J. Jance - Partner In Crime

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Partner In Crime: краткое содержание, описание и аннотация

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A terrifying truth is buried at the juncture where lethal greed and unassailable power converge.
The dead woman was an artist recently arrived from Washington State, cruelly cut down in the early stages of a promising career. Now all that remains of Rochelle Baxter lies on a cold slab in the Cochise County morgue, and Sheriff Joanna Brady knows that murder has once again infected her small desert community.
But there is more to this homicide than initially meets the eye – and more to the victim, who died while supposedly under the conscientious protection of the government.
A big-city legal establishment has no faith in the abilities of a small-town sheriff, let alone a female sheriff. Instructed to swallow her indignation, Joanna awaits the arrival of the “help” Washington ’s attorney general is sending her: the newest member of the state’s Special Homicide Investigation team – a man named Beaumont.
Bisbee, Arizona, is the last place J.P. Beaumont wants to be. The ghosts of a painful past are too numerous there, and his reluctant “partner,” Sheriff Brady, resents his intrusion and cannot help but make her feelings known. But the road they are forced to travel together is taking some unexpected turns, running two dedicated servants of the law headfirst into the impenetrable stone walls of a shocking conspiracy of silence. For Brady and Beaumont ’s hunt is disturbing a very deadly nest of rattlers, and suddenly trust is the only option they have.
On their own in the Arizona desert, they know death can be cold and quick. And nobody is watching their backs here… they’ll have to watch each other’s.

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“From what I’m seeing here,” Casey said, “I’d say our victim had company last night. We found an almost empty glass and a partially emptied beer bottle sitting on the table. Dave bottled up the remaining contents from the glass. He’ll take that back to the lab. I picked up two distinctly different sets of prints from both the bottle and the glass, and from the table, too. Assuming one set belongs to the victim, it’s possible the other one could belong to the perp. We’ll take the glass, the bottle, and whatever else is in the trash back to the department. Together Dave and I will go through it all. I’ll look for prints; he’ll look for anything else. Oh, and at Doc Winfield’s suggestion, we’ll be taking all the foodstuffs from here in the kitchen as well.”

Joanna nodded. As she often did these days, she had chosen to wear a uniform. Not wanting to disturb evidence, she stood in the middle of the kitchen area with her hands in her pockets. The room was tiny, but orderly. The cupboards were the kind that come, ready to be hung, from discount lumber stores. The table, a fridge, and a small apartment-size stove made for a kitchen that was functional enough, but one that had been put together by someone focused on neither cooking nor eating.

“Have you collected water samples?” Joanna asked.

“Dave did that first thing.”

Just then Joanna heard the sound of a woman’s voice, raised in anger, coming from the other side of the screen. “What do you mean, I can’t come in? What’s going on here? What’s happened?”

Back in the studio, Joanna found Detective Carbajal standing in the doorway and barring the entry of a solidly built woman who kept trying to dodge past him.

“I’m sorry, ma’am,” Jaime was saying. “This is a crime scene. No one is allowed inside.”

“Crime scene!” the woman repeated. “Crime scene? What kind of crime? What’s happened? Where’s Rochelle?”

Removing her mask, Joanna walked up behind her detective, close enough to glimpse a heavyset woman whose long gray hair was caught in a single braid that fell over one shoulder and dangled as far as her waist. She was swathed from head to toe in a loose-flowing, tie-dyed smock.

“I’m Sheriff Joanna Brady,” Joanna explained, stepping into view. “We’re investigating a suspicious death here. Who are you?”

“Death?” the woman repeated, wide-eyed. “Somebody died here? But what about Rochelle? Where’s she? Certainly Shelley isn’t-”

Suddenly the woman broke off. She blanched. One hand went to her mouth, and she wavered unsteadily on her feet. Up to then, Jaime Carbajal had been steadfastly trying to keep her outside. Now, as she swayed in front of him, he stepped forward and grasped her by one elbow. Then he led her into the great room and eased her onto a nearby stool. For a moment, no one spoke.

“I take it Rochelle Baxter is a friend of yours?” Joanna asked softly.

The woman glanced wordlessly from Joanna’s face to Jaime’s. Finally she nodded.

“I’m sorry to have to tell you this, then,” Joanna continued. “Rochelle Baxter fell gravely ill last night. She called 911, but by the time emergency personnel reached her, she was unresponsive. She was declared dead on arrival at the hospital.”

The woman began to shake her head, wagging it desperately back and forth, as though by simply denying what she’d been told she could keep it from being true. “That can’t be,” she moaned. “It’s not possible.”

By now Jaime had his spiral notebook out of his pocket. “Your name, please, ma’am?”

“Canfield,” the woman answered in a cracked whisper. “Deidre Canfield. Most people call me Dee.”

“And your relationship to Miss Baxter?”

“We were friends. I own an art gallery up in Old Bisbee – the Castle Rock Gallery. It’s where Shelley was going to have her first-ever show tonight…” Dee Canfield’s voice faltered, and she burst into tears. “Oh, no,” she wailed. “This can’t be. It’s so awful, so… unfair. It isn’t happening.”

For several long moments, Joanna and Jaime Carbajal simply looked on, waiting for Dee Canfield to master her emotions. Finally, pulling a man’s hanky out from under a bra strap, she blew her nose. “Has anyone told Bobo yet?”

Joanna knew of only one person in the Bisbee area with that distinctive name. “You mean Bobo Jenkins?” Joanna asked quickly. “The former owner of the Blue Moon Saloon and Lounge?”

Dee nodded. “That’s the one.”

“What’s his relationship to Miss Baxter?” Jaime asked.

Dee shrugged in a manner that suggested she thought Bobo Jenkins’s relationship with Rochelle Baxter was nobody else’s business. Jaime, however, insisted. “Would you say they were friends?” he asked.

Dee paused for several moments before answering. “More than friends, I suppose,” she conceded.

“They were going together?” Joanna suggested.

“Yes.”

“For how long?”

“I don’t know exactly. Several months now. Bobo is the one who introduced Shelley to me.”

“Had there been any trouble between them?” Jaime asked. “Any disagreements?”

“No!” Dee Canfield declared staunchly. “Not at all. Nothing like that.”

“You mentioned Rochelle’s show is scheduled to open at your gallery tonight,” Joanna said quietly. “Is that why you stopped by this morning?”

“No,” Dee replied. “Thursday mornings are when I come down to get gas. I have a Pinto, you see,” she explained. “It still uses leaded. Once a week I come down here, go across the line to Old Mexico, and fill up in Naco, Sonora. I usually stop by to see Shelley, coming or going. We have a cup of coffee and indulge in girl talk. When Shelley worked, she’d isolate herself completely. A little chitchat is what I used to drag her back into the real world.”

“If Rochelle Baxter is an artist, why don’t we see any paintings here?” Jaime Carbajal asked.

“Because everything’s up at the show. Oh my God!” Deidre Canfield wailed. “What am I going to do about that? Should I cancel it? Have the opening anyway? And who’s going to tell Bobo?”

“My department will notify Mr. Jenkins,” Joanna reassured her. “We’ll need to talk to him anyway. But when it comes to deciding whether or not to cancel the show, you’re on your own.”

Dee nodded and swallowed hard. “Rochelle was such a talented young woman,” she said, dabbing at her tears. “This was her very first show, you see, and she was so excited about it – excited and nervous, too.”

“Did she complain to you about feeling ill?”

“ Ill? You mean was she sick? Absolutely not. We worked together all day long yesterday – Shelley, Warren, and I. She certainly would have told me if she wasn’t feeling well.”

“Who’s Warren?” Jaime asked.

“Warren Gibson. My boyfriend. He helps out around the gallery. I’m the brains of the outfit. He’s the brawn.”

Just outside Dee Canfield’s line of vision, Jaime caught Joanna’s eye and motioned toward his watch, indicating he needed to head for his autopsy appointment at Doc Winfield’s office.

“Detective Carbajal has to leave now,” Joanna explained. “But if you don’t mind, I’d like to ask you a few more questions.”

“Okay,” Dee said. “I’m happy to tell you whatever you need to know. I want to help, but I’ll have to leave soon, too, so I can make arrangements about the show.”

As Jaime hurried out the front door, Dave Hollicker appeared from behind one of the screens lugging two heavy bags. Joanna took Dee ’s elbow, helped her off the stool, and escorted her outside.

“It might be better if we talk out here,” Joanna said, taking her own notebook out of her purse. “Now tell me, Ms. Canfield, how long have you known Rochelle Baxter?”

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