Mary Clark - Nighttime Is My Time

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The definition of an owl had always pleased him: a night bird of prey…sharp talons and soft plumage which permits noiseless flight…applied figuratively to a person of nocturnal habits. 'I am The Owl', he would whisper to himself after he had selected his prey, 'and nighttime is my time.'"
Jean Sheridan, a college dean and prominent historian, sets out to her hometown to attend the twenty-year reunion of Stonecroft Academy alumni, where she is to be honored along with six other members of her class. There is something uneasy in the air: one woman in the group about to be feted, Alison Kendall, a beautiful, high-powered Hollywood agent, drowned in her pool during an early-morning swim. Alison is the fifth woman in the class whose life has come to a sudden, mysterious end.
Adding to Jean's sense of unease is a taunting, anonymous fax she received, referring to her daughter – a child she had given up for adoption twenty years ago.
At the award dinner, Jean is introduced to Sam Deegan, a detective obsessed by the unsolved murder of a young woman who may hold the key to the identity of the Stonecroft killer. Jean does not suspect that among the distinguished people she is greeting is The Owl, a murderer nearing the countdown on his mission of vengeance against the Stonecroft women who had mocked and humiliated him, with Jean as his final victim.
From The Washington Post
As pointed out in Book World's May 2 Summer Forecast, readers hardly need to be reminded that Mary Higgins Clark's latest spring offering is here. Nighttime Is My Time brings to 29 the number of novels to bear her name, novels that have routinely graced bestseller lists and earned her numerous awards and the title Queen of Suspense. It is equally significant that Clark, an icon in the mystery field, has been generous with her time and attention to numerous younger writers, as evidenced by an award she and her publisher have sponsored since 2001 to recognize new talented authors, including Barbara D'Amato, Judith Kelman, Rose Conners and M.K. Preston, who follow the vein of suspense Clark has so expertly mined.
In a recent interview, Clark attributed her popularity to readers' ability to "walk in the shoes of the character." In the guidelines for eligibility to win the award that bears her name, Clark spells out the makings of a good suspense novel: "A very nice young woman, 27-38 or so, whose life is suddenly invaded. She is not looking for trouble – she is doing exactly what she should be doing. She solves her problem by her own courage and intelligence. She's in an interesting job. She's self-made – independent – has primarily good family relationships. No on-scene violence. No four-letter words or explicit sex scenes."
Nighttime Is My Time hews to this formula by creating an admirable protagonist, Jean Sheridan, a historian and author of a well-received book on Abigail Adams, then adds other elements to which virtually every reader can relate. Jean is returning to her hometown to be honored at the 20-year reunion of her class at Stonecroft Academy, a private school in upstate New York. But one of the six other honorees won't be attending the festivities. Hollywood agent Alison Kendall has been murdered in the book's opening pages by a man who had the resources to travel repeatedly to Los Angeles to stalk her before he drowned her in her own swimming pool.
Alison's death strikes Jean hard. The two had been friends and part of a group of girls known for lunching together, their good looks and their cruelty to boys in the school. Typical high school behavior perhaps, but, like the boys of Columbine, Alison's killer has nursed a grudge over how the girls taunted him, most specifically for taking advantage of his stage fright when he played an owl in a school play. This murderer's vengeance, planned and implemented over two decades, calls for killing each lunch-table girl, and other unrelated women, and leaving no "signature" to alert law enforcement, save the little pewter owls he places undetected near their bodies, a "silent reminder of his visit, a calling card that everybody always missed." And although he readily admits to himself that Jean was the only girl who was kind to him, in fact had enough family problems of her own to have been ridiculed herself, our serial killer (who calls himself, unsurprisingly, The Owl) has decided she too must die.
A reunion saddened by the tragic loss of a friend, a loss readers know is murder; the resourceful, successful heroine who has risen to the heights of her profession but must struggle to save herself and her daughter from the killer; the disappearance of actress Laura Wilcox, another honoree, before the reunion is over; a stalking serial killer who sits among the unsuspecting as a classmate and friend – Clark enlists these and other trademark devices to ratchet up the empathy and suspense.
While her fans may be delighted as the red herrings and misdirections pile up in chapters so short that their white space consumes a hefty percentage of the novel's pages, for this reader so much exposure to the killer's habits, thoughts and actions undermines the novel's plausibility. While he may call himself The Owl and wear a frightening feathered headdress, it's unlikely that the kidnapped Laura wouldn't allow herself to say his name, even to herself, regardless of his admonitions not to speak it aloud. Implausible, too, is Sam Deegan, an about-to-retire veteran investigator in the D.A.'s office, whose inability to link past and present crimes is troubling. So is his tendency to share information with suspects and people unassociated with the case, including a nosy reporter for the high school paper whose sole purpose seems to be to move the plot along when the action gets sluggish.
Clark 's successful contributions to the genre clearly indicate that she knows, and has done, better work. And while diehard fans may not object as Nighttime Is My Time wends it way to its inexorable conclusion, others who wish for more sizzle in their suspense or more spine-tingling entertainments may want to wait for Clark's next novel or try D'Amato, Kelman or the others whom she has so graciously encouraged.

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"I was disappointed, and I was mad. I slammed into the house. My mother was in the kitchen. I told her that I'd be glad if Dennis' car slid down the hill and crashed into the fence. Forty minutes later it did slide down the hill. The basketball net was at the base of the driveway. The other guys got out of the way. Dennis didn't."

"Mark, you're the psychiatrist. You have to know that it wasn't your fault."

The waiter was back with the sandwiches and coffee. Mark took a bite of his sandwich and sipped the coffee. It was obvious to Jean that he was struggling to keep his emotions in check. "Intellectually, yes, but neither of my parents was ever the same toward me after that. Dennis was the Christ child in my mother's eyes. I can understand that. He had everything. He was so gifted. I heard her tell my father that she was sure I had deliberately left the brake off, not to deliberately hurt Dennis but hoping to pay him back for disappointing me."

"What did your father say?"

"It's what he didn't say. I expected him to defend me, but he didn't. Then some kid told me that my mother had said that if God wanted one of her boys, why did it have to be Dennis?"

"I heard that story," Jean admitted.

"You grew up wanting to get away from your parents, Jean, and so did I. I always felt we were kindred spirits. We both threw ourselves into academics and kept our mouths shut. Do you see your parents much?"

"My father lives in Hawaii. I visited him there last year. He has a lady friend who's quite nice, but he proclaims from the rooftops that one marriage cured him of ever walking down the aisle again. I spent a few days around Christmas with my mother, who seems genuinely happy now. She and her husband have visited me a few times. I admit that it does make me gag a bit to see the two of them holding hands and nuzzling each other, when I think of how she behaved with my father. I guess I'm over resenting them, except for the fact that at age eighteen I didn't think I could turn to them for help."

"My mother died when I was in medical school," Mark said. "I wasn't told that she'd had a heart attack and was dying. I would have jumped on a plane and come back to say good-bye to her. But she didn't ask for me. In fact, she said she didn't want to see me. It felt like the final rejection. I didn't attend the funeral. After that I never came home again, and my father and I have been on the outs for fourteen years." He shrugged. "Maybe that's why I decided to be a psychiatrist. 'Physician, heal thyself.' I'm still trying."

"What were the questions you asked your father? You told me he answered them."

"The first one was why he didn't send for me when my mother was dying."

Jean wrapped both hands around the coffee cup and picked it up. "What was his answer?"

"He told me that my mother had become delusional. Shortly before she had the heart attack, she had gone to a psychic who told her that her younger son had deliberately released the brake because he was jealous of his brother and wanted to hurt him. Mother had always believed in the possibility that I had wanted to damage Dennis' car, but the psychic put her over the edge. That may even have brought on the heart attack. Want to hear the other question that I asked my father?"

Jean nodded.

"My mother couldn't stand any kind of drinking, and my father liked to have a drink in the late afternoon. He'd sneak into the garage where he kept some booze hidden on the shelf behind the paint cans, or he'd pretend to be cleaning the inside of his car and have a little cocktail party of his own. Sometimes he'd sit in Dennis' car and have his nip. I know I left that brake on. I know Dennis didn't go near the car. He was playing basketball with his friends. Certainly my mother wouldn't get into the convertible. I asked my father if he had sat in Dennis' car that afternoon, having his couple of scotches, and if so, didn't he think it was possible he might have released that brake accidentally?"

"What did he say?"

"He admitted that he was in the car and got out of it only a minute or so before it rolled down the hill. He never had the courage to tell my mother, not even when that psychic poisoned her mind about me."

"Why do you think he admitted it now?"

"I was walking around town the other night, thinking of how people go through life with unresolved conflicts. My appointment book is filled with patients who are living examples of that. When I saw my father's car in the driveway-that same driveway, incidentally-I decided to go in and, after fourteen years of silence, have it out with him."

"You saw him last night, and you're seeing him again tonight. Does that mean a reconciliation?"

"He's going to be eighty years old soon, Jean, and he's not well. He's been living a lie for twenty-five years. He's almost pathetic, talking about how he wants to make it up to me. Of course he can't, but maybe seeing him will help me understand and put it behind me. He's right about the fact that if my mother knew he had been drinking in the car and had caused the accident, she would have gotten rid of him that same day."

"Instead, on an emotional level she withdrew from you ."

"Which, in turn, contributed to the total sense of inadequacy and failure that I remember feeling at Stonecroft. I tried to be like Dennis, but I certainly wasn't as good-looking. I wasn't an athlete, and I wasn't a leader. The only time I felt any sense of camaraderie was when some of us worked a job together in the evenings our senior year. We'd go out afterward and have a pizza. Perhaps the good part is that I learned compassion for kids who have it tough, and as an adult I have tried to make their paths a little smoother."

"According to what I hear, you're doing a good job of it."

"I hope so. The producers want to move the show to New York, and I've been asked to join the staff of New York Hospital. I think I'm ready to make the change."

"A new beginning?" Jean asked.

"Exactly-where what can't be forgiven or forgotten may at least be relegated to the past." He raised his coffee cup. "Shall we drink to that, Jeannie?"

"Yes, of course." As badly as I was hurt, it was worse for you, Mark, she thought. My parents were too busy hating each other to understand what they were doing to me. Your parents let you know they preferred your brother, and then your father deliberately let your mother believe the one thing that she could never forgive you for. What did that do to your soul?

Her instinct was to reach across the table and lay her hand on his, the same gesture with which he had comforted her yesterday. But something held her back. She simply could not trust him. Then she realized she wanted to pick up on something he had just said. "Mark, what was the evening job you worked at during senior year?"

"I was with the office clean-up crew in a building that has burned down since then. Jack Emerson's father got a bunch of us jobs there. I guess you weren't around when we were joking about it the other night. Every one of the guys who is an honoree pushed a broom or emptied wastebaskets over there."

" All of you?" Jean asked. "Carter and Gordon and Robby and ~ .

"That's right. Oh, and one more. Joel Nieman, a.k.a. Romeo. We all worked with Jack. Don't forget, we were the ones who didn't have to practice for games or travel with teams. We were perfect for that job." He paused. "Wait a minute. You should know that building, Jean. You were Dr. Connors' patient."

Jean felt her body turn icy. "I didn't tell you that, Mark."

"You must have. How else would I have known it?" How else, indeed? Jean wondered as she pushed her chair back. "Mark, I have a few phone calls to return. Do you mind if I don't wait while you get the check?"

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