Michael Connelly - Blood Work

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Blood Work: краткое содержание, описание и аннотация

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Michael Connelly returns with a new character and a story that reaches new levels of intricacy and suspense-his most gripping work to date.
Thanks to a heart transplant, retired Los Angeles -based FBI agent Terrell McCaleb has a new lease on life. Formerly a well-known media fixture as pointman for the bureau in the investigation of serial killers, he leads a quiet life now, spending his time renovating the fishing boat he lives on in the Los Angeles Harbor. His goal is simple-to finish restoring his houseboat and return to his home town on Catalina Island. But McCaleb’s calm seas turn choppy when a story in the “What Happened To?” column of the L.A. Times brings him face to face with the sister of the woman whose heart now beats in his chest. From her McCaleb learns a terrible truth: that the donor of his heart was not killed in an accident as he’d been told, but was murdered. Racked with the guilt of having lived because of someone else’s murder, McCaleb springs into action. Using his FBI connections and his expertise in crime scene interpretation, he embarks on a private investigation of his donor’s murder-a search leading him to a crime far more complex, and far more dangerous than he’d imagined. In BLOOD WORK, Michael Connelly is at the top of his game-delivering his most ambitious thriller yet.
RAVES FOR BLOOD WORK AND SUSPENSE MASTER MICHAEL CONNELLY
“RECALLS NO ONE SO MUCH AS RAYMOND CHANDLER… CONNELLY PUTS HIS FOOT ON THE GAS AND DOESN’T LET UP.” – Los Angeles Times
“A richly detailed and totally absorbing thriller… distinguished by its finely etched characters, relentless pacing, and spot-on depictions of the diversity of life in today’s L.A… BE PREPARED TO READ THIS ONE STRAIGHT THROUGH. IT’S THAT GOOD.” – Chicago Tribune
“CONNELLY IS ONE OF THOSE MASTERS OF STRUCTURE WHO CAN KEEP DRIVING THE STORY FORWARD, PARAGRAPH BY PARAGRAPH, IN RUNAWAY-LOCOMOTIVE STYLE.” – USA Today
“BEAUTIFULLY CONSTRUCTED, POWERFULLY RESONATING…Fans of Connelly’s Harry Bosch novels will feel right at home with this thriller, and newcomers will see right away what all the fuss has been about.” – Publisher’s Weekly (starred review)
“A WONDERFULLY TAUT READ.” – Washington Post Book World
“BLOOD WORK IS FIRST RATE… CONNELLY IS ONE OF THE BEST OF THE NEW BREED OF THRILLER WRITERS. His latest is as good as hisTrunk Music andThe Poet .” – San Francisco Examiner
“CONNELLY DOESN’T JUST TALK ABOUT POETS, HE WRITES LIKE ONE.” – People
“POWERFUL STORYTELLING AND WRITING SKILLS.” – Houston Chronicles
“CONNELLY’S PLOTTING IS NEAR FLAWLESS.” – Fort Lauderdale Sun-Sentinel
“CONVINCINGLY CHOREOGRAPHED, and the procedural details of his casework fascinate.” – Wall Street journal
“Connelly should hit it big and reach the large audience who gleefully submitted themselves to the horrors of Thomas Harris’sRed Dragon andThe Silence of the Lambs .” – Booklist

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“Better hang on to those,” Neff said. “You go out the way you came in. Depending on when that is, we might be rolling out there.”

McCaleb took the plastic bag out of his pocket and put the plugs in it. Neff took the seat behind his desk and signaled them to two in front of it. The vinyl padding of the seat McCaleb was assigned was smeared with ink. He hesitated before sitting.

“Don’t worry,” Neff said, “it’s dry.”

For the next fifteen minutes they talked to Neff about Gloria Torres and got very little usable or salient information. It was clear that Neff liked Glory but it was also clear that his relationship was typical of most supervisor-employee interaction. It was primarily job focused and there was little personal information passed back and forth. When asked if he knew of anything that could have been troubling Glory, Neff shook his head and said he wished he knew something that would help. Any disputes with fellow employees? Same shake of the head.

Out of the blue McCaleb asked him if he knew James Cordell.

“Who’s that?” Neff said.

“What about Donald Kenyon?”

“What, that savings and loan guy?” Neff smiled. “Yeah, we were pals. At the country club. Milken and that guy, Boesky, hung out with us, too.”

McCaleb returned the smile and nodded. It was clear Neff was not going to be of much help. His mind drifted and Graciela asked Neff questions about who Glory’s friends were. McCaleb thought about the ink-stained chair upon which he sat. He knew where the ink came from. Probably everyone who sat in the chair before him was someone called in off the press line. It was why they all wore the navy blue uniforms. To hide the ink.

A thought occurred to him. Glory had been on her way home from work when she was killed. But she wasn’t in any uniform. She had changed. Here. But there had been nothing in the LAPD report about detectives finding work clothes in her car or checking the contents of a locker.

“Excuse me,” McCaleb said, interrupting Neff as he told Graciela about how skilled her sister was at driving a forklift that loaded huge rolls of newsprint into the presses. “Is there a locker room? Did Glory have a locker?”

“Sure, we got a locker room. Who wants to get into their automobile covered with ink? We’ve got complete fa-”

“Would Glory’s locker have been cleaned out yet?”

Neff sat back and thought a moment.

“You know, we got another hiring freeze here. We haven’t been able to get permission to replace Glory. Since we haven’t done that, I doubt we’ve cleaned out her locker.”

McCaleb felt a little jump. Maybe it was a break.

“Then is there a key? Can we look at it?”

“Uh, sure, I suppose so. I have to go get the master from the maintenance supervisor.”

Neff left them in his office while he went to get the master key and to find Nettie Stapleton. Since Glory’s locker was obviously in the women’s locker room, Neff had said before leaving that Nettie would escort Graciela in to search its contents. McCaleb would have to wait in the hallway with Neff. This did not sit well with McCaleb. It was not that he didn’t think Graciela capable of searching a locker. It was just that he would look at and treat the locker in its entirety, taking in the subtleties of what he saw the way he studied crime scenes and crime scene tapes.

Soon Neff was back with Stapleton and introductions were made. She remembered Graciela and offered seemingly heartfelt condolences. Neff then led the entourage downstairs to the hallway leading to the locker rooms. McCaleb was going to make one last offer, that if the locker room was empty, he be allowed in. But as they approached the door to the women’s locker room, he could hear the sound of the showers running. He knew he was going to be left out.

McCaleb had run out of things to ask Neff and was short of small talk. While they waited, he slowly sauntered away from the man so that he could avoid idle conversation and personal questions. There were more bulletin boards affixed to the wall between the locker room doors and he acted as though he was reading some of the posted notices.

Four minutes of silence went by in the hallway. McCaleb had moved from one end of the side-by-side bulletin boards to the other. When Graciela and Nettie finally came out, he was staring at a hand-drawn rendering of a liquid drop on a poster attached to the board. The drop was half shaded in with red, indicating that the employees were halfway toward their goal in an ongoing blood drive. Graciela walked up to him.

“Nothing,” she said. “Just some clothes, a bottle of perfume and her earphones. There were four pictures of Raymond and one of me taped to the door.”

“Earphones?”

“I mean ear protectors. But nothing else.”

“What kind of clothes?”

McCaleb was still staring at the poster as he spoke.

“A couple of fresh uniforms and a top from home and a pair of jeans.”

“You check all the pockets?”

“Yes. Nothing.”

It hit him then, with the impact of an armor-piercing bullet. He leaned forward and put his hand up against the bulletin board for support.

“Terry, what is it?” Graciela said. “Are you okay?”

He didn’t respond. His thoughts were racing. Graciela put her hand to his forehead to feel for fever. He brushed it aside.

“No, it’s not that,” he said.

“Is there a problem?” Neff chimed in.

“No,” McCaleb said, a little too loudly. “We just have to go. I need to get to the car.”

“Is everything all right?”

“Yes,” McCaleb said, again too loudly. “I’m sorry, but everything’s fine. We just have to go.”

McCaleb nodded his thanks to Annette Stapleton and headed down the hallway toward what he believed was the entrance lobby. Graciela followed and Neff called after them, telling them to take their first left.

28

WHAT WAS THAT ABOUT? What’s going on?”

McCaleb was walking quickly toward the car. He felt that maintaining velocity would somehow help keep the growing dread he was feeling from entirely overtaking his thoughts. Graciela had to trot to keep up.

“The blood.”

“The blood?”

“They both gave blood. Your sister and Cordell. It was right there in front of me all the-I saw that poster and I remembered I saw a letter at Cordell’s house… and I just knew. Do you have your keys?”

“Listen, slow down, Terry. Slow down.”

He reluctantly slowed his pace and she came up next to him, digging the car keys out of her purse.

“Now tell me what you are talking about.”

“Open the car and I’ll show you.”

They reached the car. She unlocked his door first and started around to her side. He slipped in and reached across to open her door. He then leaned forward and started going through the bag on the floor. It was so jammed with paperwork, he had to pull the gun out and place it on the floor mat just so there was room to look through the documents. Graciela got in the car and started watching.

“You can start it,” he said without turning his attention from his task.

“What are you doing?”

He pulled out the Cordell autopsy.

“I’m looking for-shit, this is just the preliminary report.”

He flipped through the protocol to make sure. It was incomplete.

“No toxicology and blood.”

He shoved the autopsy report back into the bag and then the gun. He straightened up.

“We’ve got to find a phone. I’ll call his wife.”

Graciela started the car.

“Fine,” she said. “We will-we’ll go to my house. But you have to tell me what it is you’re thinking, Terry.”

“Okay, just give me a minute to think first.”

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