"I see nothing," he said curtly.
"Thomas — the customs man who called himself Thomas -did. He was on to us from the start. He knew what he was looking for. He was looking for a powerful radio transmitter. Not the tuppenoe ha'penny job we have up in the wheel-house. He was looking for signs of a power take-off from those batteries. He was looking for the marks left by screw clamps or by a pair of saw-toothed, powerfully spring-loaded crocodile dips."
Uncle Arthur swore, very quietly, and bent over the batteries again. This time his examination took only ten seconds.
"You make your point well, Calvert." The eyes were still bitter, but no longer glacial.
"No wonder they knew exactly what I was doing to-day," I said savagely, "No wonder they knew that Hunslett would be alone before dawn, that I'd be landing at that cove this evening. All they required was radio confirmation from someone out in Loch Houron that Calvert had been snooping around there and the destruction of -the helicopter was a foregone conclusion. All this damned fol-de-rol about smashing up radio transmitters and making us think that we were the only craft left with a transmitter. God, how blind can you be?"
"I assume that there's some logical thought behind this outburst," Uncle Arthur said coldly.
"That night Hunslett and I were aboard the Shangri-la for drinks. I told you that when we returned we knew that we'd had visitors. We didn't know why, then. My God!"
"You've already been at pains to demonstrate the fact that I was no brighter than yourself about the battery. It's not necessary to repeat the process — "
"Let me finish," I interrupted. Uncle Arthur didn't like being interrupted. "They came down to the engine-room here. They knew there was a transmitter. They looked at that starboard cylinder head. Four bolts — the rest are dummies -with the paint well and truly scraped off. The port cylinder head bolts without a flake of paint missing. They take off this head wire into the transceiver lines on the output side of the scrambler and lead out to a small radio transmitter hidden, like as not, behind the battery bank there. They'd have all the equipment with them for they knew exactly what they wanted to do. From then on they could listen in to our every word. They knew all our plans, everything we intended to do, and made their own plans accordingly. They figured and how right they were that it would be a damn sight more advantageous for them to let Hunslett and I have our direct communication with you and so know exactly what was going on than to wreck this set and force us to find some other means of communication that they couldn't check on."
"But why — but why destroy the advantage they held by — by — " e gestured at the empty engine casing.
"It wasn't an advantage any longer," I said tiredly. "When they ripped out that set Hunslett was dead and they thought Calvert was dead. They didn't need the advantage any more."
"Of course, of course. My God, what a fiendish brew this is." He took out his monocle and rubbed his eye with the knuckle of his hand. "They're bound to know that we will find Hunslett the first time we attempt to use this radio. I am beginning to appreciate the weight of your remark in the saloon that we might find it difficult to insure ourselves. They cannot know how much we know, but they cannot afford to take chances. Not with, what is it now, a total of seventeen million pounds at stake. They will have to silence us."
"Up and off is the only answer," I agreed. "We've been down here too long already, they might even be on their way across now. Don't let that Luger ever leave your hand, sir. We'll be safe enough under way. But first we must put Hunslett and our friend in the after cabin ashore."
"Yes. Yes, we must put them ashore first."
At the best of times, weighing anchor by electric windlass is not a job for a moron, even an alert moron. Even our small windlass had a pull of over 1,400 pounds, A carelessly placed hand or foot, a flapping trouser leg or the trailing skirts of an oilskin, any of those being caught up between chain and drum and you can be minus a hand or foot before you can cry out, far less reach the deck switch which is invariably placed abaft the windlass. Doing this on a wet slippery deck is twice as dangerous. Doing it on a wet slippery deck, in total darkness, heavy rain and with a very unstable boat beneath your feet, not to mention having the brake pawl off and the winch covered by a tarpaulin, is a highly dangerous practice indeed. But it wasn't as dangerous as attracting the attention of our friends on the Shangri-la.
Perhaps h was because of my total absorption In the job on hand, perhaps because of the muffled clank of the anchor coming inboard, that I didn't locate and identify the sound as quickly as I might. Twice I'd thought I'd heard the far-off sound of a woman's voice, twice I'd vaguely put it down to late-night revelry on one of the smaller yachts in the bay — it would require an LB.M, computer to work out the gallon-age of gin consumed in British yacht harbours after the sun goes down. Then I heard the voice again, much nearer this time, and I put all thought of revelry afloat out of my mind. The only cry of desperation ever heard at a yacht party is when the gin runs out: this soft cry had a different quality of desperation altogether. I stamped on the deck switch, and all sound on the fo'c'sle ceased. The Lilliput was in my hand without my knowing how it had got there.
"Help me!" The voice was low and urgent and desperate. "For God's sake, help me."
The voice came from the water, amidships on the port side. I moved back silently to where I thought the voice had come from and stood motionless. I thought of Hunslett and I didn't move a muscle, I'd no intention of helping anyone until I'd made sure the voice didn't come from some dinghy -a dinghy with two other passengers, both carrying machine-guns. One word, one incautious flash of light, a seven pound pull on a trigger and Calvert would be among his ancestors if, that was, they would have anything to do with such a bloody fool of a descendant.
"Please! Please help me! Please!"
I helped her. Not so much because the desperation in the voice was unquestionably genuine as because of the fact that it as unquestionably belonged to Charlotte Skouras.
I pushed through between the scuppers and the lowest guard-rail, a rubber tyre fender that was permanently attached to one of the guard-rail stanchions and lowered it to water-level. I said: "Lady Skouras?"
"Yes, yes, ifs me. Thank God, thank God!" Her voice didn't come just as easily as that, she was gasping for breath and she'd water in her mouth.
"There's a fender at the boat's side. Catch it."
A moment or two, then: "I have it."
"Can you pull yourself up?"
More splashing and gasping, then: "No. No, I can't do it"
"No matter. Wait." I turned round to go for Uncle Arthur but he was already by my side. I said softly in his ear: "Lady Skouras is down there in the water. It may be a trap. I don't think so. But if you see a light, shoot at it."
He said nothing but I felt his arm move as he took the Luger from his pocket I stepped over the guard-rail and lowered myself till my foot came to rest on the lower part of the tyre. I reached down and caught her arm. Charlotte Skouras was no slender sylph-like figure, she had some bulky package tied to her waist, and I wasn't as fit -as I'd been a long, long time ago, say about forty-eight hours, but with a helping hand from Uncle Arthur I managed to get her up on deck. Between us, we half carried her to the curtained saloon and set her down on the settee. I propped a cushion behind her head and took a good look at her.
She'd never have made the front cover of Vogue. She looked terrible. Her dark slacks and shirt looked as if they had spent a month in the sea instead of probably only a few minutes. The long tangled auburn hair was plastered to her head and cheeks, her face was dead-white, the big brown eyes, with the dark half-circles, were wide open and frightened and both mascara and lipstick had begun to run. And she hadn't been beautiful to start with. I thought she was the most desirable woman I'd ever seen. I must be nuts.
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