Iris Johansen - Dead Aim

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"She witnesses death through the eye of her camera. Now a relentless killer is focused on her. A celebrated photojournalist, Alex Graham has seen it all – but her latest assignment has forced her across a dangerous line." "What happens when a reporter does more than just report? She has recorded some of the most tragic and heartbreaking of catastrophes, everything from natural disasters to infamous acts of terror. Her experiences have left her forever marked with the human side of tragedy. So when a dam breaks in Arapahoe Junction, Colorado, Alex is once more at the site doing more than just snapping pictures – she is in the mud with a shovel digging for survivors." "What happens when the reporter becomes the story? Alex finds more than she bargained for. In one terrible instant, she is witness to a conspiracy that will stun a nation. The official story is just a cover-up for a truth so frightening, so unthinkable, anyone who threatens to reveal it must be silenced. Forever." "And now that someone is Alex Graham." The first attempt on her life is swift and brutal. Only barely escaping, she finds an ally in an improbable source. Billionaire financier John Logan has his own reasons for protecting Alex, and these reasons alone are likely to get her killed. Using his vast connections and influences, Logan assigns a bodyguard to protect her. Judd Morgan is the best covert commando in the business, and if anyone can keep Alex safe, it's this quietly dangerous man. The problem is, Alex doesn't want to be kept safe by Judd, whose checkered past has made him the target of an unseen assassin who dogs his every step.
From Publishers Weekly
Heavy on verbs, light on adjectives, Johansen's latest fast-moving thriller offers lots of cinematic action, if not much to contemplate or savor. On assignment at a dam collapse in Colorado, photojournalist Alex Graham overhears a conversation between the conspirators who caused the collapse, which they disguised as an act of nature. When they realize that Alex has heard them, they go after her, and soon Alex's friend, Sarah Logan, is wounded in an attempt on Alex's life. Sarah's husband, John, a billionaire with political connections, believes he must hire someone to keep Alex safe. His contact is a man called Galen, a shadowy government operative, who in turn contacts Judd Morgan, a former military assassin who's been deep undercover. Knowing that Alex won't leave the dam mystery alone, and wanting to keep his own wife out of harm's way, John authorizes Judd to kidnap Alex and take her to a safe location. Alex persuades Judd that the dam collapse was a deliberate act, and that more sites are slated to be destroyed. The two team up to learn the identities of the conspirators, who appear to have ties to the FBI and the CIA, as well as to an assassin called Runne, who has his own agenda, and a Central American terrorist ring. There are chases and narrow escapes aplenty as Alex and Judd save the country-including the president himself-from violent mayhem. Some of the characters in Johansen's crowded cast remain murky, but the nonstop action and slick plotting won't disappoint.

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"I didn't think so."

She closed her eyes, remembering. "He had small ears, close to his head, and his lobes were full, almost plump…"

"I think we're as close as we're going to get." Morgan got to his feet. "We'll go over them again after you've taken a

" nap.

"I don't need a nap. I can look at the sketches now."

"You could look, but would you see them? It's been seven hours. You're getting woozy. I wasn't easy on you."

"No." Her gaze was fastened on the pad. "Those likenesses are really close, Morgan. Are we going to send them to Leopold?"

"Maybe." "What?"

"Don't get edgy. We'll get an ID. There are other sources that may be faster." He moved toward the door. "Take a nap while I clean these up. We'll talk later."

"I want to talk now. I didn't work my ass off to get those sketches right to have them end up anywhere but in the hands of people who can find and ID these men."

"One's already been ID'd."

Her eyes widened. "What are you talking about?"

He held up the second sketch they'd worked on. "George Lester. He was the man who was driving the blue Toyota and tried to put you down."

"How do you know who he is?"

"I called a friend, and he checked and found that the police had done a fingerprint and dental check on him. Definitely George Lester from Detroit. Very ugly customer but a loner. That's going to make it difficult for us."

"Dental check? You make it sound-" She stopped. "He's dead?"

He shrugged. "I didn't know we'd need him."

"You killed him?"

"He was going after you. It would have been only a matter of time before he got you. It seemed the reasonable thing to do."

"Killing is never reasonable."

"I beg to disagree. But this time it wasn't smart. I was only interested in getting him off your case, not finding his con nections. Now we'll have to start at square one."

"Why didn't you tell me?"

"It would only have upset you. You have a soft heart. You didn't even kill Al Habim when he targeted you. It seemed the most efficient way to protect you."

So casual. So cool.

He glanced back over his shoulder as he opened the door.

"That's right," he said, as if reading her mind. "One cold son of a bitch. But there are uses for men like me. You'll probably find a few before we're done."

She stared at the door after it had shut behind him.

She was filled with shock, confusion, and a sense of foreboding.

There are uses for men like me.

But she didn't know anyone who would dare to try to use

Judd Morgan.

Okay. Rest. Think. Analyze the situation. Decide if she could place even a small amount of trust in a man who had killed a man because it was efficient.

5

"Shit!"

Powers snatched up the report off the fax machine, scanned it, and then dialed Betworth. "The report just came in from Quantico on the man in the stairwell, sir."

"Morgan?"

"How did you-" Sometimes he thought the bastard was psychic. "Yes, they had trouble with the video or we would have had the ID sooner. You expected him to turn up here?"

"It was always a possibility. We didn't think Morgan could make the connection, but we weren't certain. And according to his file, you never know how Morgan is going to jump. But I would have thought he'd show up right after the dam break. I had the CIA ready to gather him in if he decided to do a little snooping. I was a little worried about John Logan's con nection with Graham."

"Logan?"

"He was pulling every string he could to have Graham put in a safe house after his wife was shot. And it was Logan who tried to get the sanction lifted on Morgan several months ago. He's got a lot of influence. I had a hell of a time blocking it."

"We've had Logan under surveillance since Graham disappeared. He's at his home in California and hasn't tried to make contact."

"Have you been able to monitor his phones?"

"No way. He's got a state-of-the-art security and communication system."

"Then I suggest you'd better figure a way to find out what we need. I understand he's very fond of his wife. Good-bye, Powers."

"I have sketches of the other two men Alex saw at Arapahoe Junction," Judd said as soon as Galen answered. "I need to know who they are."

"Alex gave you descriptions? You know how tricky memory can be. Can you rely on her?"

"Yes."

"No doubts?" "No doubts."

"Can you fax them?"

"I think you'd better come and pick them up."

"You're halfway across the country. Why?"

"I may need you here. I have a bad feeling… Have you told Logan about Alex's injury?"

"Not yet."

"It's just as well. I don't need Logan upset enough to get in my way. How soon can you get here?"

"I'm on my way." He hung up.

Morgan sat down at the kitchen table and pulled out the sketches. He threw the other two sketches aside to look at the one they'd worked on last-the shooter. He drew a deep breath and then slowly let it out. He'd almost blown it. Exhausted as Alex had been, she'd noticed his reaction. He had to be more careful.

Careful? The idea was laughable. He'd known that safety was out the window the minute he finished that sketch. Until then there had been a chance that the dam break didn't have anything to do with Z-3.

Okay, he could still back off and disappear. He could find another way to keep Alex safe.

Alex.

What the hell? He'd give it a little more time. He'd clean up these sketches while Alex was napping and get a final approval before giving them to Galen. It should be only a matter of hours before he arrived. Galen never wasted time when he went into motion.

"You shouldn't be up." Morgan got up from his chair and came toward her. "Why didn't you call me? I would have helped you."

"I'm fine." She brushed by him and went toward the fire.

"A little cold."

"You need time to heal, and I pushed you hard today. You're tired and your body temperature probably dropped. You should try to get more sleep."

She held out her hands to the blaze. "I didn't mean to sleep at all." She had thought she was so disturbed she would lie there for hours, but she'd dropped off almost immediately. "What have you been doing?"

"Cleaning up the sketches. Waiting for Galen." "Galen?"

"A friend. He's coming to pick up the sketches and make sure that I haven't totally maimed you."

"What business is it of his if you have?"

"Now, that's not in keeping with your philosophy. Isn't everyone supposed to be their brother's keeper?"

"In a perfect world. This world isn't perfect. Why is this

Galen worried about me?"

"He recommended me to Logan." "So it's pure self-interest."

"Not entirely. Galen is one of the good guys. He's generally a cynical bastard, but he's like you-he wants to go around righting wrongs. He even tried to right a wrong done to me." He smiled faintly. "Everyone makes mistakes."

"If he's your friend, I wouldn't call that a mistake." "There are friends and then there are friends."

"What's that supposed to mean? No, don't tell me. You wouldn't get close enough to commit to a friend."

"Not willingly. But even I'm not perfect."

"What does this Galen do? Is he a criminal like you?" "He's an information specialist. He has contacts all over the world. He arranges things and smooths paths that need smoothing."

"Legally?"

"Sometimes." He handed her the sketches. "Look at them.

If there are any changes, let me know."

She glanced through the sketches. "They look good to me. I can't see anything I'd want to change. You're really very good. I don't know how you- Wait. This isn't right." She was staring at the sketch of the shooter. "You've given him a tiny scar on his left cheek."

"Didn't you tell me to put that in?"

She shook her head. "I'm sure I- Maybe I did. I was so tired."

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