Tony Hillerman - People Of Darkness

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An assassin waits for Officer Jim Chee in the desert to protect a vision of death that for thirty years has been fed by greed and washed by blood. Who would murder a dying man? Why would someone steal a box of rocks? And why would a rich man’s wife pay $3,000 to get them back? These questions haunt Sgt. Jim Chee of the Navajo Tribal Police as he journeys into the scorching Southwest. But there, out in the Bad Country, a lone assassin waits for Chee to come seeking answers, waits ready and willing to protect a vision of death that for thirty years has been fed by greed and washed in blood.

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“And Tomas Charley was too suspicious. The Navajos around Mount Taylor may not know a lot about radioactive pathology, but they could count up the fact that people who associated with Vines seemed to die. They knew he was a witch. When Emerson Charley’s truck was bombed, Tomas was suspicious. He wanted to prove Vines was a witch. He broke in and stole the box, and all Mrs. Vines knew was that the box was extremely important to Vines, so she asked me to get it back. I think she wanted to know Vines’ secret.”

The snow was falling more heavily now, drifting almost straight down out of an abruptly windless sky.

“Can’t we build that fire a little higher?” Mary asked.

“A little,” Chee said. He moved two chunks of piñon trunk into the blaze.

“You can’t prove any of this, can you?” Mary said. It wasn’t a question.

“I won’t have to,” Chee said. “I told the blond man. Tomorrow we’ll tell Gordo Sena. Sena won’t need proof either.”

32

CHEE PASSED THE WORD to Sheriff Sena via the radio in an El Paso Natural Gas Company helicopter. The copter had found them where the EPNG collector pipe bridges Nagasi Wash. They had built a fire in the brush that flourishes there, and not ten minutes after the greasy smoke spiraled into the sky, the little Bell had puttered over the rise. The pilot was a young man with a scarred nose, a walrus mustache, and the emblem of a First Cavalry Division gunship unit sewed on his greasy flying jacket. He had already spotted their bombed pickup truck, and circled it curiously, and he was ready to believe Chee’s story of a police emergency.

Chee told the sheriff’s dispatcher at Grants no more than Gordo Sena would need to know.

“Tell him the man who killed Tomas Charley is headed for B. J. Vines’ house. Tell him that Vines hired the man, and tell him that Vines’ real name is Carl Lebeck.”

“Lee what?” the dispatcher asked.

“Lebeck,” Chee said. “Be sure to get that right. Carl Lebeck.” Except for describing the truck, and the blond man, Chee offered no more details. They would be redundant. Gordo Sena had lived for thirty years with the details of that oil well explosion burning in his mind. He’d know instantly who Lebeck was, and he was smart enough to put it all together. The dispatcher had said Sena had left for the Anaconda Mine. The same road led through the fringes of the Laguna reservation toward the high slopes of Mount Taylor and Vines’ place. About fifteen miles, Chee guessed, compared to the sixty they had to cover in the helicopter. But that last mile or two would be impassable to something on wheels. Sena would have to walk in. Chee would get there first.

The thought excited him. At one level he was afraid of the blond man. At another, he longed to find him. His broken rib ached, as it had ached all morning. But it was more than vengeance. The man had shot him once. He had twice hunted Chee down to kill him. The memory still rankled – of the interminable minutes spent on the metal duct above the hospital ceiling, of the helpless panic in the blowhole. Now he was the stalker. He tried to analyze the feeling. Expectant? Exultant? Something between, and something more. There was a mixture of fear and of the remembered childhood feeling of the hunt. The smell of smoke, of boiling coffee, the forest scents carried on the predawn dew. His uncle greeting the sun with the dawn chant and blessing them all with the sacred pollen and singing the final song to call the spirits of the deer. Through the scarred, oil-smeared Plexiglas he could see the Turquoise Mountain rushing toward them, its upper slopes a virginal white, glittering in the sunlight against a sky swept clean by the night’s storm. The thump of the copter blades covered the words as he repeated the Stalking Song. Perhaps Mary heard them, jammed as she was between him and the pilot. She glanced at him curiously.

They found the blond man’s pickup truck about three twisting miles below the Vines house. Chee examined it through his binoculars, and the tracks told a story that was easy to read. The truck had slid off the narrow forest service road, losing traction on an upslope, where its spinning rear wheels moved sideways into the ditch. The driver had emerged, walked uphill several hundred yards, and then returned to the truck. He’d done this while the snow was still falling heavily, and his tracks were half-filled depressions. Later, when the snow was no longer falling, he had emerged again, walking uphill through snow that now was perhaps two feet deep. The new tracks were easy to follow, but there was no reason to follow them. They would lead to Vines’ house.

The only question was whether they had yet reached the house. How fast could the blond man struggle uphill through deep snow? A mile an hour? At the butte the snowfall had stopped about 4:00 A.M. On the mountain, it would have lasted longer. Perhaps until 5:00 or 6:00.

“Let’s take the shortest way to Vines’,” Chee said. “When we’re there, get close to the ground and try to keep behind the trees. They’ll hear us, but I don’t want them to know where you’re letting me off.”

“Letting you off?” Mary said. “You’re out of your mind. We’ll wait for the sheriff. He can’t get away now.”

“No,” Chee said. “There’s something I have to do.”

The copter settled in a great cloud of feathery snow behind a cluster of blue spruce which screened off the garage. Chee dropped into a snowbank deeper than his knees and stood blinded for a moment while the copter pulled up and away. Then he ran, floundering, to the stone wall of the garage. The blond man, and Vines, and Mrs. Vines, anyone in the house, would have heard the copter, but they couldn’t have seen it, and they wouldn’t know it had dropped him. Still, he’d be careful. He stood against the wall, remembering the layout of the house. It sat with its back into the mountain slope, looking outward across the great panorama below. But the view was limited. Behind the house, the wall was low and windowless, and in many places one could step from the mountainside to the tile roof. Chee trotted around the garage. The tombstones of Dillon Charley and the first and faithful Mrs. Vines wore high white hats of snow. Behind the house, he stopped to listen. The stillness was almost total – the silence of a windless morning on a mountain buried under new white insulation. From somewhere back in the forest, a fir limb bent and gave up its bushels of snow with a sibilant sound. From the house, only silence.

Thirty feet ahead there was a doorway. Perhaps a laundry room, or some other sort of utility entrance. Chee moved toward it cautiously, keeping close to the wall, with the pistol, cocked, in his right hand. He tried the knob. Unlocked.

Over the roof he heard the sound of the copter. It was approaching fast. The sound peaked, receded, and returned. First Cavalry was creating a distraction for him, Chee realized. Mary’s idea, probably. He pulled the door open and slipped inside.

The room seemed almost totally dark. He stood, back to the door, giving his eyes a chance to make the adjustment from the brilliance of sunlight off snow to the interior gloom. He was in a sort of washroom/supply room. Down a short, narrow hail he could see into the kitchen. His ears told him absolutely nothing. The house was as silent as the snow outside. But something reached his nose. Acrid. The smell of blue smoke produced by gunpowder. Chee leaned against the edge of the clothes drier, unlaced his wet boots and removed them. He moved silently down the hall, placing his stockinged feet noiselessly. The kitchen was empty. It was lighter. The room was lit by a row of small high windows and more light came in from the broad doorway, which opened into what seemed to be a game room. Chee moved through the kitchen, back to the wall, trying to see into the adjoining room without being seen himself. He edged past the door of what was probably a pantry. Then he froze.

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