, did some rapid calculations of his own. "I could give you fifteen percent more than that, and still make a decent profit." Her cheeks went white, then flushed warm pink. "Fifteen percent more?" She grabbed an end of the runner. "You want it now? I'll box it right up for you."

He grinned. "You keep that one, and start thinking about making more. And whatever else you've a mind to make. I'm going to need some time to get this up and running, but I guarantee we'll be rocking by the Christmas shopping season." He held out a hand. "Partner?" Duncan considered it a really good day if by seven, regardless of what had come before, there was pizza and beer on the veranda.

He'd lit candles, as much to discourage the bugs as to add some light. His bare feet were propped on the padded wicker hassock. He'd left the TV on in the living room, angling himself so he could watch some basketball action through the window if he wanted. Or just listen to the play-by-play and stare off into the soft dark.

He'd had enough of people for the day. As sociable as he was, he hoarded his alone time. And he liked to listen to the sounds of the game, but he just simply loved the sounds of the night.

The quiet swooshing of air through the trees, the hum of insects, the incessant music of peepers entertained him. It was a good spotveranda, chair and hassock-and the best time of day to figure things out. Or to let them go.

He'd been tempted to hang out in Essie's kitchen until Phoebe came in from work. So why hadn't he? Hang around too much, he decided, and become a fixture. Or an annoyance. It was all a matter of balance, to his way of thinking. And intriguing the woman in question so maybe she was just a little off hers.

Besides, every time he saw her, he wanted to grab her. Considering what she'd been through, he didn't think she was at the grabbing stage yet.

He finished off a slice of pizza, contemplated another. Then glanced over at the sound of a car. His brows lifted when he realized the car wasn't passing by but heading in.

He didn't recognize it, but he recognized the woman who stepped out of it. And this, he thought, was a better way to end the day than pizza and beer.

"Hey, Phoebe."

"Duncan." She pushed at her hair as she walked to the veranda. "I was at the bridge before it occurred to me you probably weren't here, and then it was too late not to keep going. But here you are anyway."

"I'm here a lot. I mostly live here."

"So you've said."

"Want some pizza? A beer?"

"No, and no. Thank you."

The formal tone had him lifting his eyebrows again. "How about a chair?"

"I'm fine, thanks. I want to ask what you're doing with my mother." Okay. "Well, I asked her to marry me, but she avoided giving me an answer. I don't think she took me seriously so I settled for the cookies."

"I'm wondering how seriously you take her, or yourself."

"Why don't you tell me why you're pissed at me, and we'll go from there?"

"I'm not pissed. I'm concerned."

Bullshit, he thought. He knew a pissed-off woman when she was standing on his veranda ready to chew holes in him. "About?"

"My mother's bursting with excitement over this business you talked to her about."

"You don't want her to be excited?"

"I don't want her to be disappointed, or disillusioned or hurt."

His voice was as cool as his neglected beer. "Which would be the natural consequence of excitement over the project we discussed. Which, as I recall," he added, "doesn't involve you."

"My mother's state of mind very much involves me. You can't come in there talking about some store you're thinking of opening in some house you're thinking of buying, and how she's going to be a part of it. It's your business how you do business-"

"Thank you very much."

"But," Phoebe ground out. "You got her all worked up, making plans, making designs, talking about how she'll be able to help more with the expenses. What happens to all that if you change your mind, or it doesn't come through, or you just find something more interesting to play with?"

"Why would I change my mind?"

"Aren't you the one who opened a sports bar, then sold it?"

"Sold a piece of it," he corrected.

"Then a pub. And I don't know what else." Which was the crux of it. She didn't know, and he was taking her mother into territory she hadn't mapped out. "You bounce, and that's fine for you, Duncan, that's just fine. It's not fine for my mother. She doesn't bounce."

"Let me sort this out. In your opinion, I'm irresponsible and unreliable."

"No. No." She let out a sigh as the leading edge of her temper dulled down to the core of worry. "You're casual, Duncan, and it's part of your appeal. You can afford to be casual, and not just because of the money. No one depends on you, so you can do what you like, come and go as you please."

"Is that casual or careless?"

"I say what I mean, and I said casual. I don't think you're careless. But my mother's fragile, and-"

"Your mother's amazing. You know, I told her once she ought to give herself a break, but the fact is, you ought to give her one. Do you think because she can't go out of that house, she's less than amazing?"

"No. Damn it, no." Because the conversation, such as it was, had gotten out of her hands, Phoebe dragged them through her hair and tried to get back to center. "But she does. She's been hurt and pushed and shoved into the corner so many times."

"I'm not going to do any of those things to Essie."

"Not on purpose. I don't mean that. But what if, for whatever reason, you don't buy that house, then-"

"I bought it today."

That stopped her. That put a hitch in her stride, Duncan thought.

He said nothing more, just picked up his beer, watched her as he tipped back the bottle.

"All right, you bought the house. But what if you find it isn't cost effective to fix it up? Or what if-"

"Jesus. What if the voices tell me to put on fairy wings and fly to

Cuba? You can 'what if till next Tuesday; it doesn't mean a damn. I finish what I start, goddamn it. I'm not stupid."

"You're not stupid. I never said or meant you were." But someone had, someone that mattered. "It's just that this all came out of the blue, and for my mother it's huge. I'm trying to point out the variables, and I'm trying to understand why you'd involve her in this. I can't understand what you're doing. I can't understand what you want. From her.

From me."

"Tied those two together," he muttered, and pushed to his feet. "Must want something from you, so I use her. Let's answer this first. You want to know what I want from you?"

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