Alistair MacLean - Caravan to Vaccares

Published by HarperCollins Publishers Ltd

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London SE1 9GF

www.harpercollins.co.uk

First published in Great Britain by William Collins Sons & Co. Ltd 1970

Copyright © HarperCollins Publishers 1970

Cover design © HarperCollins Publishers Ltd 2020

Cover photograph © Stephen Mulcahey

Alistair MacLean asserts the moral right to be identified as the author of this work

A catalogue copy of this book is available from the British Library.

This novel is entirely a work of fiction.

The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.

All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins.

Source ISBN: 9780008337490

Ebook Edition © 2020 ISBN: 9780007289240

Version: 2020-04-14

To Jean-André and Emanuela Charial

Contents

Cover

Title Page CARAVAN TO VACCARÈS Alistair MacLean

Copyright

Dedication

Prologue

Chapter 1

Chapter 2

Chapter 3

Chapter 4

Chapter 5

Chapter 6

Chapter 7

Chapter 8

Chapter 9

Chapter 10

Epilogue

Keep Reading …

About the Author

By Alistair MacLean

About the Publisher

They had come a long way, those gypsies encamped for their evening meal on the dusty greensward by the winding mountain road in Provence. From Transylvania they had come, from the pustas of Hungary, from the High Tatra of Czechoslovakia, from the Iron Gate, even from as far away as the gleaming Rumanian beaches washed by the waters of the Black Sea. A long journey, hot and stifling and endlessly, monotonously repetitive across the already baking plains of Central Europe or slow and difficult and exasperating and occasionally dangerous in the traversing of the great ranges of mountains that had lain in their way. Above all, one would have thought, even for those nomadic travellers par excellence, a tiring journey.

No traces of any such tiredness could be seen in the faces of the gypsies, men, women and children all dressed in their traditional finery, who sat or squatted in a rough semi-circle round two glowing coke braziers, listening in quietly absorbed melancholy to the hauntingly soft and nostalgic tsigane music of the Hungarian steppes. For this apparent lack of any trace of exhaustion there could have been a number of reasons: as the very large, modern, immaculately finished and luxuriously equipped caravans indicated, the gypsies of today travel in a degree of comfort unknown to their forebears who roamed Europe in the horse-drawn, garishly-painted and fiendishly uncomfortable covered-wagon caravans of yesteryear: they were looking forward that night to the certainty of replenishing coffers sadly depleted by their long haul across Europe – in anticipation of this they had already changed from their customary drab travelling clothes: only three days remained until the end of their pilgrimage, for pilgrimage this was: or perhaps they just had remarkable powers of recuperation. Whatever the reason, their faces reflected no signs of weariness, only gentle pleasure and bitter-sweet memories of faraway homes and days gone by.

But one man there was among them whose expression – or lack of it – would have indicated to even the most obtusely unobservant that, for the moment at least, his lack of musical appreciation was total and his thoughts and intentions strictly confined to the present. His name was Czerda and he was sitting on the top of the steps of his caravan, apart from and behind the others, a half-seen shadow on the edge of darkness. Leader of the gypsies and hailing from some unpronounceable village in the delta of the Danube, Czerda was of middle years, lean, tall and powerfully built, with about him that curiously relaxed but instantly identifiable stillness of one who can immediately transform apparent inertia into explosive action. He was dressed all in black and had black hair, black eyes, black moustache and the face of a hawk. One hand, resting limply on his knee, held a long thin smouldering black cigar, the smoke wisping up into his eyes, but Czerda did not seem to notice or care.

His eyes were never still. Occasionally he glanced at his fellow-gypsies, but only briefly, casually, dismissively. Now and again he looked at the range of the Alpilles, their gaunt forbidding limestone crags sleeping palely in the brilliant moonlight under a star-dusted sky, but for the most part he glanced alternately left and right along the line of parked caravans. Then his eyes stopped roving, although no expression came to replace the habitual stillness of that face. Without haste he rose, descended the steps, ground his cigar into the earth and walked soundlessly to the end of the row of caravans.

The man who stood waiting in the shadows was a youthful, scaled-down replica of Czerda himself. Not quite so broad, not quite so tall, his swarthily aquiline features were cast in a mould so unmistakably similar to that of the older man that it was unthinkable that he could be anything other than his son. Czerda, clearly a man not much given to superfluous motion or speech, raised a questioning eyebrow: his son nodded, led him out on to the dusty roadway, pointed and made a downward slicing, chopping motion with his hand.

From where they stood and less than fifty yards away soared an almost vertical outcrop of white limestone rock, but an outcrop which has no parallel anywhere in the world, for its base was honeycombed with enormous rectangular entrances, cut by the hand of man – no feat of nature could possibly have reproduced the sharply geometrical linearity of those apertures in the cliff face: one of those entrances was quite huge, being at least forty feet in height and no less in width.

Czerda nodded, just once, turned and looked down the road to his right. A vague shape detached itself from shadow and lifted an arm. Czerda returned the salute and pointed towards the limestone bluff. There was no acknowledgment and clearly none was necessary, for the man at once disappeared, apparently into the rock face. Czerda turned to his left, located yet another man in the shadows, made a similar gesture, accepted a torch handed him by his son and began to walk quickly and quietly towards the giant entrance in the cliff face. As they went, moonlight glinted on the knives both men held in their hands, very slender knives, long-bladed and curved slightly at the ends. As they passed through the entrance of the cave they could still distinctly hear the vioinists change both mood and tempo and break into the lilting cadences of a gypsy dance.