Michael Connelly - Blood Work

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Blood Work: краткое содержание, описание и аннотация

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Michael Connelly returns with a new character and a story that reaches new levels of intricacy and suspense-his most gripping work to date.
Thanks to a heart transplant, retired Los Angeles -based FBI agent Terrell McCaleb has a new lease on life. Formerly a well-known media fixture as pointman for the bureau in the investigation of serial killers, he leads a quiet life now, spending his time renovating the fishing boat he lives on in the Los Angeles Harbor. His goal is simple-to finish restoring his houseboat and return to his home town on Catalina Island. But McCaleb’s calm seas turn choppy when a story in the “What Happened To?” column of the L.A. Times brings him face to face with the sister of the woman whose heart now beats in his chest. From her McCaleb learns a terrible truth: that the donor of his heart was not killed in an accident as he’d been told, but was murdered. Racked with the guilt of having lived because of someone else’s murder, McCaleb springs into action. Using his FBI connections and his expertise in crime scene interpretation, he embarks on a private investigation of his donor’s murder-a search leading him to a crime far more complex, and far more dangerous than he’d imagined. In BLOOD WORK, Michael Connelly is at the top of his game-delivering his most ambitious thriller yet.
RAVES FOR BLOOD WORK AND SUSPENSE MASTER MICHAEL CONNELLY
“RECALLS NO ONE SO MUCH AS RAYMOND CHANDLER… CONNELLY PUTS HIS FOOT ON THE GAS AND DOESN’T LET UP.” – Los Angeles Times
“A richly detailed and totally absorbing thriller… distinguished by its finely etched characters, relentless pacing, and spot-on depictions of the diversity of life in today’s L.A… BE PREPARED TO READ THIS ONE STRAIGHT THROUGH. IT’S THAT GOOD.” – Chicago Tribune
“CONNELLY IS ONE OF THOSE MASTERS OF STRUCTURE WHO CAN KEEP DRIVING THE STORY FORWARD, PARAGRAPH BY PARAGRAPH, IN RUNAWAY-LOCOMOTIVE STYLE.” – USA Today
“BEAUTIFULLY CONSTRUCTED, POWERFULLY RESONATING…Fans of Connelly’s Harry Bosch novels will feel right at home with this thriller, and newcomers will see right away what all the fuss has been about.” – Publisher’s Weekly (starred review)
“A WONDERFULLY TAUT READ.” – Washington Post Book World
“BLOOD WORK IS FIRST RATE… CONNELLY IS ONE OF THE BEST OF THE NEW BREED OF THRILLER WRITERS. His latest is as good as hisTrunk Music andThe Poet .” – San Francisco Examiner
“CONNELLY DOESN’T JUST TALK ABOUT POETS, HE WRITES LIKE ONE.” – People
“POWERFUL STORYTELLING AND WRITING SKILLS.” – Houston Chronicles
“CONNELLY’S PLOTTING IS NEAR FLAWLESS.” – Fort Lauderdale Sun-Sentinel
“CONVINCINGLY CHOREOGRAPHED, and the procedural details of his casework fascinate.” – Wall Street journal
“Connelly should hit it big and reach the large audience who gleefully submitted themselves to the horrors of Thomas Harris’sRed Dragon andThe Silence of the Lambs .” – Booklist

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He slowed the jumble of thoughts streaming through his mind and tried to analyze the jump he had just made.

“I’m talking about the match,” he said. “The link.”

“What link?”

“What have we been missing? What have we been looking for? The link between these cases. At first the connection was simply the randomness of crime. That’s what the cops thought. That’s what I thought when I first started looking at it. We had two holdup victims-no connection other than the killer and the chance crossing of his path with the paths of these individuals. This is L.A., this sort of thing happens all the time. The capital of random violence, right?”

Graciela turned onto Sherman Way. They were just a couple of minutes from her home.

“Right.”

“Wrong. Because then we read more into it. We discover a killer who takes personal icons and this suggests something more involved than random collisions of shooter and victim. This suggests a deeper relationship-the targeting, stalking and acquisition of each victim.”

McCaleb stopped. They were passing the Sherman Market and they both wordlessly looked at the store as they went by. McCaleb waited a moment longer before continuing.

“Then all of a sudden we get another wrinkle, another layer of the onion is peeled back. We get the ballistics and it’s a whole new ball game. Now we have another murder and what looks like a professional running through this. A hitter. Why? What could possibly be the connection between your sister, James Cordell and Donald Kenyon?”

Graciela didn’t answer. She was coming up on Alabama now and moved the car into the left-turn lane.

“Blood,” he said. “Blood has got to be the link.”

She pulled into the driveway of her home. She turned the engine off.

“Blood,” she said.

McCaleb stared straight ahead at the closed garage door. He spoke slowly, the dread finally catching up with him.

“All this time I’ve been thinking, What did she see, what did she know? Whose path could she have crossed that would have gotten her killed? You see, I looked at her life and made a judgment. I decided that she didn’t have anything that anyone would want to take, so the reason had to be elsewhere. But I missed it. Missed it completely. Your sister was a good mother, a good sister, good employee and friend. But the one thing she had that made her almost unique was her blood. That made what she had inside her so very valuable… to someone.”

He waited a beat. He still didn’t look at her.

“Someone like me.”

He heard her breath leaving her body and he felt as though it was the hope going out of him. His hope of redemption.

“You’re saying she was… taken for her organs. You look at a poster back there and can say that?”

He finally looked over at her.

“I just knew it. That’s all.”

He opened his door.

“We call Mrs. Cordell. She’ll tell us her husband’s blood type. It will be AB with CMV negative. Perfect match. Then we get Kenyon’s blood. It, too, will match. I’d bet on it.”

He turned his body to get out.

“It doesn’t make sense,” she said. “Because you told me Mr. Cordell died right there. At the bank. His heart wasn’t taken. His organs. It’s not the same. And Kenyon. Kenyon died at his house.”

He got out and then leaned down and looked in at her. She was looking out through the windshield now.

“Cordell and Kenyon didn’t work out,” he said. “The shooter learned from them. He finally got it right with your sister.”

McCaleb shut the door and walked toward the house. It was a while before Graciela caught up to him.

Inside, McCaleb sat down on a sectional couch in the living room and Graciela brought him the phone from the kitchen. He realized he had left Amelia Cordell’s number in his bag in the car. He also realized that the car was unlocked and his gun was in the bag as well.

As he stepped back outside and approached the car, his eyes casually swept the street. He was looking for the car from the night before at the marina. He saw nothing that remotely matched and no other cars parked along the curb with occupants inside.

Back in the house again, he sat on the couch and punched Amelia Cordell’s number into the phone while Graciela sat down in the far corner of the couch and watched him with a distant look on her face. The phone rang five times before a machine picked up. McCaleb left his name, number and the message that he needed James Cordell’s blood type as soon as she could get it to him. He clicked off the phone and looked at Graciela.

“Do you know if she works?” she asked.

“No, she doesn’t. She could be anywhere.”

He clicked the phone back on and called his own machine to check for messages. There were nine, the machine having accumulated them unplayed since Saturday. He listened to four messages from Jaye Winston and two from Vernon Carruthers that were outdated by events. There was also Graciela’s message that she would be coming to the boat Monday. Of the two remaining messages, the first was from Tony Banks, the video tech. He told McCaleb that he had completed the job on the video he had dropped off. The other message was from Jaye Winston again. She had called that morning to tell McCaleb that his prediction had come true. The bureau was increasing its involvement in the investigations of the murders. Hitchens had not only promised full cooperation but was abdicating lead status to agents Nevins and Uhlig. She was frustrated. McCaleb could easily read it in her voice. But so was he. He clicked off and blew out his breath.

“Now what?” Graciela asked.

“I don’t know. I need to confirm this… this idea before I take the next step.”

“What about the sheriff’s detective? She should have the complete autopsy. She’d know the blood type.”

“No.”

He didn’t say anything else by way of explanation. He looked around what he could see of the house from the couch. It was small, neatly furnished and kept. There was a large framed photo of Gloria Torres on the top shelf of a china cabinet in the adjoining dining room.

“Why don’t you want to call her?” Graciela asked.

“I’m not sure. I just… I want to figure things out a little bit before I talk to her. I think I should wait a little while and see if I hear from Mrs. Cordell.”

“What about calling the coroner’s office directly?”

“No, I don’t think that would work, either.”

What he was leaving unsaid was the fact that if he confirmed his theory, it would mean that anyone who benefited from Glory’s death would rightly have to be considered a suspect. That included him. Therefore, he did not want to make any inquiry to authorities that might set that into motion. Not until he was ready with a few more answers with which to defend himself.

“I know!” Graciela suddenly said. “The computer in the blood lab-I can probably confirm it there. Unless his name’s been deleted. But I doubt that. I remember coming across the name of a donor who had been dead four years and he was still on there.”

What she was saying made little sense to McCaleb.

“What are you talking about?” he asked.

She looked at her watch and jumped up from her chair.

“Let me change and then we have to hurry. I’ll explain everything on the way.”

She then disappeared down a hallway and McCaleb heard a bedroom door close.

29

THEY GOT TO HOLY CROSS shortly before noon. Graciela parked in the front lot and they went into the hospital through the general admissions entrance. She did not want to go through the emergency room, since that was where she worked. She explained on the way over that she had been taking a lot of personal days off with little notice to be with Raymond since Gloria’s death. But the patience of her supervisors was wearing thin. She didn’t think it would be wise to take the day off on one day’s notice and flaunt it by walking through the emergency room. Besides, what they were about to do could get her fired. The fewer people who saw her the better.

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