Mary Clark - Nighttime Is My Time

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The definition of an owl had always pleased him: a night bird of prey…sharp talons and soft plumage which permits noiseless flight…applied figuratively to a person of nocturnal habits. 'I am The Owl', he would whisper to himself after he had selected his prey, 'and nighttime is my time.'"
Jean Sheridan, a college dean and prominent historian, sets out to her hometown to attend the twenty-year reunion of Stonecroft Academy alumni, where she is to be honored along with six other members of her class. There is something uneasy in the air: one woman in the group about to be feted, Alison Kendall, a beautiful, high-powered Hollywood agent, drowned in her pool during an early-morning swim. Alison is the fifth woman in the class whose life has come to a sudden, mysterious end.
Adding to Jean's sense of unease is a taunting, anonymous fax she received, referring to her daughter – a child she had given up for adoption twenty years ago.
At the award dinner, Jean is introduced to Sam Deegan, a detective obsessed by the unsolved murder of a young woman who may hold the key to the identity of the Stonecroft killer. Jean does not suspect that among the distinguished people she is greeting is The Owl, a murderer nearing the countdown on his mission of vengeance against the Stonecroft women who had mocked and humiliated him, with Jean as his final victim.
From The Washington Post
As pointed out in Book World's May 2 Summer Forecast, readers hardly need to be reminded that Mary Higgins Clark's latest spring offering is here. Nighttime Is My Time brings to 29 the number of novels to bear her name, novels that have routinely graced bestseller lists and earned her numerous awards and the title Queen of Suspense. It is equally significant that Clark, an icon in the mystery field, has been generous with her time and attention to numerous younger writers, as evidenced by an award she and her publisher have sponsored since 2001 to recognize new talented authors, including Barbara D'Amato, Judith Kelman, Rose Conners and M.K. Preston, who follow the vein of suspense Clark has so expertly mined.
In a recent interview, Clark attributed her popularity to readers' ability to "walk in the shoes of the character." In the guidelines for eligibility to win the award that bears her name, Clark spells out the makings of a good suspense novel: "A very nice young woman, 27-38 or so, whose life is suddenly invaded. She is not looking for trouble – she is doing exactly what she should be doing. She solves her problem by her own courage and intelligence. She's in an interesting job. She's self-made – independent – has primarily good family relationships. No on-scene violence. No four-letter words or explicit sex scenes."
Nighttime Is My Time hews to this formula by creating an admirable protagonist, Jean Sheridan, a historian and author of a well-received book on Abigail Adams, then adds other elements to which virtually every reader can relate. Jean is returning to her hometown to be honored at the 20-year reunion of her class at Stonecroft Academy, a private school in upstate New York. But one of the six other honorees won't be attending the festivities. Hollywood agent Alison Kendall has been murdered in the book's opening pages by a man who had the resources to travel repeatedly to Los Angeles to stalk her before he drowned her in her own swimming pool.
Alison's death strikes Jean hard. The two had been friends and part of a group of girls known for lunching together, their good looks and their cruelty to boys in the school. Typical high school behavior perhaps, but, like the boys of Columbine, Alison's killer has nursed a grudge over how the girls taunted him, most specifically for taking advantage of his stage fright when he played an owl in a school play. This murderer's vengeance, planned and implemented over two decades, calls for killing each lunch-table girl, and other unrelated women, and leaving no "signature" to alert law enforcement, save the little pewter owls he places undetected near their bodies, a "silent reminder of his visit, a calling card that everybody always missed." And although he readily admits to himself that Jean was the only girl who was kind to him, in fact had enough family problems of her own to have been ridiculed herself, our serial killer (who calls himself, unsurprisingly, The Owl) has decided she too must die.
A reunion saddened by the tragic loss of a friend, a loss readers know is murder; the resourceful, successful heroine who has risen to the heights of her profession but must struggle to save herself and her daughter from the killer; the disappearance of actress Laura Wilcox, another honoree, before the reunion is over; a stalking serial killer who sits among the unsuspecting as a classmate and friend – Clark enlists these and other trademark devices to ratchet up the empathy and suspense.
While her fans may be delighted as the red herrings and misdirections pile up in chapters so short that their white space consumes a hefty percentage of the novel's pages, for this reader so much exposure to the killer's habits, thoughts and actions undermines the novel's plausibility. While he may call himself The Owl and wear a frightening feathered headdress, it's unlikely that the kidnapped Laura wouldn't allow herself to say his name, even to herself, regardless of his admonitions not to speak it aloud. Implausible, too, is Sam Deegan, an about-to-retire veteran investigator in the D.A.'s office, whose inability to link past and present crimes is troubling. So is his tendency to share information with suspects and people unassociated with the case, including a nosy reporter for the high school paper whose sole purpose seems to be to move the plot along when the action gets sluggish.
Clark 's successful contributions to the genre clearly indicate that she knows, and has done, better work. And while diehard fans may not object as Nighttime Is My Time wends it way to its inexorable conclusion, others who wish for more sizzle in their suspense or more spine-tingling entertainments may want to wait for Clark's next novel or try D'Amato, Kelman or the others whom she has so graciously encouraged.

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The naked relief reflected in the woman's expression was confirmation that he had dispelled her concerns. "My husband was such a wonderful man," she said. "It would have been awful if ten years after his death, people began to think he had done something wrong or illegal."

He did, Sam thought, but that's not why I'm here. "Mrs. Connors, I promise you that nothing you tell me will ever be used in a way that could sully your husband's reputation. But please answer this question: Do you have any knowledge whatsoever of how someone might have had access to Jean Sheridan's maternity file in your husband's office?"

There was no trace of nervousness left in Dorothy Connors' voice or manner when she looked Sam straight in the eye. "You have my word of honor that I have no knowledge of any such person, but if I did, I would share it with you."

They had been sitting in the sunroom that Sam suspected was where Mrs. Connors spent most of her time. She insisted on walking him to the door, but as she opened it, she hesitated. "My husband handled dozens of adoptions during the forty years he practiced medicine," she said. "He always took a picture of the baby after it was born. He put the date of birth on the back of each picture, and if the mother had named the baby before she signed it away, he wrote that down, too."

She closed the door. "Come with me into the library," she said. Sam followed her through the living room, continuing through French doors that led to an alcove filled with bookshelves. "The photo albums are in here," she said. "After Dr. Sheridan left, I found the picture of her baby with the name Lily inscribed on the back. I confess, I was terribly afraid that hers might have been one of the adoptions that couldn't be traced. But now that Dr. Sheridan has located her daughter and is going to meet her, I'm sure she would like to have a picture of Lily when she was three hours old."

Stacks of photo albums took up one entire section of the shelves. The section had been labeled with dates going back forty years. The album Mrs. Connors pulled out had a page marker in it. She opened it, slid a picture from its plastic covering, and handed it to Sam. "Please tell Dr. Sheridan how happy I am for her," she said.

When Sam got back to the car, he carefully tucked away in his inside breast pocket the picture of a wide-eyed infant with long lashes and wisps of hair framing her face. What a beauty ;he thought. I can only imagine how rough it must have been for Jean to give her up. I'm not that far from the Glen-Ridge. If she's there, I'll drop it off for her. Michaelson was going to call Jean after he spoke to me, so she's probably all squared away about meeting the adoptive parents.

When Sam called up, Jean was in her room and readily agreed to meet him in the lobby. "Give me ten minutes," she said. "I just got out of the tub." Then she added, "Nothing is wrong, is it, Sam?"

"Nothing wrong at all, Jean." Not at the moment, at least, he thought, even though a pervasive sense of unease would not leave him.

He had expected Jean to be radiantly happy at the prospect of meeting Lily, but he could see that something was troubling her. "Why don't we go over there?" he asked, nodding his head toward a far corner of the lobby where a sofa and chair were unoccupied.

It did not take long for Jean to tell him her concern. "Sam, I am beginning to believe that Mark is the one sending the faxes," she said.

He saw the pain in her eyes. "Why do you think that?" he asked quietly.

"Because he let slip that he knew I was a patient of Dr. Connors. I never told him that. There's more. He was inquiring at the desk yesterday to see if I had received a fax and apparently was disappointed that it hadn't come in. That was the one mistakenly included with someone else's mail. Mark told me he worked at Dr. Connors' office in the evening during the time I was seeing the doctor. Finally, he admitted he saw me at West Point with Reed. He even knew Reed's name."

"Jean, I promise you, we'll take a very close look at Mark Fleischman. I'll be honest. I haven't been happy that you've been confiding in him. I hope you didn't pass on to him anything that Michaelson told you this morning."

"No, I didn't."

"I don't want to alarm you, but I think you need to be careful. I bet we're going to find that the person sending the faxes is someone from your graduating class. Whoever it turns out to be-Mark or one of the others who attended the reunion-I don't believe anymore that it's about money. I think we're dealing with a psychotic and a potentially dangerous personality."

He studied her for a long minute. "You were beginning to like Fleischman, weren't you?"

"Yes, I was," Jean admitted. "That's why it's hard for me to believe that he may be a totally different person from how he appears on the surface."

"You don't know that yet. Now I have something that may perk you up." He took Lily's picture out of his pocket, explaining what it was before he handed it to her. Then from the corner of his eye, he saw Gordon Amory and Jack Emerson coming through the front entrance of the hotel. "You may want to take it upstairs before you look at it, Jean," he suggested. "Amory and Emerson just showed up, and if they see you, they'll probably come over."

Jean quickly whispered, "Thanks, Sam," took the picture from him, and hurried to the elevator.

Sam saw that Gordon Amory had spotted her and was going to try to catch her. He hurried to intercept him. "Mr. Amory," he said, "have you decided how long you'll be staying here?"

"I'll be leaving by the weekend, at the latest. Why do you ask?"

"Because if we don't hear from Ms. Wilcox soon, we are going to treat her as a missing person. In that case we'll need to speak at greater length to the people who were around her just before she disappeared."

Gordon Amory shrugged. "You'll hear from her," he said dismissively. "However, for the record, if you wish to contact me, I expect to be in the general area even after I check out here. Through Jack Emerson, as our agent, we are making an offer on a large tract of land where I plan to build my corporate headquarters. So when I leave the hotel I plan to stay in my Manhattan apartment for several weeks."

Jack Emerson had been speaking to someone near the desk. Now he joined them. "Any news of the toad?" he asked Sam.

"The toad?" Sam raised his eyebrows. He was perfectly aware that Emerson meant Robby Brent, but he wasn't about to let on.

"Our resident comedian, Robby Brent. Isn't he smart enough to know that all guests, missing or otherwise, like fish, smell after three days? I mean, enough already with the publicity stunt."

Emerson's had a couple of shots of whiskey for lunch, Sam thought, noting the man's flushed complexion.

Ignoring the reference to Brent, he said, "Since you live in Cornwall, I assume you'll be available if I need to talk with you about Laura Wilcox, Mr. Emerson. As I just explained to Mr. Amory, we will be listing her as a missing person if we don't hear from her soon."

"Not so fast, Mr. Deegan," Emerson said. "The minute Gordie- I mean, Gordon-and I have finished putting this deal together, I'm out of here. I have a place in St. Bart's that it's time for me to visit. Putting this reunion together was a lot of work. Tonight we take some more pictures at President Downes' house, have a drink with him, and then this reunion is really over. Who gives a damn whether or not Laura Wilcox and Robby Brent ever show up? The Stonecroft Academy building committee doesn't need their kind of publicity."

Gordon Amory had been listening with an amused smile on his face. "I must tell you, Mr. Deegan, that I think Jack has put it very well. I tried to catch Jean, but she was in the elevator and I missed her. Do you know her plans?"

"I don't," he said. "Now if you'll excuse me, I have to get back to my office." I wouldn't tell any of those guys what Jean is doing, he thought as he crossed the hotel lobby, and I hope she heeds my warning not to trust any of them.

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