Irving Wallace - The Man

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The Man: краткое содержание, описание и аннотация

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The time is 1964. The place is the Cabinet Room of the Where House. An unexpected accident and the law of succession have just made Douglass Dilman the first black President of the United States.
This is the theme of what was surely one of the most provocative novels of the 1960s. It takes the reader into the storm center of the presidency, where Dilman, until now an almost unknown senator, must bear the weight of three burdens: his office, his race, and his private life.
From beginning to end, The Man is a novel of swift and tremendous drama, as President Dilman attempts to uphold his oath in the face of international crises, domestic dissension, violence, scandal, and ferocious hostility. Push comes to shove in a breathtaking climax, played out in the full glare of publicity, when the Senate of the United States meets for the first time in one hundred years to impeach the President.

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Hurt, Talley said, “Geez, Arthur, I was only trying-okay, okay-so I said to her firmly, ‘Edna, I’m his aide, and if he knows I’m out here he will probably want to see me. So you go in there, you tell him I sent you in, and tell him I’d like to know what he thinks of the speech, and if he’d like to talk it over.’ She was kind of hesitant, but I insisted. So she went inside, and I cooled my heels for maybe a minute. Then she came out, and you know what she had in her hand? This.” Wayne Talley reached inside his suit coat and jerked forth the folded typescript of the speech they had jointly prepared for Dilman the night before, Talley opened it and pointed to the pen-written scrawl across the top.

Eaton cocked his head, squinted his eyes, trying to decipher the scrawl. Haltingly, he read the President’s notation aloud. “ ‘Thanks for all your trouble. D. D.’ ” Eaton frowned, and pursed his lips. “I wonder if he even read it.”

“I don’t know,” said Talley. “All I know is Miss Foster stuck it in my hands and said, ‘President Dilman asked me to tell you he appreciates this, the work that went into it, but he won’t need it because he’s writing his own speech.’ I was so appalled, I blurted out to her, I said, ‘Edna, for Chrissakes, no President in living memory has ever written his own speech. It takes writers, real writers, and in this instance, specialists in domestic matters. No man can do it alone. He’d botch it.’ And she said, ‘I don’t think you have to worry, Governor. He didn’t do it entirely alone. When I told him you were standing by to help, he said to tell you he’d had plenty of help all day long from friends of his.’ I got sore, and I said, ‘I thought you told me no one saw him today.’ She said, ‘That’s right, at least not through this office or Mr. Lucas’ office. But he may have seen someone in his own apartment at lunch. Besides, I didn’t say that no one talked to him today. There were plenty of telephone calls.’ I couldn’t ask her who he called or who called him, so I thanked her, double checked with Lucas to see if there’d been any visitors through his office-there weren’t-and then I hoped right back to my desk and telephoned you. That’s the whole of it, Arthur. What do you think?”

“I think I don’t like it, and I thin our President is a fool,” Eaton said. “He is liable to make a bloody mess of it. I can only pray he is literate and lucid enough to make the meaning and intent of the bill clear to the people.”

“Well, I’ve had time to cool off, and I’m becoming philosophical about the whole thing,” Talley said. “What difference what he says about it, as long as he signs it? I only resent his being so high-handed, and ignoring us. Besides”-Talley smoothed the typescript almost lovingly where it lay on the table-“it was such a damn beautiful bit of rhetoric, would have kicked the whole minorities program off in high. Christ, what T. C. could have done with this. Lookee here-”

He began to read snatches of the rejected speech. “ ‘This magnificent Federal program follows in the great American tradition of the WPA at home and the Marshall Plan abroad, both milestones in our democratic effort to lend a strong, undemanding hand to those of our citizens who need a hand, and to give aid and comfort to those millions who desire their country’s help even as they help themselves. It is with pride in my fellow citizens, and with the greatest confidence in our future well-being and security, that I endorse the Minorities Rehabilitation Program approved by our Congress, and that I put my name to it before all of you.’ ” Talley looked up. “Not bad, Arthur?” He dipped his head again. “I like this part best. ‘This bill, my fellow Americans, will stand as a monument more enduring than granite to the name and memory of my predecessor, the late President, who-’ ”

“That’s enough, Governor,” Eaton interrupted. “It’s a waste of time. It has as much meaning now as a letter that was never mailed.” He paused, and listened. “Is that the elevator?”

Quickly Talley folded the speech and shoved it into his pocket. He sidled up to Eaton. “What do we tell them?”

“Nothing, except that Dilman told you he was revising our draft at length, and we have no idea how he has altered the language.” He looked off. “Hello, Allan… Evening, Senator-”

The Majority Leader of the Senate, John Selander, came into the room, followed by Allan Noyes, chairman of the Party. Minutes later, Gorden Oliver, full of cheer and carrying a bottle of Cutty Sark as his entry pass, arrived with Harvey Wickland, Majority Leader of the House of Representatives. Shortly after, Secretary of the Interior Lionel Ruttenberg was the last to arrive.

Arthur Eaton found that he had no patience for the usual small talk and gossip, and he drifted apart from his guests to smoke and think. When he consulted his wristwatch, it was only three minutes to speech time.

He returned to the group, but hung back while Gorden Oliver finished the latest addition to his endless store of jokes.

“-stood waiting on the Montgomery street corner for his transportation,” Oliver was saying, “and when it came, this dark-skinned gentleman climbed on, paid his fare, and started to sit down in the front seat. Then the driver yelled at him, ‘Get in the back of the bus!’ Then the man said, ‘But I’m Jewish.’ Then the driver yelled, ‘Get off the bus!’ ”

They all roared with glee, and Oliver, encouraged, was about to embark on another story when Eaton said loudly, “The President is speaking in one minute. Let’s settle down.”

As Talley hastened to turn on the television set, find the clearest channel, adjust the volume, the others took their places in the semi-circle of chairs set before the screen. Eaton did not join them, but propped himself against the table edge, arms folded across his chest.

The television screen was filled by a commercial, and then the station break with the network’s emblem.

Senator Selander, tipping his chair backward, twisting, whispered to Eaton, “What’s this that Wayne was telling me about the President doing considerable rewriting on the address we prepared? I thought it was a gem. Are you sure you have no idea what parts he changed?”

“No idea whatsoever, Senator. Apparently it was a last-minute thing. In all probability, he beefed up the sections on civil rights. I think he’s trying to woo back his Negro following. But quite honestly, I don’t-” Eaton uncrossed his arms and pointed past Selander. “There it goes. We’ll know soon enough.”

They concentrated on the screen, which now showed the Presidential seal.

Eaton’s memory of the many times he had been in that Oval Office when T. C. had waited to address the nation enlarged the screen in his mind. A minute or two before, the still photographers had been shooed out, and what remained were four or five television cameras and their operators focusing on T. C.’s hearty figure, solid and ready in the big leather chair behind the Buchanan desk. Eaton remembered too, with an ache of nostalgia, the little things that prepared T. C. for this moment; the thick cables leading from the cameras across the rug and through the French doors to the colonnaded walk where the Secret Service men stood; the black drape hung and pinned across the windows behind the President; the brown felt cloth thrown over the desk from which the gadgets and framed photographs of Hesper and Freddie had been temporarily removed; the tilted stand atop the desk, holding the cards on which the President’s address had been typed; the two members of the press pool, sitting out of view at the President’s left; the television monitor set off screen at his right, but facing him so he could see the image that he was projecting; the two secretaries in the rear, holding transcripts of the speech, to check his spoken words against the printed words, and pencil in any changes he improvised or ad-libbed.

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