Mary Clark - Nighttime Is My Time

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The definition of an owl had always pleased him: a night bird of prey…sharp talons and soft plumage which permits noiseless flight…applied figuratively to a person of nocturnal habits. 'I am The Owl', he would whisper to himself after he had selected his prey, 'and nighttime is my time.'"
Jean Sheridan, a college dean and prominent historian, sets out to her hometown to attend the twenty-year reunion of Stonecroft Academy alumni, where she is to be honored along with six other members of her class. There is something uneasy in the air: one woman in the group about to be feted, Alison Kendall, a beautiful, high-powered Hollywood agent, drowned in her pool during an early-morning swim. Alison is the fifth woman in the class whose life has come to a sudden, mysterious end.
Adding to Jean's sense of unease is a taunting, anonymous fax she received, referring to her daughter – a child she had given up for adoption twenty years ago.
At the award dinner, Jean is introduced to Sam Deegan, a detective obsessed by the unsolved murder of a young woman who may hold the key to the identity of the Stonecroft killer. Jean does not suspect that among the distinguished people she is greeting is The Owl, a murderer nearing the countdown on his mission of vengeance against the Stonecroft women who had mocked and humiliated him, with Jean as his final victim.
From The Washington Post
As pointed out in Book World's May 2 Summer Forecast, readers hardly need to be reminded that Mary Higgins Clark's latest spring offering is here. Nighttime Is My Time brings to 29 the number of novels to bear her name, novels that have routinely graced bestseller lists and earned her numerous awards and the title Queen of Suspense. It is equally significant that Clark, an icon in the mystery field, has been generous with her time and attention to numerous younger writers, as evidenced by an award she and her publisher have sponsored since 2001 to recognize new talented authors, including Barbara D'Amato, Judith Kelman, Rose Conners and M.K. Preston, who follow the vein of suspense Clark has so expertly mined.
In a recent interview, Clark attributed her popularity to readers' ability to "walk in the shoes of the character." In the guidelines for eligibility to win the award that bears her name, Clark spells out the makings of a good suspense novel: "A very nice young woman, 27-38 or so, whose life is suddenly invaded. She is not looking for trouble – she is doing exactly what she should be doing. She solves her problem by her own courage and intelligence. She's in an interesting job. She's self-made – independent – has primarily good family relationships. No on-scene violence. No four-letter words or explicit sex scenes."
Nighttime Is My Time hews to this formula by creating an admirable protagonist, Jean Sheridan, a historian and author of a well-received book on Abigail Adams, then adds other elements to which virtually every reader can relate. Jean is returning to her hometown to be honored at the 20-year reunion of her class at Stonecroft Academy, a private school in upstate New York. But one of the six other honorees won't be attending the festivities. Hollywood agent Alison Kendall has been murdered in the book's opening pages by a man who had the resources to travel repeatedly to Los Angeles to stalk her before he drowned her in her own swimming pool.
Alison's death strikes Jean hard. The two had been friends and part of a group of girls known for lunching together, their good looks and their cruelty to boys in the school. Typical high school behavior perhaps, but, like the boys of Columbine, Alison's killer has nursed a grudge over how the girls taunted him, most specifically for taking advantage of his stage fright when he played an owl in a school play. This murderer's vengeance, planned and implemented over two decades, calls for killing each lunch-table girl, and other unrelated women, and leaving no "signature" to alert law enforcement, save the little pewter owls he places undetected near their bodies, a "silent reminder of his visit, a calling card that everybody always missed." And although he readily admits to himself that Jean was the only girl who was kind to him, in fact had enough family problems of her own to have been ridiculed herself, our serial killer (who calls himself, unsurprisingly, The Owl) has decided she too must die.
A reunion saddened by the tragic loss of a friend, a loss readers know is murder; the resourceful, successful heroine who has risen to the heights of her profession but must struggle to save herself and her daughter from the killer; the disappearance of actress Laura Wilcox, another honoree, before the reunion is over; a stalking serial killer who sits among the unsuspecting as a classmate and friend – Clark enlists these and other trademark devices to ratchet up the empathy and suspense.
While her fans may be delighted as the red herrings and misdirections pile up in chapters so short that their white space consumes a hefty percentage of the novel's pages, for this reader so much exposure to the killer's habits, thoughts and actions undermines the novel's plausibility. While he may call himself The Owl and wear a frightening feathered headdress, it's unlikely that the kidnapped Laura wouldn't allow herself to say his name, even to herself, regardless of his admonitions not to speak it aloud. Implausible, too, is Sam Deegan, an about-to-retire veteran investigator in the D.A.'s office, whose inability to link past and present crimes is troubling. So is his tendency to share information with suspects and people unassociated with the case, including a nosy reporter for the high school paper whose sole purpose seems to be to move the plot along when the action gets sluggish.
Clark 's successful contributions to the genre clearly indicate that she knows, and has done, better work. And while diehard fans may not object as Nighttime Is My Time wends it way to its inexorable conclusion, others who wish for more sizzle in their suspense or more spine-tingling entertainments may want to wait for Clark's next novel or try D'Amato, Kelman or the others whom she has so graciously encouraged.

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"You say the blood-alcohol level shows that she was smashed when she died?" Stevens asked.

"She was. It registered at.20. According to Haverman, she started drinking after she was divorced, and she went so far as to tell her friends that she didn't have anything to live for."

"Joy, have you found anything in the files of the other women from the lunch table indicating that one of those pewter owls was found in their hands or in their clothing when their bodies were examined?"

"Not so far, sir," Joy admitted.

"I don't care whether or not Gloria Martin bought that owl herself," Sam said stubbornly. "The fact she had it in her hand says to me that she was murdered. So what if she told her friends she was depressed? Most people feel depressed after a divorce even if they're the ones who wanted it. But Martin was very close to her family and knew how devastated they'd be if she killed herself. She didn't leave a suicide note, and from the amount of alcohol she'd imbibed, it's a miracle to me that she managed to get the bag over her head and still hang on to the owl.".

"Do you agree with that assessment, Joy?" Rich Stevens snapped.

"I do, sir. Rudy Haverman is convinced it's a suicide, but he hasn't dealt with two other bodies with pewter owls in their pockets."

Rich Stevens leaned back and folded his hands. "For the sake of argument, let's say that whoever killed Helen Whelan and Yvonne Tepper may -and I repeat may -be involved in the death of at least one of the deceased Stonecroft lunch table girls."

"The sixth, Laura Wilcox, is missing," Sam said. "Which leaves only Jean Sheridan. I warned her yesterday to trust no one, but I'm not sure if that's going far enough. She may need actual protection."

"Where is she now?" Stevens asked.

"At her hotel. She called me around nine o'clock last night from her hotel room to thank me for something I gave her yesterday. She'd been at a cocktail party given by the president of Stonecroft Academy, and was having dinner sent up to her room. She's meeting her daughter's adoptive parents tonight and said she hoped she'd be able to calm down and get a good night's sleep."

Sam hesitated, then continued. "Rich, sometimes you've got to trust your instincts. Joy is doing a great job digging through the files on the Stonecroft deaths. Jean Sheridan would turn me down flat if I suggested she get a bodyguard, and she'd feel the same way if you offered her protection. But she likes me, and if I tell her I want to hang around with her whenever she leaves the hotel, I think she'd go along with it."

"I think that's a good idea, Sam," Stevens agreed. "All we need is to have something happen to Dr. Sheridan."

"One more thing," Sam added. "I'd like to put surveillance on one of the reunion guys who's still in town. His name is Mark Fleischman, Dr. Mark Fleischman. He's a psychiatrist."

Joy looked at Sam, her eyebrows raised in astonishment. "Dr. Fleischman! Sam, he gives the most sensible advice I've ever heard from anybody on television. A couple of weeks ago he did a program warning parents about kids who feel rejected at home or at school, and how some of them grow up damaged and emotionally warped. We see enough of that, don't we?"

"Yes, we do. But from what I understand, Mark Fleischman got badly hurt both at home and in school," Sam said grimly, "so maybe he was talking about himself."

"See who's available for surveillance," Rich Stevens said. "One more thing-we'd better list Laura Wilcox as a missing person. This is the fifth day she's been gone."

"I think that if we were being totally honest, we'd be listing her as 'missing, presumed dead,'" Sam said flatly.

79

After she hung up from Laura, Jean splashed water on her face, ran a comb through her hair, threw on her jogging suit, dropped her cell phone in her pocket, grabbed her pocketbook, and rushed out of the hotel to her car. Storm King Lookout on Route 218 was fifteen minutes from the hotel. It was still early, and traffic would be light. Normally a careful driver, she pressed her foot on the accelerator and watched the speedometer climb to seventy miles an hour. The clock showed that it was two minutes past seven.

Laura is desperate, she thought. Why does she want to meet me there? Is she planning to hurt herself? The mental image of Laura getting there first and maybe being desperate enough to climb over the railing and throw herself off haunted Jean. The Lookout was hundreds of feet above the Hudson.

The car skidded on the final turn, and for a frightening moment Jean was not sure if she could straighten it, but then the wheels righted and she could see that a car was parked near the telescope at the observation site. Let it be Laura, she prayed. Let her be there. Let her be all right.

Her tires screeched as she pulled into the parking area, turned off her engine, got out, and rushed to fling open the passenger door of the other car. "Laura – " Her greeting died on her lips. The man behind the wheel was wearing a mask, a plastic mask that was the face of an owl. The eyes of the owl, with black pupils set in pools of yellow iris, were surrounded by tufts of white down that gradually changed in color, deepening to brown around the beak and lips.

He was holding a gun.

Terrified, Jean turned to run, but a familiar voice ordered, "Get in the car, Jean, unless you want to die here. And do not speak my name. It is forbidden."

Her car was only a few feet away. Did she dare try to run for it? Would he shoot her? He was raising the gun.

Numb with fear, she stood uncertainly; then, playing for time, she slowly started to put her foot into the car. I'll jump back, she thought. I'll duck. He'll have to get out to shoot me. I may be able to get back in my car. But in a lightning-quick gesture, he grabbed her arm, and pulled her the rest of the way into the car, then reached past her and slammed the door.

In an instant he was backing up, turning onto Route 218, heading toward Cornwall. He ripped off the mask and grinned at her. "I am The Owl," he said. "I am The Owl. You must never call me by any other name. Do you understand?"

He's insane, Jean thought as she nodded. There were no other cars on the road. If one came along, could she lean over and blow the horn? Better to take her chances here on the road than let him get her alone someplace where she couldn't get help. "I am… an… ow-owl… and… and… I… lllive… in… a…" he chanted. "Remember, Jeannie? Remember?"

"I remember." Her lips began to form his name and then froze before any sound came. He's going to kill me, she thought. I'll grab the wheel and try to cause an accident.

He turned and smiled at her, an openmouthed smirk. The pupils of his eyes were black.

My cell phone, she thought. It's in my pocket. She shrank back against the seat and fumbled for it. She managed to slide it out and edge it to her side where he couldn't see it, but before she could attempt to open the cover and dial 911, The Owl's right hand shot over.

"We're getting into traffic," he said. His strong fingers, crooked like talons, flew to her neck.

She jerked back away from him and, with her last conscious thought, pushed the cell phone between the seatback and the cushion.

When she woke up, she was tied to a chair; there was a gag on her mouth. The room was dark, but she could make out the figure of a woman lying on the bed across the room, a woman in a dress that sparkled and caught the tiny glimmers of light that broke through the sides of the thick shades.

What happened? Jean thought. My head hurts. Why can't I move? Is this a dream? No, I was going to meet Laura. I got in the car and-

"You're awake, Jeannie, aren't you?"

It was an effort to turn her head. He was standing in the doorway. "I surprised you, didn't I, Jean? Do you remember the school play in the second grade? Everybody laughed at me. You laughed at me. Remember?"

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