J. Jance - Partner In Crime

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Partner In Crime: краткое содержание, описание и аннотация

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A terrifying truth is buried at the juncture where lethal greed and unassailable power converge.
The dead woman was an artist recently arrived from Washington State, cruelly cut down in the early stages of a promising career. Now all that remains of Rochelle Baxter lies on a cold slab in the Cochise County morgue, and Sheriff Joanna Brady knows that murder has once again infected her small desert community.
But there is more to this homicide than initially meets the eye – and more to the victim, who died while supposedly under the conscientious protection of the government.
A big-city legal establishment has no faith in the abilities of a small-town sheriff, let alone a female sheriff. Instructed to swallow her indignation, Joanna awaits the arrival of the “help” Washington ’s attorney general is sending her: the newest member of the state’s Special Homicide Investigation team – a man named Beaumont.
Bisbee, Arizona, is the last place J.P. Beaumont wants to be. The ghosts of a painful past are too numerous there, and his reluctant “partner,” Sheriff Brady, resents his intrusion and cannot help but make her feelings known. But the road they are forced to travel together is taking some unexpected turns, running two dedicated servants of the law headfirst into the impenetrable stone walls of a shocking conspiracy of silence. For Brady and Beaumont ’s hunt is disturbing a very deadly nest of rattlers, and suddenly trust is the only option they have.
On their own in the Arizona desert, they know death can be cold and quick. And nobody is watching their backs here… they’ll have to watch each other’s.

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Joanna knew that Frank Montoya would be looking at the phone records for both the gallery and Dee Canfield’s house, but without Harve Dowd’s tip, no one would have thought to check the pair of pay phones on Main Street.

Thanking Harvey Dowd for his help, Joanna stuck her head into the gallery long enough to let Casey Ledford know where she was going. Then she got back into the car and drove down to the post office, where two waist-high public telephones stood side by side. After jotting down all the numbers, she radioed them into Dispatch, asking Tica to pass them along to Frank Montoya so he could ask for phone logs as soon as possible.

With that call completed, Joanna started to return to Castle Rock Gallery but changed her mind. The more people who showed up at a potential crime scene, the greater the potential for contamination, and the longer it would take for Casey and Ken Junior to process the place.

Across the street, through a tiny park, and up a concrete stairway, Joanna glimpsed the creamy-lit facade of Bisbee’s Copper Queen Hotel. Inside the hotel Joanna knew she would find Cornelia Lester. Latisha Wall’s sister was someone who had yet to have a face-to-face visit from the Cochise County sheriff. Joanna owed the woman that much courtesy, and some information as well.

With a sigh, Joanna put her Crown Victoria in gear and headed for the hotel. Once there, she stopped at the desk and asked for Cornelia Lester’s room. “She’s not there,” the clerk responded. “She’s right around the corner on the far side of the stairs.”

Walking around the sheltering stairway, Joanna saw a large African-American woman sitting on a leather-backed chair speaking to someone. Reluctant to interrupt, Joanna paused for a moment – long enough to see that the person opposite Cornelia Lester was none other than Special Investigator Beaumont.

All afternoon, the man had dogged her heels. Now he was interviewing Latisha Wall’s sister. Refusing to give way to a budding temper tantrum and steeling herself to be civil, Joanna stepped forward. “Good evening, Mr. Beaumont,” she said as she walked past him. She stopped in front of the woman. “You must be Cornelia Lester,” she said. “I’m Sheriff Joanna Brady. Please accept my condolences for the loss of your sister.”

IF LOOKS COULD KILL, I would have keeled over dead when Joanna Brady walked into the lobby of the Copper Queen Hotel and shook hands with Cornelia Lester.

“Thank you,” Cornelia said graciously. “I take it you and Mr. Beaumont here already know each other?”

Joanna nodded. “Yes,” she said. “We’ve met.” Her cool response was less than enthusiastic.

Settling into a nearby chair, Joanna leaned toward Cornelia as she spoke again. “I’m sorry to have to tell you this, Ms. Lester, but we’ve had another homicide this evening. Actually, I’m guessing that the death happened a day or so ago, but we’ve only just now discovered the body.”

Cornelia Lester didn’t blink. “Who?” she asked.

“Deidre Canfield.”

“The woman who owns the gallery?”

Joanna nodded. “Yes.”

“If she’s dead, too,” Cornelia speculated, “and if she and my sister were friends, then her death must have something to do with Tizzy’s, don’t you think? I’m sorry, Sheriff Brady. I mean with Latisha’s. Tizzy is what we always called my sister back home. But tell me, please, is there any progress now?”

Joanna glanced at me before she answered. “Not much,” she admitted. “We have only preliminary autopsy results for your sister at the moment. We believe she ingested some kind of poison, which may have been placed in your sister’s iced tea.”

“Who did it?” Cornelia asked. For her it was a simple question that should have had an equally simple answer – one Joanna Brady was currently unable to give.

“At this point, Ms. Lester, I’m afraid we have no viable suspects. My investigators are working on it, of course, but it’s still very early.”

“If it was in Tizzy’s tea, could it be a random-tampering case that has nothing to do with Tizzy being in the witness protection program?”

I have to give the lady credit. Cornelia asked tough questions. Joanna shook her head. “We can’t say one way or the other.”

“What are the chances that this second dead woman – this Deidre Canfield who was supposedly Tizzy’s friend – was somehow connected to the people who ran UPPI, the people Tizzy was so afraid were going to try to kill her?”

“That is a possibility,” Joanna conceded. “So far we’ve found nothing that would bolster that theory.”

“What about this?” Cornelia asked. “First they use Deidre Canfield to get to my sister, and then, with Tizzy gone, they get rid of Dee Canfield, too. Those UPPI folks are not nice people, Sheriff Brady.”

“I’m convinced your sister was right to be scared,” Joanna agreed. “But as for Deidre Canfield being tied in with them, that doesn’t seem likely.”

“What about Tizzy’s boyfriend then?” Cornelia asked, switching directions. “What’s his name again?”

“Jenkins,” Joanna supplied, glaring at me. “His name is Bobo Jenkins, but I must object to Mr. Beaumont here giving you access to confidential information. He may be a special investigator with the Washington State Attorney General’s Office, but he has no business…”

Oops. I should have come clean with Cornelia Lester and told her who I was. Now the cat was out of the bag. My ears reddened under her shrewdly appraising look.

“Mr. Beaumont?” she said finally. “Why, he never told me a thing about Mr. Jenkins. It was that nice man up at the antiques store. What’s his name again?”

“Harvey Dowd?” I asked tentatively.

Joanna Brady shot another baleful look in my direction. I had noticed earlier that her eyes were a vivid shade of green. In the dim light of the hotel lobby, however, they looked more like chips of slate.

“That’s right,” Cornelia said with a nod that somehow conveyed she had forgiven me my sin of omission. “Harvey Dowd is the one. He gave me to understand that Mr. Jenkins has quite a temper. He told me about a serious confrontation of some kind up at the gallery the other day – serious enough that police officers had to intervene.”

“That’s true,” Joanna said. “There was a confrontation. In fact, I’m the one who broke it up, but in Mr. Jenkins’s defense, you have to understand that he had just learned of your sister’s death – the death of the woman he had known as Rochelle Baxter and whom he had cared about deeply. When he discovered that Deidre Canfield still planned to go ahead with her grand-opening party, he was outraged. And when he learned Dee was raising the prices on the pictures…”

“Raising the prices?”

“Yes. Her position was that, with the artist dead, the few paintings that did exist would be that much more valuable. Mr. Jenkins took exception to that. He thought the show should be canceled and the pictures turned over to their rightful owners – the artist’s family.”

“He wanted the paintings returned to us?” Cornelia asked.

Joanna nodded. “That’s what the big fuss at Castle Rock Gallery that morning was all about.”

“He was trying to keep the gallery from selling them?”

“Yes,” Joanna said. “So they could be given to you.”

Cornelia Lester shook her head thoughtfully. “Mr. Dowd didn’t say a word about that,” she said, after a moment.

“No,” Joanna agreed. “I’m sure he didn’t, because he didn’t know it.”

Cornelia Lester sighed. “I’ve never met Mr. Jenkins, but when I do, I owe him an apology and my thanks. Now, if you’ll both excuse me, I’d better go on upstairs and go to bed. My body’s still on East Coast time. I’m running out of steam.”

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